Authors

Lindsay Vickery

Document Type

Conference Proceeding

Publisher

Edith Cowan University

Comments

Refereed papers from the Inaugural Totally Huge New Music Festival Conference,

Abstract

This paper surveys developments in recent Western Australian electronic music through the work of a number of representative artists in a range of internationally recognised genres. The article follows specific cases of practitioners in the fields of Sound Art (Alan Lamb and Hannah Clemen), live and interactive electronics (Jonathan Mustard and Lindsay Vickery) and noise/lo-fi electronics (Cat Hope and Petro Vouris) and glitch/electronica (Dave Miller and Matt Rösner).

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