Document Type
Conference Proceeding
Publisher
The International Computer Music Associationd
Faculty
Faculty of Education and Arts
School
Western Australian Academy of Performing Arts (WAAPA) / Music Research Group
RAS ID
13187
Abstract
This paper examines the screening of music notations and the impact of this configuration in a live music performance situation. Before the development of graphical computing, Traditional music notation, was rarely shared with the anyone other than other musicians, composers and analysts; let alone displayed during the performance. However, some composers experiment with scores and their visual presence in performance by employing automated ‘score-players’ or actual films specifically developed to be interpreted by musicians. This paper raises some questions and possibilities for this new way of sharing musical qualities of composition and performance.
Access Rights
free_to_read
Comments
Hope, C. A., & Vickery, L. (2011). Screen scores: New media music manuscripts . Paper presented at the 2011 International Computer Music Conference, Centre for Research in New Music, University of Huddersfield, United Kingdom. Available here