Document Type

Conference Proceeding

Publisher

Australian Music Centre

Faculty

Faculty of Education and Arts

School

Western Australian Academy of Performing Arts (WAAPA) / Music Research Group

RAS ID

16821

Comments

This article was originally published as: Gillies, S. P., & Vickery, L. R. (2013). Reflections on the construction of meaning through immanent visual association. In Sound scripts : proceedings of the 2011 Totally Huge New Music Festival Conference. / Volume 4. (pp. 71-77). Grosvenor Place, Australia: Australian Music Centre. Available here.

Abstract

Since the advent of digital video editing and projection, multimedia presentation in the concert space is no longer exclusive to the music of stadiumsized popular music events. Increasingly, many in the field of new music are incorporating elements of mixed media presentation. Examples of this trend include performances across the spectrum of new music such as Sensorband, Nico Muhly, Leafcutter John, and more. This paper discusses the artistic and thematic accomplishments of four different approaches to audio-visual association before discussing the influences of these approaches, their incorporation or rejection, into my own work Red River. (Gillies, 2011)

Access Rights

free_to_read

Share

 
COinS