Title

Electronic Music is here to stay - Or is it?

Document Type

Conference Proceeding

Publisher

SEA International, the Australian Network for Art & Technology and the University of Sydney

Faculty

Faculty of Education and Arts

School

Western Australian Academy of Performing Arts (WAAPA) / Music Research Group

RAS ID

16405

Comments

This article was originally published as: Travers, M. M., & Hope, C. A. (2013). Electronic Music is Here to Stay - Or is it? In Proceedings of the 19th International Symposium on Electronic Art, ISEA2013, Sydney, Australia: SEA International, the Australian Network for Art & Technology and the University of Sydney. Original article available here

Abstract

Musical composers frequently make use of new technologies in instrumentation. Whilst orchestral traditions remain strong and the instruments viable, what of the works of composers of electronic music where the sound sources have fallen into disrepair, obsolescence, or modern technology has changed the sound so that it bears no relation to the original? Beyond collections of manuscripts and recordings, the practicalities of the re-performance of electronic music compositions have not been widely discussed, and no methodology for archiving the artefacts for re-performability exists. In time, as greater importance is placed on these works, the issue will become more difficult to retrospectively resolve.

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