Document Type

Conference Proceeding

Publisher

National and Kapodistrian University of Athens

Faculty

Faculty of Education and Arts

School

Western Australian Academy of Performing Arts (WAAPA)

RAS ID

17627

Comments

This article was originally published as: Vickery L. (2014). Exploring a visual/sonic representational continuum. Proceedings - 40th International Computer Music Conference, ICMC 2014 and 11th Sound and Music Computing Conference, SMC 2014 - Music Technology Meets Philosophy: From Digital Echos to Virtual Ethos. (pp. 177-184). National and Kapodistrian University of Athens.

Abstract

This paper explores the relationships between sound and its visualisation, focussing upon the issues surrounding representation and interpretation of music through both performative and machine processes. The discussion proceeds in the context of five recent works by the author exploring the representation of sound and musical notation and their relationship to and with performance: unhörbares wird hörbar (the inaudible becomes audible) [2013], EVP [2012], Lyrebird: environment player [2014], Nature Forms I [2014] and sacrificial zones [2014]. Issues examined include: re-sonification of spectrograms, visualisation of spectral analysis data, control of spatialisation and audio processing using spectral analysis data, and reading issues related to scrolling screen score notation.

Creative Commons License

Creative Commons Attribution 3.0 License
This work is licensed under a Creative Commons Attribution 3.0 License.

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