The viola works of Benjamin Dale: A contextual study two Lecture-Recitals -and- An exegesis
Date of Award
Master of Arts (Performing Arts)
Western Australian Academy of Performing Arts (WAAPA)
Dr Jonathan Paget
Dr Paul Hopwood
Associate Professor Alex da Costa
Field of Research Code
1 9 0 4 0 7
This study makes a re-evaluation of the music of Benjamin Dale through a contextual investigation of his works for viola. Dale belonged to an eminent pre-war league of British composers studying at the Royal Academy of Music under the keen Wagnerian Frederick Corder. Analysis is employed to interrogate the ‘Wagnerian’ aspects of Dale’s musical language through an application of contemporaneous understandings of Wagner demonstrated in Corder’s English writings. Consideration is given to the extent that these associations factored into Dale’s subsequent post-war neglect. Dale’s late-romantic idiom and associated performance practices (including vibrato, portamenti, idiosyncratic fingerings, and bowings) are demonstrated through two lecture recitals, which also underscore the importance of Dale’s collaboration with leading violist Lionel Tertis.
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Hamilton, A. (2017). The viola works of Benjamin Dale: A contextual study two Lecture-Recitals -and- An exegesis. Retrieved from http://ro.ecu.edu.au/theses/2018
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