Follow

Submissions from 2016

Introducing decision training into an elite circus arts training program, P Lafortune, Jonathan Burtt, and P Aubertin

Submissions from 2015

Link

Inter-rater reliability and validity of the Australian football league’s kicking and handball tests, Ashley J. Cripps, Luke S. Hopper, and Christopher Joyce

Archiving the new, now, for future users yet unknown, Lelia Green, Cat Hope, Kylie J. Stevenson, and Tos Mahoney

Submissions from 2014

Link

Dance floor force reduction influences ankle loads in dancers during drop landings, Luke Hopper, Jacqueline Alderson, Bruce Elliott, and Timothy Ackland

Link

Do dance floor force reduction and static stiffness represent dynamic floor stiffness during dance landings?, Luke S. Hopper, Jacqueline A. Alderson, Bruce C. Elliott, Timothy R. Ackland, and Paul R. Fleming

Link

Dance floor mechanical properties and dancer injuries in a touring professional ballet company, Luke S. Hopper, Nick Allen, Matthew Wyon, Jacqueline A. Alderson, Bruce C. Elliott, and Timothy R. Ackland

Link

Dancer Perceptions Of The Force Reduction Of Dance Floors Used By A Professional Touring Ballet Company, Luke Hopper, Talia Wheeler, James Webster, Nick Allen, Jonathan Roberts, and Paul Fleming

The neglect of Holbrooke's chamber music and the specter of mass culture, Paul A. Hopwood

Choreographies of Thought: Dancing Time back into Writing, Margaret J. Phillips

PDF

Mr Barbecue By Elena Kats-Chernin: The Raw And The Cooked, Helen K. Rusak

The Charisma of Tango in Australia, Helen K. Rusak

PDF

Toward A New, Musical Paradigm of Place: The Port River Symphonic Of Chester Schultz, Robin Ryan

Two Decades in the Contact Zone: A Critical Assessment of Process and Productivity in Koori Music Research, Robin Ryan and Herb Patten

Link

Sound shapes and spatial texture: Frequency-space morphology, James Stuart

W(h)ither Trautonium?, Meghan M. Travers and Catherine A. Hope

Link

Exploring a visual/sonic representational continuum, Lindsay Vickery

Notational semantics in music visualisation and notation, Lindsay R. Vickery

Link

The limitations of representing sound and notation on screen, Lindsay R. Vickery

Link

Prevalence, risk factors, and effects of Performance-Related Medical Disorders (PRMD) among tertiary-trained jazz pianists in Australia and the United States, Graham C. Wood

Submissions from 2013

PDF

Tessitura changes in music theatre repertoire for the soprano voice, Linda J. Barcan

PDF

Reflections on the construction of meaning through immanent visual association, Samuel P. Gillies and Lindsay R. Vickery

PDF

Mobilising John Cage: The Design and Creation of Score Generators for the Complete John Cage Variations I–VIII, Cat Hope, Lindsay R. Vickery Dr, Aaron Wyatt, and James Stuart

2D AND 3D Timbral Spatialisation: Spatial Motion, Immersiveness, and Notions of Space, Stuart James and Catherine Hope

PDF

Retaining a sense of spontaneity in Free Jazz improvisation through music technology, Suzanne Kosowitz and Lindsay R. Vickery

Link

The Performance of Biopower and Liveliness: The Life and Death of Terri Schiavo, Renee E. Newman-Storen

Link

Conversations over the Gap, Renee E. Newman-Storen and Ryan Reynolds

Link

Has Sculthorpe misappropriated indigenous melodies?, Jonathan R. Paget

PDF

Keys from the past: Unlocking the power of eighteenth-century contrapuntal pedagogies, Jonathan R. Paget and Stewart J. Smith

PDF

Diminutive Catastrophe: Clown's Play, Margaret J. Phillips

PDF

Skipping against hegemony: Where are states of lightness in contemporary dance-making?, Margaret J. Phillips

Link

Electronic Music is here to stay - Or is it?, Meghan M. Travers and Catherine A. Hope

Animated Music Notation on the iPad (Or: Music stands just weren't designed to support laptops), Aaron K. Wyatt and Catherine Hope

Submissions from 2012

PDF

New digital interactions with John Cage's Variations IV, V and VI, Catherine Hope, Stuart James, and Lindsay Vickery

PDF

From Autonomous to Performative Control of Timbral Spatialisation, Stuart James

Link

Skipped stakes of lightness: A failure of knowledge, Margaret Phillips

PDF

Adapting John Cage's Radio Music for a digital score player, Lindsay Vickery

PDF

The Evolution of Notational Innovations from the Mobile Score to the Screen Score, Lindsay Vickery

PDF

Digital adaptions of the scores for Cage Variations I, II and III, Lindsay Vickery, Catherine Hope, and Stuart James

Submissions from 2011

PDF

Healing Through Belief, Biography, and Social Connection, Anomie

PDF

New Possibilities for Electroacoustic Music Performance, Cat Hope

PDF

Manifesting Meaning from a Performance of Cruelty: Parallels in the Musical Experimentalism of Antonin Artaud and Sub Ordnance, Cat Hope and Sam Gillies

PDF

Processes in Composition and Performance Leading to Performance, Catherine Hope

PDF

Spatialising Threads/Hallucinations: Closing the Gap Between Installation and Performance, Catherine A. Hope and Kynan Tan

PDF

Screen Scores: New Media Music Manuscripts, Cat Hope and Lindsay Vickery

PDF

Visualising the Score: Screening Scores in Realtime Performance, Cat Hope and Lindsay Vickery

PDF

Multidimensional Data Sets: Traversing Sound Synthesis, Sound Sculpture, and Scored Composition, Stuart James and Catherine Hope

PDF

Organicism in Live Experimental Electroacoustic Music, Mark Mcmahon

Outback Dreaming: Peter Sculthorpe and the guitar, Jonathan R. Paget

Link

Knowledge, Experience and a Dash of Rebellion: Dance Training in Australia, Maggi Phillips

PDF

What's in a Name? Is the term "Third Stream Music" truly representative of the music it is supposed to describe? Would the term "Jazzical" be just as appropriate?, Matthew Styles

PDF

The Evaluation of Nonlinear Musical Structures, Lindsay Vickery

PDF

The Possibilities of Novel Formal Structures through Computer Controlled Live Performance, Lindsay Vickery