Title

Tradition and Modernity in China

Document Type

Book Chapter

Publisher

Cambria Press

Faculty

Education and Arts

School

Communication & Arts/Centre for Chinese Arts and Visual Culture

RAS ID

10930

Comments

This chapter was originally published as: Crouch, C. L. (2010). Tradition and modernity in China. In Christopher Crouch (Eds.). Contemporary Chinese Visual Culture: Tradition, Modernity and Globalisation (pp.1-16). Location: Cambria Press. Original book available here

Abstract

China has become linked increasingly to the world economy in the last decade and its visual culture has been transformed accordingly. Its mass media are awash with imagery equivalent to any other of the industrial world’s consumer markets; but whether advertising shampoo, refrigerators, or cars, the familiar tropes of global advertising in China sit amid the residue of a vast visual culture that goes back thousands of years. How does the newcomer to Chinese visual culture begin to make sense of the change in social and cultural circumstances that have created the contemporary Chinese world of images? What are the visual histories that are being transformed by the globalised cultural industries? And what are the Chinese art and design community’s opinions, observations, and analyses of the relationship between its art and design traditions and the universalising condition of globalisation? This book is a collection of essays by Chinese scholars, educationalists, and practitioners who are able to give the reader an initial glimpse into the range of debates and observations on the subject.

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