Document Type

Conference Proceeding

Publisher

Edith Cowan University

Faculty

Faculty of Education and Arts

School

Western Australian Academy of Performing Arts (WAAPA) / Music Research Group

RAS ID

13207

Comments

This article was originally published as: Hope, C. A., Gillies, S. P. (2011). Manifesting meaning from a performance of cruelty: Parallels in the musical experimentalism of Antonin Artaud and Sub Ordnance. Paper presented at the Totally Huge New Music Conference, Perth, Western Australia. Original article available here

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