Document Type
Conference Proceeding
Publisher
Australasian Computer Music Association
Faculty
Faculty of Education and Arts
School
Western Australian Academy of Performing Arts (WAAPA)
RAS ID
13181
Abstract
Computer controlled performance opens a range of novel structural possibilities. This paper explores the mechanisms and ramifications of this approach, and its potential to expand the repertoire of formal structures available to the composer. Traditional and computer coordinated performance models are compared. Modes of computer control, permutation, transformation and generation are discussed and their implications are evaluated. The range of implications of this approach to the performance environment are given together with illustrations from the author’s own work.
Access Rights
free_to_read
Comments
Vickery, L. (2011). The possibilities of novel formal structures through computer controlled live performance . Paper presented at the Organic Sounds in Live Electroacoustic Music: 2011 Australasian Computer Music Conference, School of Music, University of Auckland, Auckland, New Zealand.