Manifesting Meaning from a Performance of Cruelty: Parallels in the Musical Experimentalism of Antonin Artaud and Sub Ordnance

Authors

Cat Hope, Edith Cowan University
Sam Gillies, Edith Cowan University

Document Type

Conference Proceeding

Publisher

Edith Cowan University

Faculty

Faculty of Education and Arts

School

Western Australian Academy of Performing Arts (WAAPA) / Music Research Group

RAS ID

13207

Comments

Hope, C. A., Gillies, S. P. (2011). Manifesting meaning from a performance of cruelty: Parallels in the musical experimentalism of Antonin Artaud and Sub Ordnance. Paper presented at the Totally Huge New Music Conference, Perth, Western Australia. Available here

Access Rights

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