Welcoming the challenge of the new
Western Australian Academy of Performing Arts
I contributed to RealTime Australia from 1998 up to the present, with a dip in contributions while I worked in New Zealand, 2009-15. Looking back over my involvement, I am struck by the diversity of work, style and material which both I and the magazine encompassed. While RealTime had stylistic trends, there was a notable period where meditations on one’s personal psychophysical response as an audience member were common though I myself only rarely embraced such an approach (as in RT 35 in 2000).