A fabulist’s alternity & Lovecraft and the grotesque sublime
Date of Award
Doctor of Philosophy
School of Communication and Arts
Faculty of Education and Arts
Associate Professor Susan Ash
Dr Marcella Polain
The Creative Work:
The creative work is a novel titled A Fabulist’s Alternity. It is set in an unspecified time in the future, in Perth, Western Australia, and against the background of the social and natural consequences of climate change. Spread over four days, the story centres on two characters, Sin, a young woman without a future; and Ned, a convict who wanders through time bound to a man known simply as The Painter, searching for a lost book and a cloak. Parts of the city are set apart and run separately, known as co-ops. These co-ops are further alienated by the inclusion of alien entities and artefacts which have allowed the Painter and others to exploit a path between worlds and universes. Time and space are collapsed in a confrontation between the characters.
The critical essay explores an area of aesthetics through three novellas by the American writer, H. P. Lovecraft (1890 – 1937), analysing Lovecraft’s use of the sublime and the grotesque. This analysis employs the sublime as explained by Edmund Burke (1729 – 1797) in A Philosophical Enquiry into the Origin of our Ideas of The Sublime and the Beautiful (1757) and the technological sublime; and the grotesque as presented by Wolfgang Kayser (1906 – 1960) in The Grotesque in Art and Literature (1957) and Geoffrey Galt Harpham’s The Grotesque: Strategies of Contradiction in Art and Literature (2006). Through this analysis, I establish the grotesque sublime. The concept is then applied to my creative work, A Fabulist’s Alternity with a section on the discussion of artwork inspired by Lovecraft’s writing.
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McKenzie, K. J. (2015). A fabulist’s alternity & Lovecraft and the grotesque sublime. Retrieved from https://ro.ecu.edu.au/theses/1657