Document Type
Conference Proceeding
Publisher
Edith Cowan University
Abstract
Our two main areas of investigation raise these questions: Can immersion theatre be used to expand currently available models of ‘experiential’ exhibition making in a museum context? Could such a theatrical curatorial approach be used to address contemporary debates about the relationship between the past and the present in Australian history?
Comments
Refereed paper from the Creative Connections symposium held at ECU in conjunction with the Biennial of Electronic Arts Perth on September 4th, 2004.