La guitaromanie (1829) by Charles De Marescot (1790–1842): Unpacking the imagery and music of an iconic nineteenth-century guitar book
Document Type
Book Chapter
Publication Title
Belonging, Detachment and the Representation of Musical Identities in Visual Culture
Publisher
Hollitzer Verlag
School
Western Australian Academy of Performing Arts (WAAPA)
RAS ID
60367
Abstract
La guitaromanie, or ‘guitar mania,’ is a small, beautifully constructed book of guitar music by Charles de Marescot (1790–1842) published in Paris around 1829.1 It is remarkable for the inclusion of six colour lithographs by an artist designated as Mantoux 2 featuring guitarists in a variety of musical contexts. . . .
DOI
10.2307/jj.5211766.12
Access Rights
subscription content
Comments
Paget, J. (2023). La guitaromanie (1829) by Charles De Marescot (1790–1842): Unpacking the imagery and music of an iconic nineteenth-century guitar book. In A. Baldassarre & A. Teniswood-Harvey (Eds.), Belonging, Detachment and the Representation of Musical Identities in Visual Culture (pp. 225-246). Hollitzer Verlag. https://doi.org/10.2307/jj.5211766.12