La guitaromanie (1829) by Charles De Marescot (1790–1842): Unpacking the imagery and music of an iconic nineteenth-century guitar book

Document Type

Book Chapter

Publication Title

Belonging, Detachment and the Representation of Musical Identities in Visual Culture

Publisher

Hollitzer Verlag

School

Western Australian Academy of Performing Arts (WAAPA)

RAS ID

60367

Comments

Paget, J. (2023). La guitaromanie (1829) by Charles De Marescot (1790–1842): Unpacking the imagery and music of an iconic nineteenth-century guitar book. In A. Baldassarre & A. Teniswood-Harvey (Eds.), Belonging, Detachment and the Representation of Musical Identities in Visual Culture (pp. 225-246). Hollitzer Verlag. https://doi.org/10.2307/jj.5211766.12

Abstract

La guitaromanie, or ‘guitar mania,’ is a small, beautifully constructed book of guitar music by Charles de Marescot (1790–1842) published in Paris around 1829.1 It is remarkable for the inclusion of six colour lithographs by an artist designated as Mantoux 2 featuring guitarists in a variety of musical contexts. . . .

DOI

10.2307/jj.5211766.12

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