Author Identifier

Jessica Taylor: https://orcid.org/0000-0002-4897-3392

Document Type

Journal Article

Publication Title

Camera Obscura

Volume

39

Issue

2

First Page

41

Last Page

69

Publisher

Duke University Press

School

School of Arts and Humanities

RAS ID

76028

Comments

This is an Author's Accepted Manuscript of an article published by Duke University Press in Camera Obscura. The published version is available at: https://doi.org/10.1215/02705346-11207802

Taylor, J. (2024). Regretting nothing, or regretting everything? Postfeminism, femininity, and regret in Miss Austen Regrets. Camera Obscura, 39(2), 41-69. https://doi.org/10.1215/02705346-11207802

Abstract

This article considers how regret is mobilized within a postfeminist cultural context, taking the 2007 BBC film Miss Austen Regrets (dir. Jeremy Lovering, UK) as its case study. The article proposes that what is regretted in postfeminist culture speaks to the values and tensions that underpin this cultural context and explores how the expression or experience of regret is treated as proof of women's failures of subjectivity and decision-making. Through examining three of the main characters — Jane Austen, Cassandra Austen, and Fanny Austen Knight — and their interactions with regret, this article argues that both normative femininity and feminist perspectives are key sites where notions of “success” and “failure” are negotiated and where the risks for making the “wrong decision” as a postfeminist subject are highest. Through exploring femininity, individualism, and relationality via regret, the article argues that regret offers a new perspective on understanding the affective register of postfeminism. Furthermore, the article suggests that expressions of regret simultaneously shore up conservative postfeminist logics regarding normative femininity and individualism, while also making visible and offering feminist critiques of structural inequalities and relationality.

DOI

10.1215/02705346-11207802

Creative Commons License

Creative Commons Attribution-No Derivative Works 4.0 License
This work is licensed under a Creative Commons Attribution-No Derivative Works 4.0 License.

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