Costumes, period dramas and their audiences: From the late 19th century to the present

Author Identifier (ORCID)

Lydia Edwards: https://orcid.org/0000-0001-5451-0442

Abstract

This book considers the notion of “historical escapism” through both costume and fashion design, illustrating how one informs the other to produce different consumable representations of the past, to quell contemporary anxieties and to confront generational traumas.Many audiences rely on historically themed theatre, film and television to provide a glimpse of what life was like and, crucially, what clothes were worn at various points in history. But most often, they look to this version of the past to escape contemporary anxieties. To what extent do the interpolations and artistic license taken by designers affect our enjoyment and our sense of what a production “should” portray? How far does accuracy matter, and by what yardstick are we measuring it? This book pursues historical accuracy, merging the “real and the romantic”, resulting in highly atmospheric yet highly contemporary design choices. This book presents the theory that, in essence, not much has changed in the way audiences perceive and consume historical dress, and that the cyclical relationship between history and fashion should add theatre, film and TV representation into the mix. This makes it necessary to consider the social and cultural factors (especially post-pandemic) that have resulted in markedly similar design solutions being made well over a century later.This book can be used by students across a wide range of courses, including fashion history, theatre history, costume design, art history, film studies and memory studies. It applies a multidisciplinary approach to examine the ways in which history is consumed and understood through period dramas.

Keywords

Costume design, period drama, historical dress, fashion history, audience perception, historical escapism

Document Type

Book

Date of Publication

1-1-2026

Publication Title

Costumes, Period Dramas and their Audiences: From the Late 19th Century to the Present

Publisher

Taylor & Francis

School

Western Australian Academy of Performing Arts (WAAPA)

Comments

Edwards, L. (2026). Costumes, period dramas and their audiences: From the late 19th century to the present. Taylor & Francis. https://doi.org/10.4324/9781003566397

Copyright

subscription content

First Page

1

Last Page

199

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Link to publisher version (DOI)

10.4324/9781003566397