Contemporary Chinese dance: the interweaving of tradition and modernity
Document Type
Journal Article
Publication Title
Critical Stages
ISSN
2409-7411
Publisher
International Association of Theatre Critics
School
Western Australian Academy of Performing Arts (WAAPA)
RAS ID
28164
Abstract
This paper examines the motivations and characteristics embodied in Chinese contemporary dance in the context of modernization and globalization. The question discussed here is: if the intention of Chinese contemporary dance is to represent the lived experience of people today, why do Chinese dance practitioners argue that there is a difference in core values between Chinese and Western interpretations of contemporary dance? Is there an artificial division between modern and contemporary dance in China to intentionally maintain cultural distinctiveness? Unlike the discarding and overthrowing of the classical tradition that is taken up in Western modern dance, Chinese choreographers do not take up rebellion as the only principle, but they attempt to maintain the connection between tradition and modernity. There is evidence to suggest that hybridity is at play across Chinese classical dance, Chinese modern dance and Chinese contemporary dance.
Access Rights
free_to_read
Comments
Zhu, M. (2019). Contemporary Chinese dance: the interweaving of tradition and modernity. Critical Stages, 18. Available here