Conversations - improvised counterpoint
Author Identifier (ORCID)
Research Statement
Research Background
This project examined the use of loop station technology in live musical performance to enable improvised melodic counterpoint with a singular voice as the melodic contributor. While loop technology is commonly used to build layers that function as a whole, this research rapidly dismissed recorded layers so that a form of contrapuntal development could occur. An added element of complexity within this research was the inclusion of a live rhythm section - 2 drummers, a bassist, pianist and guitarist, which created a necessity to manage tempo within the technology and improvisations. By engaging a practice-led methodology, new knowledge was developed that can be replicated and enhanced in future projects.
Research Contribution
The live performance aspect of this project necessitated a comprehensive practice and technology set-up period. By examining various settings within the loop station, including numerous approaches to decaying loops and methods of layering different length phrases, melodic lines could be created that intersect at constantly altering points, allowing the improviser to react to different aspects of the melodies. At times rhythmic impulses acted as a trigger for new content, while at other times melodic density or harmonic dissonance acted as the propelling inspiration. An unexpected outcome from this research was that the required use of space to compensate for the density of multiple recorded voices also influenced future improvisations without the use of the loop station, creating an alternate approach to phrasing and melodic development.
Research Significance
A recording of this process was released on Earshift records and a separate live performance took place at the Melbourne International Jazz festival. The album has been reviewed and performances reviewed and streamed. Future performances in Korea and Europe and being planned for 2024. The research outcomes will also form the foundation of future research in this area.
Keywords
live musical performance, musical performance, technology
Non-Traditional Research Output
Live Performance
Document Type
Non-Traditional Research Output
Date of Publication
2022
Location of the Work
Melbourne Jazz Festival
School
Western Australian Academy of Performing Arts
RAS ID
54570
Event Dates
October 17, 2022
Additional Information
Vinyl, video and live performance
Duration
60 mins
Comments
Oehlers, J. (2022). Conversations - improvised counterpoint. [Vinyl, video and live performance]. Recording and Melbourne Jazz Festival.