Author Identifier

Nicole Stinton

https://orcid.org/0000-0002-3104-7894

Date of Award

2025

Document Type

Thesis

Publisher

Edith Cowan University

Degree Name

Doctor of Philosophy

School

Western Australian Academy of Performing Arts

First Supervisor

Jonathan Marshall

Abstract

Acting as song is a new philosophical approach to music theatre training enabling student actors to integrate singing and acting offering holistic, embodied acting-singing methods. Acting as song demands we abandon thinking that singing and acting are mutually exclusive, and that a character cannot be true-to-life because they are singing. Rather, singing is considered acting. Through practice based research, I show that acting as song results in more holistic, authentic, believable characterisation. It requires that acting and singing be integrated in multiple ways, that dramaturgical music analysis is made accessible to all students and embodied learning is used across educational contexts.

DOI

10.25958/rh6n-cs93

Access Note

Access to this thesis is embargoed until 24th May 2026

Access to chapter 7 of this thesis is not available

Available for download on Sunday, May 24, 2026

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