Author Identifier

Dida Sundet: https://orcid.org/0009-0007-1869-5866

Date of Award

2025

Keywords

Sexual violence, feminist intervention, creative arts, media literacy, rape myths, art history, feminist art

Document Type

Thesis

Publisher

Edith Cowan University

Degree Name

Doctor of Philosophy

School

School of Arts and Humanities

First Supervisor

Nicola Kaye

Second Supervisor

Joanne Dickson

Third Supervisor

Lyndall Adams

Abstract

This creative research doctoral project engages with the myth of the ‘heroic’ rapist, a term coined by feminist writer Susan Brownmiller in Against Our Will: Men, Women, and Rape (1975), and feminist counter-media practices. Brownmiller (1975) pointed out how mythology, popular culture, and cultural artefacts routinely depicted men’s violence towards women and glorified the male perpetrator. The heroic rapist is empowered through a tradition of representations and stereotyping; silencing victims and reinforcing deep rooted rape myths and misconceptions about rape.

Employing an interdisciplinary approach (Bal 2012), this research critically examines visual media rooted in Greco-Roman mythology alongside relevant news articles to identify recurring themes and tropes that reinforce rape myth acceptance. Through deconstructing these narratives, the research aims to unveil underlying societal attitudes shaping media depictions of perpetrators. In their 2021 research report, Our Watch (2021), an Australian non-profit organisation working for primary prevention of violence against women, emphasised the urgency of countering news media narratives that perpetuate rape myths, advocating for the need for media literacy particularly among young people, as a preventative measure. The project aims to demystify representations of sexual violence and to interrogate the myth of heroic rape in classical art and contemporary media. It seeks to provide a new entry point for those unfamiliar with the classics, engaging specifically with recent feminist translations and scholarship to create counter-narratives. It invites further dialogue around how rape myths derived from antiquity live on in contemporary media narratives, and how misconceived some of these are. It asks; How does contemporary media recycle historical representations of heroic rape? What does sexual violence look like when expressed through victims’ trauma? How can feminist counter-media practices construct more nuanced and ethical representations of sexual violence, and effectively reframe the myth of heroic rape? The insights gathered from this research inform the creation of artworks that culminates in a selection curated for the examinable exhibition. The creative work responds to and challenges the myth of the heroic rapist by intervening in representations of heroic rape found in mythology, art history, and contemporary news media. Ultimately, this interdisciplinary exploration aims to provoke critical reflection and directly contribute to the preventative efforts outlined by organisations like Our Watch (2021).

Access Note

Access to this thesis is embargoed until 3rd June 2029

Available for download on Sunday, June 03, 2029

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Link to publisher version (DOI)

10.25958/4p00-1k58