Dissonance in focus
Author Identifier (ORCID)
Research Statement
Research Background
This practice-led research in jazz improvisation builds on my previous work on Melodic Tension Balancing, which explored hybrid scales to apply dissonances in improvised melodies. Expanding on this, the project examines the relationship between practice methods and embodied awareness of melodic dissonance. Central to this is the question: how can dissonance be embraced and applied spontaneously and organically in jazz improvisation? Unlike earlier approaches using predetermined scales, this research fosters real-time awareness of all 12 chromatic pitches and their tension over each chord, cultivating a more intuitive engagement with dissonance in performance.
Research Contribution
This extended research investigated the spectrum of melodic dissonances available on each chord by initially focusing improvisation exclusively on dissonant pitches within harmonic forms. This deliberate constraint disrupted conventional, consonance-oriented approaches, creating a heightened awareness of dissonant possibilities and their expressive potential, deepening the understanding of the individual impact of dissonant tones. In the second phase, this awareness allowed for a more fluid and spontaneous integration of dissonance alongside consonant tones, resulting in richer, more nuanced melodic lines. Eventually a conceptual shift emerged: all twelve chromatic tones were perceived as viable options over any chord, generating a sense of creative freedom and richer expressive possibilities.
Research Significance
The results of this research were disseminated on 1 recording and 4 performances–Holli Scott’s “Weather and Weeds”, the Kanazawa Jazz Festival (Japan) with Chris Hale’s Ritual Diamonds, Paper Tiger performances at Melbourne Jazz festival and Sydney Conservatorium Jazz Festival, and with Andrea Keller’s ensemble at the Jazzlab in Melbourne. Many of these performances were reviewed in major publications, highlighting this innovative approach to improvisation.
Non-Traditional Research Output
Live Performance
Document Type
Non-Traditional Research Output
Date of Publication
2024
Location of the Work
Kanazawa Jazz Festival (Japan), Jazzlab (Melbourne)
School
Western Australian Academy of Performing Arts
RAS ID
82724
Links and/or Documentation
https://ausjazz.net/2024/10/31/no-herbie-but-plenty-of-telling-stories/
Additional Information
album, musical performances (1 album, 5 performances)
Album Name
Weather and Weeds