Dissonance in focus

Author Identifier (ORCID)

Jamie Oehlers: https://orcid.org/0000-0002-9440-5791

Non-Traditional Research Output

Live Performance

Document Type

Non-Traditional Research Output

Date of Publication

2024

Location of the Work

Kanazawa Jazz Festival (Japan), Jazzlab (Melbourne)

Research Statement

This practice-led research in jazz improvisation builds on my previous work on Melodic Tension Balancing, which explored hybrid scales to apply dissonances in improvised melodies. Expanding on this, the project examines the relationship between practice methods and embodied awareness of melodic dissonance. Central to this is the question: how can dissonance be embraced and applied spontaneously and organically in jazz improvisation? Unlike earlier approaches using predetermined scales, this research fosters real-time awareness of all 12 chromatic pitches and their tension over each chord, cultivating a more intuitive engagement with dissonance in performance. The results of this research were disseminated on 1 recording and 4 performances–Holli Scott’s “Weather and Weeds”, the Kanazawa Jazz Festival (Japan) with Chris Hale’s Ritual Diamonds, Paper Tiger performances at Melbourne Jazz festival and Sydney Conservatorium Jazz Festival, and with Andrea Keller’s ensemble at the Jazzlab in Melbourne. Many of these performances were reviewed in major publications, highlighting this innovative approach to improvisation.

School

Western Australian Academy of Performing Arts

RAS ID

82724

Additional Information

album, musical performances (1 album, 5 performances)

Album Name

Weather and Weeds

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