Refraction - melody used to develop non-functional harmony

Author Identifier (ORCID)

Jamie Oehlers’s ORCID record ORCID Logo

Research Statement

Research Background

This research examines the role of compositional strategies that incorporate intervallic melody structures in the construction of non-functional harmonic frameworks within jazz. Departing from traditional harmony-led models, the study investigates how intervallic melodies can inform and shape harmonic decisions, emphasising tension, contour, and voice leading over functional progression. The research question explores the extent to which melodic primacy can generate coherent and innovative non-functional harmonic structures in contemporary jazz practice.

Research Contribution

The methodology for this compositional process allowed intervallic melodies to serve as the primary determinant of harmonic content. Rather than generating harmony independently, a pool of potential harmonic structures—including hybrid, compound, and extended chords—was developed in response to melodic characteristics such as intervallic tension, rhythmic density, and placement within the metric framework. Functional progression was intentionally avoided through constraints on bass movement, such as eliminating fourths and fifths. This process yielded non-functional harmonic environments that offer new possibilities for improvisation and melodic support, contributing original tools and insights to contemporary jazz practice.

Research Significance

The resulting compositions have been performed and recorded in high-profile settings, showcasing artistic excellence and professional recognition. Works from this project feature on a forthcoming duo album with acclaimed pianist Tal Cohen, to be released by ABC in early 2026. Additionally, pieces have been performed at Melbourne’s Jazzlab by leading artists Mat Jodrell, Jamie Oehlers, Sam Anning, and Ben Vanderwal (JOVA), who will record and tour them in 2025–2026. The methodology will inform future output and be shared through workshops at WAAPA and other major Australian jazz institutions.

Non-Traditional Research Output

Original Creative Work

Document Type

Non-Traditional Research Output

Date of Publication

2024

School

Western Australian Academy of Performing Arts

RAS ID

82725

Additional Information

8 Compositions

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