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Title Page

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Copyright Page

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Contents page

Introduction. Tura New Music
Tos Mahoney

Editorial
Cat Hope

Plastic Materials and Local Conditions: Diagram of a practice [Keynote]
Marina Rosenfeld

Sound Within Sounds
Austin Buckett

Sampling and the 'Sound Object'
Nathanael James Bates

Site in Sound: A Review of Four Musical Works that Integrate Site Into Sound
Mace Francis and Cat Hope

No More Driver Call Me, Many Thousand Die': Improvised Sound Work as 21st Century Field Hollers
Bruce Russell

The Minimalist Connection in Australian Guitar Music
Jonathan Paget and Melissa Branson

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The Pollitics, Milieu and Music of Black Metal
Darren Jorgensen

How Play and Improvisation Facilitate Immersion and Immediacy in Music and Space
Roland Adeney

The Music Under Rusty Records: Restoring Risset's 'Duo For One Pianist'
Samuel van Ransbeeck, Andre Venturoti Perrotta, and Antonio De Sousa Dias Citar

Indeterminacy of Instrumentation Over Time: Digital Curation of John Cage Instrumentation
Meg Travers

Reflections on the Construction of Meaning Through Immanent Visual Association: Works by Edgard Varese, Bill Viola, Alva Noto, Curtis Roads and Brian O'Reilly

Something Old is Now New Again: Why Haven't We Heard Robert Hughes's Symphony No. 1
Joanna Drimatis

Retaining a Sense of Spontaneity in Free Jazz Improvisation Through Music Technology
Suzanne Kosowitz and Lindsay Vickery

Possible Affects of Technology and the Web on Creative Practice
Anthony Pateras

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Contributor Biographies

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Totally Huge New Music Festival Conference Program