Sound Scripts
Sound Scripts is a blind-peer reviewed journal, specialising in new music and sound art.
Beginning as an outlet for reworked papers authored by presenters from the Totally Huge New Music Festival Conference, Sound Scripts has since been issued each year following the conference. All articles are fully refereed as stand-alone, journal submissions. Sound Scripts also includes additional invited scholarly essays, scores, artist comments, and other materials, depending on the edition and each is typically organised around a theme drawn from the conference.
Current Volume: Volume 6 (2019)
Editorial Introduction: Circuits of Art and Communication in the Twenty-First Century
Jonathan W. Marshall
Sonic Ventures in Post-Truth Surrealism: Raudelunas, the Rev. Fred Lane, and LSD: Huxley’s Last Trip
Anne LeBaron
From the Phenomenal Sublime to Critical Play: Sonic Approaches to Engagement at the 13th Totally Huge New Music Festival
Jonathan W. Marshall
Composer-Performer Collaboration in the Development of Kinabuhi | Kamatayon For Percussion and Electronics
Louise Devenish and Stuart James
Action Music 2 [score]
Erik Griswold
The Semi-Autonomous Rock Music of The Stones
Darren Jorgensen
The Uncanon: Radical Forgetting and Free Improvisation
Hannah Reardon-Smith
silences [score]
Sage J. Harlow
Everything in its Place: A Conceptual Framework For Anti-Music
Nicole L. Carroll
Editors
- Jonathan W. Marshall
- Cecilia Sun
- Editorial Committee:
- Jonathan W. Marshall (WAAPA@ECU)
- Cecilia Sun (UWA)
- Jennifer Cattermole (Otago)
- Shelley Brunt (RMIT)
- Sarah Collins (UWA)
- Stuart James (WAAPA@ECU)
- Louise Devenish (UWA)
- Helen Rusak (WAAPA@ECU)
- Cover Image: Anne LeBaron, Subiaco Arts Centre (27 Oct 2017); photo Bohdan Warchomij; image courtesy of Tura New Music
- Typeset and design: Jonathan W. Marshall