In the arena of contemporary music and performance, truthiness—a fuzzy-edged concept linking “truth” and “post-truth”—provides a malleable framework for examining how musicians and musical communities are confronting, reacting to, or embodying belief systems grounded in deception. Does the notion of authenticity embrace deliberate falsifications? In an attempt to answer such questions, I will offer examples of performers, writers, and artists cavorting along the truthiness bridge.
Sonic Ventures in Post-Truth Surrealism: Raudelunas, the Rev. Fred Lane, and LSD: Huxley’s Last Trip.
Sound Scripts, 6(1).
Retrieved from https://ro.ecu.edu.au/soundscripts/vol6/iss1/5