Date of Award

2008

Document Type

Thesis

Publisher

Edith Cowan University

Degree Name

Bachelor of Music Honours

School

Western Australian Academy of Performing Arts (WAAPA)

Faculty

Faculty of Education and Arts

First Supervisor

Stewart Smith

Abstract

This paper investigates certain performance issues associated with Messiaen's 1951 chamber work, Le Merle Noir. This paper can be seen as a practical guide to performers wishing to gain a deeper perspective on the interpretational issues associated with performing this work. It is ·written from the vantage point of a performer and should be seen to complement a number of already existing analytical studies of this piece. The paper can also be read as an exemplar of the research a performer makes when developing a coherent and truthful interpretation of a music work.

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