Date of Award

2026

Document Type

Thesis

Publisher

Edith Cowan University

Degree Name

Bachelor of Performing Arts Honours

School

Western Australian Academy of Performing Arts

First Supervisor

Jonathan Marshall

Abstract

This reflective practice case study examines the studio environment of a small ensemble of female actors aged 16-19, in the rehearsal of a one-act play. Performing arts researchers working in youth spaces commonly adhere to conventions of ethnodrama and facilitate a process in which participants contribute personal stories as performance material. The present paper uses a published text (Slut by Patricia Cornelius) to position participants as actors, rather than devisors who must conjure original material. Through critical reflection, the project assesses the impact of developing performance material slowly while also making time for socialisation between castmates. Drawing on my repertoire as a theatre director, the study interrogates the use specific devising methods including Viewpoints for actors, Frantic Assembly building blocks, and my own model of Florilegia. Ten rehearsals were held across consecutive Saturday afternoons with an ensemble of six actors, which culminated in a one-act showing. Findings from this paper indicate the value of social interaction and slowness in a creative process.

Included in

Acting Commons

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Link to publisher version (DOI)

10.25958/8193-s735