Submissions from 2025
Floor talk | PhD research – Work in progress, Amanda Allerding and Brianne Sharp
Floor talk | Searching for my work – PhD work in progress, Patricia Amorim and Brianne Sharp
Floor talk | Silhouettes of silence – PhD work in progress, Xue Li and Brianne Sharp
Submissions from 2024
Exhibition floor talk | The Nikon-Walkley press photography awards, Lyndall Adams, Alix Beattie, Steinar Ellingsen, Andrea Burns, and Laura Glitsos
Exhibition floor talk | Nexus 22, Lyndall Adams and Nicola Kaye
Exhibition floor talk | Nexus postgraduates 2023, Lyndall Adams, Nicola Kaye, and Brad Nisbet
Exhibition floor talk | New old...old new, Richard Aitken, Lyndall Adams, Alix Beattie, and Holly Yoshida
Exhibition floor talk | Perennial series, Dani Andree and Nicola Kaye
Exhibition floor talk | You Yang Tat Sat, Anindita Banerjee, Lyndall Adams, and Alix Beattie
Exhibition floor talk | Zam zaag, Diana Chester, Lyndall Adams, and Alix Beattie
Exhibition floor talk | Sonifying covid, Diana Chester, Lyndall Adams, and Nicola Kaye
Exhibition floor talk | Unfinished business, Alba Cinquini, Anne-Maree Pelusey-Zentner, Leah van Lieshout, Lyndall Adams, and Alix Beattie
Exhibition floor talk | Lost soles: Beyond the sea, Claire Davenhall, Lyndall Adams, and Nicola Kaye
Exhibition floor talk | Distance and displacement, Dawn Dudek, Lyndall Adams, and Alix Beattie
Exhibition floor talk | Herenow: Artists in wonderland, Shelley Elkins, Nicola Kaye, and Alix Beattie
Exhibition floor talk | Growing likeness, Eleanor Gates-Stuart, Lyndall Adams, Alix Beattie, and Nicola Kaye
Exhibition floor talk | Herenow: Mummy's agony, Kristen Martin, Lyndall Adams, Nicola Kaye, and Alix Beattie
Exhibition floor talk | Retrotopia, Laura Mitchell and Lyndall Adams
Exhibition floor talk | Extract from text score archive and transports, Craig Pederson, Eduardo Cossio, Lyndall Adams, and Alix Beattie
Exhibition floor talk | To play and win, Thomas Picton-Warlow, Ted Snell, Susan Starcken, and Lyndall Adams
Exhibition floor talk | FEAS unfinished business, Jo Pollitt, Lyndall Adams, and Nicola Kaye
Exhibition floor talk | Overdressed, Sam Price, Lyndall Adams, and Nicola Kaye
Exhibition floor talk | Costume elegies, Jody Quackenbush, Lyndall Adams, and Nicola Kaye
Exhibition floor talk | Over stimulated, Nina Raper, Lyndall Adams, and Alix Beattie
Exhibition floor talk | Burrow (collapse), Taarn Scott, Lyndall Adams, and Alix Beattie
Exhibition floor talk | Far-away island, Harrison See and Lyndall Adams
Exhibition floor talk | Herenow: In-between-ness, Harrison See and Lyndall Adams
Exhibition floor talk | Companions, Ruby Smedley, Lyndall Adams, and Alix Beattie
Exhibition floor talk | Crossroads, Ted Snell, Danielle Fusco, and Lyndall Adams
Exhibition floor talk | Being boring, Sarah Thornton-Smith and Lyndall Adams
Exhibition floor talk | Terra, John Toohey and Lyndall Adams
Exhibition floor talk | Uncanny valley, Darren Tynan and Lyndall Adams
Exhibition floor talk | Soiled, Cassandra Tytler and Lyndall Adams
Exhibition floor talk | Dreams, illusions, bubbles and shadows: Catching eternity in a flash of light, Xinwei Xu, Lyndall Adams, and Alix Beattie
Exhibition floor talk | Finding comfort in an unmade bed, Jane Ziemons, Lyndall Adams, and Nicola Kaye
Submissions from 2023
Exhibition floor talk | Disruptive Immersion, Steven Baitz, Lyndall Adams, Nicola Kaye, and Paul Uhlmann
Exhibition floor talk | Placemarks, Hugh Breslin, Louise Grimshaw, Rebecca Hepworth, Brianne Sharp, Kristy Scaddan, Robyn Bernadt, Shanti Gelmi, and Nicola Kaye
Mental health concerns for older adults affected by climate change, Claire Donnellan
Exhibition floor talk | 25 Impressions of Nostalgia, Louise Gan, Lyndall Adams, and Nicola Kaye
Video Example 10. 'Filling in the gaps' of arpeggios, Judith A. Iddison
Video Example 11. Improvising using the augmented second interval, Judith A. Iddison
Video Example 12. Soloing on one, two and three strings, Judith A. Iddison
Video Example 13. Improvising incorporating bigger intervals, Judith A. Iddison
Video Example 14. Improvising with a D7 chord, Judith A. Iddison
Video Example 15. Shifting fifths patterns, Judith A. Iddison
Video Example 16. 'Outside' playing with pentatonic, Judith A. Iddison
Video Example 17 Gregorio demonstrates rhythmic juxtaposition, Judith A. Iddison
Video Example 18. Stylistic juxtaposition, Judith A. Iddison
Video Example 1. The tabla and oud, Judith A. Iddison
Video Example 20. Evoking flamenco vocal style, Judith A. Iddison
Video Example 21. More elaborate ornamentation and hemiolas, Judith A. Iddison
Video Example 22. Jazz influences, Judith A. Iddison
Video Example 23. Bow percussion, Judith A. Iddison
Video Example 24. Sequence to the stratosphere as part of Gregorio's cadenza(1), Judith A. Iddison
Video Example 26. Gregorio comping, Judith A. Iddison
Video Example 27. Blues-based ideas and motivic development in Swing 48, Judith A. Iddison
Video Example 28. Improvisational fluency, surround technique, blues-based ideas, Judith A. Iddison
Video example 29. Tension and release, 'horn-like' bent notes and Grappelliesque triplets, Judith A. Iddison
Video Example 2. A 'great breath-like instrument', Judith A. Iddison
Video Example 30. Bariolage and melodic devepment with extreme pitch, Judith A. Iddison
Video Example 32. Opening phrase of Bollyrock, Judith A. Iddison
Video Example 33. More elaborate ornamentation, Judith A. Iddison
Video Example 34. Ornamental flourishes(2), Judith A. Iddison
Video Example 35. Venturing 'outside' with arpeggiation, Judith A. Iddison
Video Example 36. Birdcalls, Judith A. Iddison
Video Example 38. Blues-based ideas with 'guitar' bends and wide vibrato, Judith A. Iddison
Video Example 39. 'Horn-like', funk-based rhythms and blues-based ideas, Judith A. Iddison
Video Example 3. A percussive chordal instrument and the African kora, Judith A. Iddison
Video Example 40. Slides, wide vibrato and funk-based rhythms, Judith A. Iddison
Video Example 42. Hints of melody amongst ornamental flourishes, Judith A. Iddison
Video Example 43. Incorporating the augmented second and wide vibrato, Judith A. Iddison
Video Example 44. Virtuosic flourish, Judith A. Iddison
Video Example 45. Strong rhythms with extended harmonies, Judith A. Iddison
Video Example 46. Incorporation of jazz language, Judith A. Iddison
Video Example 47. Driving swing rhythm and half whole pattern, Judith A. Iddison
Video Example 48. Driving syncopation, 'outside' harmonic tension and whole half, Judith A. Iddison
Video Example 4. The African Kora, Judith A. Iddison
Video Example 5. Octave viola, Judith A. Iddison
Video Example 6. The phraseology of a saxophone, Judith A. Iddison
Video Example 7. The nuances of a trumpet, Judith A. Iddison
Video Example 8. Vibrato used to imitate a trumpet lip trill, Judith A. Iddison
Video Example 9. Bow percussion, Judith A. Iddison
Migraine Therapy, Peter Mcavan
Exhibition floor talk | Through Grinding Teeth, Nina Raper, Lyndall Adams, and Nicola Kaye
Exhibition floor talk | Yam, Cim Sears and Lyndall Adams
Exhibition floor talk | The American Dream, Jenni Skinner and Lyndall Adams
Exhibition floor talk | Nexus, Ben Waters, Clive Barstow, Denise Pepper, Gregory Pryor, Justine McKnight, Louise Gan, Stephen Terry, Paul Uhlmann, Stuart Elliot, Sue Starcken, Lyndall Adams, Nicola Kaye, and Alix Beattie
Submissions from 2022
Video Figure 1 Distracted Moment, Shelby R. McKenzie
Video Figure 2 The Structured Moment, Shelby R. McKenzie
Video Figure 3 The Embodied Moment, Shelby R. McKenzie
Video Figure 4 Exceeding Embodiment, Shelby R. McKenzie
Video Figure 5 Embodied and Structured, Shelby R. McKenzie
Submissions from 2021
Inter-study intervals animation, Nicola Carr-White
The original Differentiated Learning Consolidation Process (DLCP) as developed in the classroom, Nicola Carr-White
Tutor sessions during the week, Nicola Carr-White
Weekly teacher session demonstration, Nicola Carr-White
Tomasi Trumpet Concerto, Brent Grapes and West Australian Symphony Orchestra
“Lady Essex Minuet” from Longman and Broderip’s Compleat Collection of 100 of the most favorite Minuets (ca. 1780), James Huntingford
Second movement—Larghetto con Espressione—of Sonata in B-flat major, Op. 12, no. 1 (1784) by Muzio Clementi, James Huntingford
Down the rabbit hole exhibition, Shana James