Submissions from 2024
Exhibition Floor Talk | HERENOW: Artists in Wonderland, Nicola Kaye, Alix Beattie, and Shelley Elkins
Submissions from 2023
Mental health concerns for older adults affected by climate change, Claire Donnellan
Video Example 10. 'Filling in the gaps' of arpeggios, Judith A. Iddison
Video Example 11. Improvising using the augmented second interval, Judith A. Iddison
Video Example 12. Soloing on one, two and three strings, Judith A. Iddison
Video Example 13. Improvising incorporating bigger intervals, Judith A. Iddison
Video Example 14. Improvising with a D7 chord, Judith A. Iddison
Video Example 15. Shifting fifths patterns, Judith A. Iddison
Video Example 16. 'Outside' playing with pentatonic, Judith A. Iddison
Video Example 17 Gregorio demonstrates rhythmic juxtaposition, Judith A. Iddison
Video Example 18. Stylistic juxtaposition, Judith A. Iddison
Video Example 1. The tabla and oud, Judith A. Iddison
Video Example 20. Evoking flamenco vocal style, Judith A. Iddison
Video Example 21. More elaborate ornamentation and hemiolas, Judith A. Iddison
Video Example 22. Jazz influences, Judith A. Iddison
Video Example 23. Bow percussion, Judith A. Iddison
Video Example 24. Sequence to the stratosphere as part of Gregorio's cadenza(1), Judith A. Iddison
Video Example 26. Gregorio comping, Judith A. Iddison
Video Example 27. Blues-based ideas and motivic development in Swing 48, Judith A. Iddison
Video Example 28. Improvisational fluency, surround technique, blues-based ideas, Judith A. Iddison
Video example 29. Tension and release, 'horn-like' bent notes and Grappelliesque triplets, Judith A. Iddison
Video Example 2. A 'great breath-like instrument', Judith A. Iddison
Video Example 30. Bariolage and melodic devepment with extreme pitch, Judith A. Iddison
Video Example 32. Opening phrase of Bollyrock, Judith A. Iddison
Video Example 33. More elaborate ornamentation, Judith A. Iddison
Video Example 34. Ornamental flourishes(2), Judith A. Iddison
Video Example 35. Venturing 'outside' with arpeggiation, Judith A. Iddison
Video Example 36. Birdcalls, Judith A. Iddison
Video Example 38. Blues-based ideas with 'guitar' bends and wide vibrato, Judith A. Iddison
Video Example 39. 'Horn-like', funk-based rhythms and blues-based ideas, Judith A. Iddison
Video Example 3. A percussive chordal instrument and the African kora, Judith A. Iddison
Video Example 40. Slides, wide vibrato and funk-based rhythms, Judith A. Iddison
Video Example 42. Hints of melody amongst ornamental flourishes, Judith A. Iddison
Video Example 43. Incorporating the augmented second and wide vibrato, Judith A. Iddison
Video Example 44. Virtuosic flourish, Judith A. Iddison
Video Example 45. Strong rhythms with extended harmonies, Judith A. Iddison
Video Example 46. Incorporation of jazz language, Judith A. Iddison
Video Example 47. Driving swing rhythm and half whole pattern, Judith A. Iddison
Video Example 48. Driving syncopation, 'outside' harmonic tension and whole half, Judith A. Iddison
Video Example 4. The African Kora, Judith A. Iddison
Video Example 5. Octave viola, Judith A. Iddison
Video Example 6. The phraseology of a saxophone, Judith A. Iddison
Video Example 7. The nuances of a trumpet, Judith A. Iddison
Video Example 8. Vibrato used to imitate a trumpet lip trill, Judith A. Iddison
Video Example 9. Bow percussion, Judith A. Iddison
Migraine Therapy, Peter Mcavan
Submissions from 2022
Video Figure 1 Distracted Moment, Shelby R. McKenzie
Video Figure 2 The Structured Moment, Shelby R. McKenzie
Video Figure 3 The Embodied Moment, Shelby R. McKenzie
Video Figure 4 Exceeding Embodiment, Shelby R. McKenzie
Video Figure 5 Embodied and Structured, Shelby R. McKenzie
Submissions from 2021
Inter-study intervals animation, Nicola Carr-White
The original Differentiated Learning Consolidation Process (DLCP) as developed in the classroom, Nicola Carr-White
Tutor sessions during the week, Nicola Carr-White
Weekly teacher session demonstration, Nicola Carr-White
Tomasi Trumpet Concerto, Brent Grapes and West Australian Symphony Orchestra
“Lady Essex Minuet” from Longman and Broderip’s Compleat Collection of 100 of the most favorite Minuets (ca. 1780), James Huntingford
Second movement—Larghetto con Espressione—of Sonata in B-flat major, Op. 12, no. 1 (1784) by Muzio Clementi, James Huntingford
Down the rabbit hole exhibition, Shana James
Mirovia Ocean for chamber orchestra and electronics, Lindsay Vickery
Exercise 10 duet improvisation, Min Zhu
Exercise 11 crossed and circular walking, Min Zhu
Exercise 1 moving with focused consciousness, Min Zhu
Exercise 2 grounded walking, Min Zhu
Exercise 3 creating your space, Min Zhu
Exercise 4 qi ball improvisation, Min Zhu
Exercise 5 moving in the qi-field, Min Zhu
Exercise 6 mapping, Min Zhu
Exercise 7 walking in the water with the Tai Ji diagram, Min Zhu
Exercise 8 pushing the stake with the body center, Min Zhu
Exercise 9 vibration of the lower dantian, Min Zhu
Penanegra show, Min Zhu
Submissions from 2020
Jekyll nightmare, Hugo Belviso
Jekyll on inversion table, Hugo Belviso
Jekyll's dance, Hugo Belviso
Jekyll's fall, Hugo Belviso
Jekyll's Hide compilation-trailer, Hugo Belviso
Vermin crawl, Hugo Belviso
Hecate, Kylie Bracknell, Clint Bracknell, and Yirra Yaakin Theatre Company
Alluvium, Erin Coates, Stuart James, and Louise Devenish
Animated charcoal drawing, Shana James
The etching process, Shana James
Ballad, Christian Meares, Christopher Travaglini, and Joseph Powell
Pop, Christian Meares, Christopher Travaglini, and Joseph Powell
Rock, Christian Meares, Christopher Travaglini, and Joseph Powell
Six/Eight, Christian Meares, Christopher Travaglini, and Joseph Powell
Axiom [performance], Tom O'Halloran, Pete Jeavons, and Daniel Susnjar
Love is a temporary madness, Vanessa Perica and Vanessa Perica Orchestra
Limmud Oz presentation: Koora koora nyitting: We are here!, Stuart Rhine-Davis, Suzanne Kosowitz, and Jesse John Fleay
Moment's notice, David Theak, Florian Ross, and Australian National Jazz Orchestra
Brave the wave, Jonathon Jie Hong Yang, Maddie Ivy, and Western Australian Academy of Performing Arts Classical Music Department
Submissions from 2019
Seasons of life, Glyn MacDonald, Western Australian Wind Symphony, Matt Styles, and Sam Perry
Launch of the Online Refereed Journal Sound Scripts, vol. 6, iss 1 (2019), Jonathan W. Marshall
Night music, Jamie Oehlers
Dancer Bethany Reece responding to momentum of wave as it meets the land, Film Shoot 2, Mettams Pool, Johanna Omodei
Dancer Bethany Reece responding to water, Film Shoot 1, Serpentine Falls, Johanna Omodei
Opening footage of water in su dansi, Johanna Omodei
Sinking and rising underwater movement, Johanna Omodei
Su Dansi - Dance film, Johanna Omodei
Symbiotic relationship of still taken from Film Shoot 1, Johanna Omodei