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Submissions from 2024

Exhibition floor talk | Nexus 22, Lyndall Adams

Exhibition floor talk | The Nikon-Walkley press photography awards, Lyndall Adams, Alix Beattie, Steinar Ellingsen, Andrea Burns, and Laura Glitsos

Exhibition floor talk | Nexus Postgraduates 2023, Lyndall Adams, Nicola Kaye, and Brad Nisbet

Exhibition floor talk | New old...Old new, Richard Aitken, Lyndall Adams, Alix Beattie, and Holly Yoshida

Exhibition floor talk | Perennial Series, Dani Andree and Nicola Kaye

Exhibition floor talk | Youyang tat sat, Anindita Banerjee, Lyndall Adams, and Alix Beattie

Exhibition floor talk | Zam Zaag, Diana Chester, Lyndall Adams, and Alix Beattie

Exhibition floor talk | Sonifying covid, Diana Chester, Lyndall Adams, and Nicola Kaye

Exhibition floor talk | Unfinished business, Alba Cinquini, Anne-Maree Pelusey-Zentner, Leah van Lieshout, Lyndall Adams, and Alix Beattie

Exhibition floor talk | Lost Soles: Beyond the sea, Claire Davenhall, Lyndall Adams, and Nicola Kaye

Exhibition floor talk | Distance + Displacement, Dawn Dudek, Lyndall Adams, and Alix Beattie

Exhibition floor talk | Herenow: Artists in Wonderland, Shelley Elkins, Nicola Kaye, and Alix Beattie

Exhibition floor talk | Growing Likeness, Eleanor Gates-Stuart, Lyndall Adams, Alix Beattie, and Nicola Kaye

Exhibition floor talk | Herenow | 24: Mummy's agony, Kristen Martin, Lyndall Adams, Nicola Kaye, and Alix Beattie

Exhibition floor talk | Retrotopia, Laura Mitchell and Lyndall Adams

Exhibition floor talk | 'Extract from text score archive' and 'transports', Craig Pederson, Eduardo Cossio, Lyndall Adams, and Alix Beattie

Exhibition floor talk | To Play & Win, Thomas Picton-Warlow, Ted Snell, Susan Starcken, and Lyndall Adams

Exhibition floor talk | | #FEAS unfinished business, Jo Pollitt, Lyndall Adams, and Nicola Kaye

Exhibition floor talk | Overdressed, Sam Price, Lyndall Adams, and Nicola Kaye

Exhibition floor talk | Costume Elegies, Jody Quackenbush, Lyndall Adams, and Nicola Kaye

Exhibition floor talk | Over Stimulated, Nina Raper, Lyndall Adams, and Alix Beattie

Exhibition floor talk | Burrow (Collapse), Taarn Scott, Lyndall Adams, and Alix Beattie

Exhibition floor talk | Far-away island, Harrison See and Lyndall Adams

Exhibition floor talk | Herenow 2023 In-Between-ness, Harrison See and Lyndall Adams

Exhibition floor talk | Companions, Ruby Smedley, Lyndall Adams, and Alix Beattie

Exhibition floor talk | Crossroads, Ted Snell, Danielle Fusco, and Lyndall Adams

Exhibition floor talk | Being Boring, Sarah Thornton-Smith and Lyndall Adams

Exhibition Floor Talk | Terra, John Toohey and Lyndall Adams

Exhibition floor talk | Uncanny Valley, Darren Tynan and Lyndall Adams

Exhibition floor talk | Soiled, Cassandra Tytler and Lyndall Adams

Exhibition floor talk | Finding comfort in an unmade bed, Jane Ziemons, Lyndall Adams, and Nicola Kaye

Submissions from 2023

Exhibition floor talk | Disruptive Immersion, Steven Baitz, Lyndall Adams, Nicola Kaye, and Paul Uhlmann

Exhibition floor talk | Placemarks, Hugh Breslin, Louise Grimshaw, Rebecca Hepworth, Brianne Sharp, Kristy Scaddan, Robyn Bernadt, Shanti Gelmi, and Nicola Kaye

Mental health concerns for older adults affected by climate change, Claire Donnellan

Exhibition floor talk | 25 Impressions of Nostalgia, Louise Gan, Lyndall Adams, and Nicola Kaye

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Video Example 10. 'Filling in the gaps' of arpeggios, Judith A. Iddison

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Video Example 11. Improvising using the augmented second interval, Judith A. Iddison

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Video Example 12. Soloing on one, two and three strings, Judith A. Iddison

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Video Example 13. Improvising incorporating bigger intervals, Judith A. Iddison

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Video Example 14. Improvising with a D7 chord, Judith A. Iddison

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Video Example 15. Shifting fifths patterns, Judith A. Iddison

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Video Example 16. 'Outside' playing with pentatonic, Judith A. Iddison

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Video Example 17 Gregorio demonstrates rhythmic juxtaposition, Judith A. Iddison

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Video Example 18. Stylistic juxtaposition, Judith A. Iddison

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Video Example 1. The tabla and oud, Judith A. Iddison

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Video Example 20. Evoking flamenco vocal style, Judith A. Iddison

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Video Example 21. More elaborate ornamentation and hemiolas, Judith A. Iddison

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Video Example 22. Jazz influences, Judith A. Iddison

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Video Example 23. Bow percussion, Judith A. Iddison

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Video Example 24. Sequence to the stratosphere as part of Gregorio's cadenza(1), Judith A. Iddison

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Video Example 26. Gregorio comping, Judith A. Iddison

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Video Example 27. Blues-based ideas and motivic development in Swing 48, Judith A. Iddison

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Video Example 28. Improvisational fluency, surround technique, blues-based ideas, Judith A. Iddison

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Video example 29. Tension and release, 'horn-like' bent notes and Grappelliesque triplets, Judith A. Iddison

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Video Example 2. A 'great breath-like instrument', Judith A. Iddison

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Video Example 30. Bariolage and melodic devepment with extreme pitch, Judith A. Iddison

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Video Example 32. Opening phrase of Bollyrock, Judith A. Iddison

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Video Example 33. More elaborate ornamentation, Judith A. Iddison

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Video Example 34. Ornamental flourishes(2), Judith A. Iddison

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Video Example 35. Venturing 'outside' with arpeggiation, Judith A. Iddison

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Video Example 36. Birdcalls, Judith A. Iddison

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Video Example 38. Blues-based ideas with 'guitar' bends and wide vibrato, Judith A. Iddison

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Video Example 39. 'Horn-like', funk-based rhythms and blues-based ideas, Judith A. Iddison

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Video Example 3. A percussive chordal instrument and the African kora, Judith A. Iddison

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Video Example 40. Slides, wide vibrato and funk-based rhythms, Judith A. Iddison

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Video Example 42. Hints of melody amongst ornamental flourishes, Judith A. Iddison

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Video Example 43. Incorporating the augmented second and wide vibrato, Judith A. Iddison

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Video Example 44. Virtuosic flourish, Judith A. Iddison

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Video Example 45. Strong rhythms with extended harmonies, Judith A. Iddison

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Video Example 46. Incorporation of jazz language, Judith A. Iddison

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Video Example 47. Driving swing rhythm and half whole pattern, Judith A. Iddison

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Video Example 48. Driving syncopation, 'outside' harmonic tension and whole half, Judith A. Iddison

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Video Example 4. The African Kora, Judith A. Iddison

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Video Example 5. Octave viola, Judith A. Iddison

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Video Example 6. The phraseology of a saxophone, Judith A. Iddison

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Video Example 7. The nuances of a trumpet, Judith A. Iddison

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Video Example 8. Vibrato used to imitate a trumpet lip trill, Judith A. Iddison

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Video Example 9. Bow percussion, Judith A. Iddison

Migraine Therapy, Peter Mcavan

Exhibition floor talk | Through Grinding Teeth, Nina Raper, Lyndall Adams, and Nicola Kaye

Exhibition floor talk | Yam, Cim Sears and Lyndall Adams

Exhibition floor talk | The American Dream, Jenni Skinner and Lyndall Adams

Exhibition floor talk | Nexus, Ben Waters, Clive Barstow, Denise Pepper, Gregory Pryor, Justine McKnight, Louise Gan, Stephen Terry, Paul Uhlmann, Stuart Elliot, Sue Starcken, Lyndall Adams, Nicola Kaye, and Alix Beattie

Submissions from 2022

Video Figure 1 Distracted Moment, Shelby R. McKenzie

Video Figure 2 The Structured Moment, Shelby R. McKenzie

Video Figure 3 The Embodied Moment, Shelby R. McKenzie

Video Figure 4 Exceeding Embodiment, Shelby R. McKenzie

Video Figure 5 Embodied and Structured, Shelby R. McKenzie

Submissions from 2021

Inter-study intervals animation, Nicola Carr-White

The original Differentiated Learning Consolidation Process (DLCP) as developed in the classroom, Nicola Carr-White

Tutor sessions during the week, Nicola Carr-White

Weekly teacher session demonstration, Nicola Carr-White

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Tomasi Trumpet Concerto, Brent Grapes and West Australian Symphony Orchestra

“Lady Essex Minuet” from Longman and Broderip’s Compleat Collection of 100 of the most favorite Minuets (ca. 1780), James Huntingford

Second movement—Larghetto con Espressione—of Sonata in B-flat major, Op. 12, no. 1 (1784) by Muzio Clementi, James Huntingford

Down the rabbit hole exhibition, Shana James

Mirovia Ocean for chamber orchestra and electronics, Lindsay Vickery

Exercise 10 duet improvisation, Min Zhu

Exercise 11 crossed and circular walking, Min Zhu

Exercise 1 moving with focused consciousness, Min Zhu