Submissions from 2026
The great turning point: Challenges and solutions for tourism higher education in the AI age, Songshan Huang and Nhi Thao Ho-Mai
Be watchful of “perfect mediocracy” in tourism research!, Songshan (Sam) Huang
From tradition to transformation: A new era of primary spontaneous pneumothorax management, Nai Chien Huan, Diana Egerton-Warburton, and Y. C.Gary Lee
Targeting the leak: Endobronchial valves for treatment of pneumothorax, Nai Chien Huan, Niranjan Ananda Setty, Dhaval Thakker, and Y.C. Gary Lee
The role of digital transformation in shaping the decentralization of decision-making rights within hospitality and tourism group firms, Bing Hu, Tianyu Zheng, Songshan (Sam) Huang, and Ke Zhang
Leveraging ESG investment to enhance labor employment in hospitality and tourism firms: An signaling theory perspective, Bing Hu, Tianyu Zheng, Songshan Huang, and Ke Zhang
Prescribing tourism: Cultivating positive travel experiences for individuals with health conditions, Fangli Hu, Jun Wen, and Sebastian Filep
Good taste in research: The soul of scholarship, Fangli Hu, Jun Wen, and Aliana Man Wai Leong
Destined to travel? Unlocking the genetic roots of tourist behaviour, Fangli Hu, Jun Wen, Tianyu Ying, Ben K. Goh, and Wei Wang
Beyond the hype: Organisational adoption of Generative AI through the lens of the TOE framework–A mixed methods perspective, Laurie Hughes, Fern Davies, Keyao Li, Senali Madugoda Gunaratnege, Tegwen Malik, and Yogesh K. Dwivedi
The factors influencing organisational responsiveness for sustainable projects, Richard Hughes and Bradley Baker
Movable antennas with full-duplex receiver for covert communication, Jinsong Hu, Mingfeng Ji, Yida Wang, Shihao Yan, Youjia Chen, Feng Shu, and Jun Li
Near-field user localization and beamforming in covert communication, Jinsong Hu, Duanrui Liao, Yuanjian Li, Shihao Yan, Youjia Chen, Jun Wang, Feng Shu, and Jiangzhou Wang
Near-field integrated sensing and covert communications with multiple targets as wardens, Jinsong Hu, Haojie Yin, Xiaobo Zhou, Shihao Yan, Wanghan Lv, Youjia Chen, Feng Shu, and Jun Li
Keyframe selection from motion capture data with dual-agent reinforcement learning, Kun Hu, Wang, Clinton Mo, Mingyang Ma, Shaohui Mei, Zebin Chen, and Zhiyong Wang
Dissecting the causal association between body fat mass and obsessive-compulsive disorder: A two-sample mendelian randomization study, Mei Ling Hu, Zhen Nan Lin, Hong Wei Liu, Yun Feng Xi, and Youxin Wang
Occupational therapy intervention for children with developmental coordination disorder: A survey of occupational therapists in Australia, Jacqui Hunt, Jill G. Zwicker, Annette Raynor, and Erin Godecke
Artificial intelligence for unmanned aerial vehicles: Sensing, communication, and computing, Shuyan Hu, Xin Yuan, Kai Li, Wei Ni, and Xin Wang
Driven to serve: Exploring meaningful work for doctors through the lens of public service motivation, Abid Hussain, Uma Jogulu, Esme Franken, Rahatulaain Ahmad, and Tim Bentley
More than just fair: Legitimizing AI through reciprocity, ethical AI characteristics and personal information sharing, Shahid Hussain, Asim Qazi, and Violetta Wilk
Operational optimization of integrated thermal energy systems using steam methane reforming electrolysis coupling for hydrogen and electricity production, Wisam K. Hussam, Jaman, Barun Das, Md Shahriar Mohtasim, Arik Anjum Anik, and Gregory J. Sheard
Dynamic knowledge practices in tourism village development: An activity theory perspective, Xianyang Hu, Jie Chen, and Songshan (Sam) Huang
A Delphi consensus study on the dimensions of positive mental health, M. Iasiello, van Agteren, K. Ali, E. Kolovos, P. J. Batterham, F. Goodman, A. Jarden, T. B. Kashdan, M. Kyrios, L. G. Oades, D. Weziak-Bialowolska, and D. B. Fassnacht
Overcoming the challenges faced by leaders of purpose-led medium-sized businesses: The role of corporate communication and its interplay with corporate reputation and organisational identity, Taofeeq Ibn-Mohammed, Suranga Herath, Nicholas Swallow, Charlie Gower, Adriana P. Montes, Dawn Brooks, Andres P. Garcia, and Angus Morrison-Saunders
Video Example 100. Gregorio emphasises preparing the left hand for accurate articulation of chromatic flourishes, Judith A. Iddison
Video Example 101. Outlining Minor Swing changes with cross-rhythmic pattern, Judith A. Iddison
Video Example 102. Gregorio features slurred swing bowing on Minor Swing improvisation, Judith A. Iddison
Video Example 103. Gregorio teaches a 'guitar-strum' extended technique, Judith A. Iddison
Video Example 104. Gregorio teaches left-hand muting required for the guitar-strum extended technique, Judith A. Iddison
Video Example 105. Demonstration and discussion of 'ghosted' chromatic-based accompanying technique, Judith A. Iddison
Video Example 106. Applying parameters of outlined arpeggio and chromaticism to Minor Swing improvisation, Judith A. Iddison
Video Example 107. Applying parameters to Minor Swing improvisation and responding to Gregorio's accompaniment, Judith A. Iddison
Video Example 108. Powerful creative force, Judith A. Iddison
Video Example 109. Combined experience, expertise and knowledge, Judith A. Iddison
Video Example 10. Gregorio demonstrates swing-bowing patterns on a chromatic scale, Judith A. Iddison
Video Example 110. Identifying strengths and hesitancies, Judith A. Iddison
Video Example 111. Innovation and diversity, Judith A. Iddison
Video Example 112. Extending performance opportunities and audience reach, Judith A. Iddison
Video Example 113. Social cohesion, Judith A. Iddison
Video Example 114. Greater artistic and personal fulfilment, Judith A. Iddison
Video Example 115. Autumn Ballad performance, Judith A. Iddison
Video Example 116. Autumn Ballad nascent improvisation at Sign of Four’s first rehearsal, Judith A. Iddison
Video Example 117. Autumn Ballad violin improvisation at Jazz Fremantle with Sign of Four, Judith A. Iddison
Video Example 118. Autumn Ballad improvisation, Judith A. Iddison
Video Example 119. Tri Swingin' performance, Judith A. Iddison
Video Example 11. Gregorio demonstrates cementing one-octave left-hand patterns and chromatically-infused phrases, Judith A. Iddison
Video Example 120. Tri Swingin’ improvisational exploration, Judith A. Iddison
Video Example 121. Tri Swingin' violin improvisation, Judith A. Iddison
Video Example 122. Double Parked performance, Judith A. Iddison
Video Example 123. Double Parked ‘flute-like’ solo featuring rhythmic variety and whole-tone, whole-half diminished flavours, Judith A. Iddison
Video Example 124. Double Parked comping by bowing on centre bout of violin, Judith A. Iddison
Video Example 125. Double Parked violin improvisation, Judith A. Iddison
Video Example 126. Gratitude performance, Judith A. Iddison
Video Example 127. Gratitude improvisation at first Sign of Four rehearsal, Judith A. Iddison
Video Example 128. Gratitude violin improvisation, Judith A. Iddison
Video Example 129. The Mist Set performance, Judith A. Iddison
Video Example 12. Gregorio plays chromatic cells, embellishing and surrounding arpeggios and extended arpeggios, Judith A. Iddison
Video Example 130. Excerpt from Gregorio’s solo octave viola, looped soundscape performance, Judith A. Iddison
Video Example 131. The Mist Set chopping under bluegrass solo and quintessential bluegrass ending, Judith A. Iddison
Video Example 132. The Mist Set looped atmospheric soundscape, Judith A. Iddison
Video Example 133. Improvisation over soundscape from The Mist Set, Judith A. Iddison
Video Example 134. Melody and bluegrass violin improvisation from The Mist Set, Judith A. Iddison
Video Example 135. Sea Funk performance, Judith A. Iddison
Video Example 136. Gregorio and I workshopping an arrangement of Sea Funk, Judith A. Iddison
Video Example 137. Sea Funk excerpt demonstrating the violin in three contrasting roles, Judith A. Iddison
Video Example 138. Sea Funk violin improvisation, Judith A. Iddison
Video Example 139. Transience performance, Judith A. Iddison
Video Example 13. Transferable funk-inspired pentatonic pattern within improvisations in different keys, Judith A. Iddison
Video Example 140. Transience ambient soundscape experimentation with Gregorio and Selepak, Judith A. Iddison
Video Example 141. Transience ostinato, Judith A. Iddison
Video Example 142. Col legno extended techniques applied within Transience, Judith A. Iddison
Video Example 143. Transience atmospheric five-string violin improvisation, Judith A. Iddison
Video Example 144. Full Moon Swing performance, Judith A. Iddison
Video Example 145. Full Moon Swing pizzicato and arco playing while singing, Judith A. Iddison
Video Example 146. Sign of Four's Full Moon Swing arrangement including ska improvisation, trading and vocal chorus, Judith A. Iddison
Video Example 147. Full Moon Swing’s classically influenced arrangement, Judith A. Iddison
Video Example 148. Full Moon Swing collaboration on vocal chorus and improvisation, Judith A. Iddison
Video Example 149. On Fire performance, Judith A. Iddison
Video Example 14. Applying pentatonic patterns to chord changes within phrases and exercises in Black Orpheus, Judith A. Iddison
Video Example 150. On Fire trading solos with Gregorio, Judith A. Iddison
Video Example 151. Gregorio teaches percussive effects for On Fire’s breakdown, Judith A. Iddison
Video Example 152. Excerpt from On Fire’s head and violin improvisation, Judith A. Iddison
Video Example 153. Excerpt from On Fire’s breakdown featuring a percussive ‘chopsticks’ improvisation, Judith A. Iddison
Video Example 154. Last Day in Edinburgh performance, Judith A. Iddison
Video Example 155. Last Day in Edinburgh violin improvisation, Judith A. Iddison
Video Example 156. Sign of Four performance, Judith A. Iddison
Video Example 157. Three accompanying ideas for Selepak’s Sign of Four, Judith A. Iddison
Video Example 158. Lesson in anticipating chords and landing confidently on beat one of Sign of Four’s changes, Judith A. Iddison
Video Example 159. Excerpt from the head of Selepak’s Sign of Four, Judith A. Iddison
Video Example 15. Call and response demonstration of pentatonic funk-inspired ideas, Judith A. Iddison
Video Example 160. Violin improvisation from Selepak’s Sign of Four, Judith A. Iddison
Video Example 161. Spain performance, Judith A. Iddison
Video Example 162. Improvisations during Spain rehearsal, Judith A. Iddison
Video Example 163. Spain’s head and violin improvisation, Judith A. Iddison
Video Example 164. Gregorio demonstrates finger-dexterity exercise over Black Orpheus chord changes, Judith A. Iddison
Video Example 165. Gregorio introduces unstructured swing bowing, Judith A. Iddison
Video Example 166. ‘Go Park the Car’ rhythm on minor pentatonic scale, Judith A. Iddison
Video Example 167. Gregorio instructs on quality jazz tone using 'Go Park the Car' rhythm, Judith A. Iddison
Video Example 168. Gregorio suggests a non-classical bow technique to strengthen tone quality, Judith A. Iddison
Video Example 169. Minor Swing improvisation with horn-inspired rhythms, phraseology and holding notes across chords, Judith A. Iddison