Follow

Submissions from 2011

PDF

The Possibilities of Novel Formal Structures through Computer Controlled Live Performance, Lindsay Vickery

Submissions from 2010

Link

The triple threat actor and the acquisition of music skills, Derek Bond

PDF

Postmodernism and the professional String Quartet, Kelly Michaela Curran

PDF

Dancing with risk: risk-taking as a performance practice in contemporary dance, Gemma Dawkins

PDF

The Seventeenth-Century Battaglie for Lute in Italy, Aiden Deasy

PDF

Music for trumpet and cornetto in the Duben collection, Breanna Michelle Evangelista

PDF

Historically and in the context of globalisation, how do western European perceptions of folk/ traditional dance pervade and shape the field of dance?, Emma Fishwick

PDF

An interactive music system based on the technology of the reacTable, James Herrington

PDF

The ephemerality of dance, Abby Frances Johnson

PDF

Copyright, creative commons and artistic integrity, Yagan M. Kiely

Link

Alexandra Kolb, Performing femininity: Dance and literature in German Modernism [Book review], Jonathan W. Marshall

PDF

The Dancing Imagination: How Does Imaginative Imagery Facilitate Movement Qualities in Dance Training and Performance?, Rachel Perica

PDF

The (un)written heart in Brecht’s Baal and Journeys of the god of happiness : heart matters in the development of a playwright and his ideas on acting, Ralf G. Rauker

Link

Musical networks in experimental electronic performance, Malcolm Riddoch and Jarryd Bird

PDF

John Hollenbeck's Compositional Technique: An Analysis and Creative Application, Tilman Robinson

PDF

The analysis of composition techniques in utp_: Synthetic composition for electroacoustic ensembles, Kynan Tan

Link

Mobile scores and click-tracks: Teaching old dogs, Lindsay Vickery

PDF

A study of performance practices in recordings of Bach's Violin Sonata BWV 1003 from 1930-2000, Adrian Yeo

Submissions from 2009

PDF

Regulating the Notes : A Case Study Into the Impact of Government Regulation on the Live Music Performances of Perth's Original Contemporary Musicians, Christina Ballico

PDF

The success and sustainability of improvisation in a live performance context, Ashleigh Rose Berry

PDF

In music, poetry: A Britten song cycle and influences on a new work, Talitha Broughton

PDF

Dreaming in motion: Maintaining community, culture and identity of First Australians, Ian R.T. Colless

PDF

An investigation of specific structural techniques used by the Miles Davis Quintet on selected live recordings from 1964-1965, Callum G'Froerer

PDF

The classics and her cygnets: Classic choreographies and their contemporary (counter) parts, Leeke Griffin

PDF

'Youth Ventures Into the Unknown' developing an individual style of dance making, Kate Herron

Link

Infrasonic music, Cat Hope

Link

Cultural terrorism and anti music: Noise music and its impact on experimental music in Australia, Catherine Hope

The bottom end of cinema: Low frequency effects in soundtrack composition, Catherine Hope

Link

The wonderment of the bleak: Scultping the static, Catherine Hope

Kenny Wheeler: Melody, harmony and structure, Alice Humphries

PDF

Kenny Wheeler: Melody, harmony and structure : An analysis of the melodic, harmonic and structural techniques in the compositions of Kenny Wheeler, and the implementation of those techniques into the authors own creative process, Alice Humphries

PDF

Constellations, Pathways Through the Body : An Exploration Creating new Movement Pathways Using Dual Patterning, Gemma Laing

PDF

Shakespeare's verse and the training actor, Leith McPherson

PDF

Modern performance trends In Bach's Sacred Music : Changing tastes in the performance of Bach's Weihnachtsoratorium : An exploration of the rhetorical style, Sam Nester

PDF

Architects of the identity of dance: Gender inequity in achievement and acknowledgment in Australian contemporary dance, Quindell Orton

PDF

Undressing and redressing the harlequin: An Australian designer's perspective, Julie Parsons

Link

Artists, creativity and knowledge: A challenge for doctoral change, Maggi Phillips

Link

Seeking excellence in danced postgraduate degrees, Maggi Phillips

Link

Dancing doctorates down-under? Defining and assessing 'doctorateness' when embodiment enters the thesis, Maggi Phillips, Cheryl Stock, and Kim Vincs

PDF

The communicating dance, Alison Plevey

PDF

From dreams to nightmares : Cross-generational romance in mainstream American cinema, Sol Stern

Submissions from 2008

PDF

Steve Reich's 'Piano Phase' and David Cossin's 'Video Phase' : An exploration of David Cossin's Video Phase with reference to Steve Reich's original work Piano Phase, Fiona Digney

PDF

Protean careers and the performing arts: Antecedents for intrinsic motivation, Sophie Fernandes

PDF

Navigate your way through a sea of data, Korin S. Gath

PDF

Unmasking Albany : Addressing social issues through mask-work with young people in a Western Australian regional centre, Fleur Hockey

The possiblity of infrasonic music, Catherine Hope

Link

Pathos, pathology and the still-mobile image: A warburgian reading of held by Garry Stewart and Lois Greenfield, Jonathan Marshall

Lynn Matluck Brooks, Ed., Women’s work: Making dance in Europe before 1800; Arthur Saint-Léon, La Sténochorégraphie; [and] Carlo Blasis, Il Trattato di Danza [Book review], Jonathan W. Marshall

Link

Maaike Bleeker, Ed., Anatomy live: Performing and the operating theatre [Book review], Jonathan W. Marshall

PDF

Visualising the transient self: An examination of the intangible in creative work, Jaqueline Monks

PDF

New indeterminate music: The influence of the Cagean trajectory in the importance of being earmarked, Brett Philip Murray

PDF

Is Dance Good for the Body or Not? : An Examination of Body Awareness and Injury Prevention for Specialised Tertiary Dance Students, Kylie Murray

Link

Creativity's crossingforces: A danced interplay, Maggi Phillips

PDF

Dancing between diversity and consistency: Refining assessment in postgraduate degrees in dance, Maggie Phillips, Cheryl Stock, and Kim Vincs

PDF

Performing Le Merle Nair: An investigation into the performance issues in the music of Olivier Messiaen, Kirsten Smith

PDF

Performing the keyboard percussion works of Nebojsa Jovan Zivkovic, Joshua James Webster

Submissions from 2007

PDF

A methodology for thorough text preparation of German Lieder, Emma Louise Blake

PDF

Cinematography and choreography: "It takes two to tango", Laura Boynes

PDF

In Genius-Lee : An analysis of the improvisational style of Lee Konitz, Andrew Brooks

PDF

The new String Quartet : The evolution of the Hyperquartet, Rachael Dease

PDF

Blowing east : A set of performance practice instructions for a western flautist presenting Japanese and Indian inspired works, Asha Henfry

PDF

Facelift, Cat Hope

Making music as contemporary art, Catherine Hope

Silence as stillness? Sonic experiences in art using infrasonics, Catherine Hope

PDF

Electronic music compositional techniques in instrumental music: A study of effect in Helmut Lachenmann's 'Pression', Lisa James

Link

Vigilante Performance, Jonathan Marshall

PDF

Rehearsal and performance practices of minimalist music, specifically related to music for eighteen musicians by Steve Reich, Callum Moncrieff

PDF

Photography, dance and the concept of punctum, Rhiannon Newton

PDF

God's Lonely Men : Bernard Herrmann's musical voice for the lonely and tortured men of cinema, Clare Nina Norelli

PDF

Lost in translation: Making sense of dance through words, Paul T. O'Sullivan

PDF

Preparing the role of Tytania in Britten's A Midsummer Night's Dream: a handbook for singers, Emma Pettemerides

PDF

An investigation of musical life and music societies in Perth (Western Australia), 1900-1950, Jessica Sardi

PDF

A method for electric bass improvisation via a detailed analysis of the improvisational techniques of Jaco Pastorius from 1967-1968, Aaron Spiers

PDF

Redefining electro-acoustic: Applying techniques from electronic music to the composition of Pivot, an acoustic work for percussion quartet, Joe Stawarz

Submissions from 2006

PDF

Performance design : the Western Australian Opera Company's contribution to performance design 1968-1997, Howard Bradfield

PDF

Through the window: The subject and the voyeur's gaze within cinema and video, James A. Doohan

PDF

Bob Brookmeyer: composer, performer, pedagogue, Mace Francis

PDF

The classical guitar in Paris: Composers and performers c.1920-1960, Duncan Robert Gardiner

PDF

Application of binaural recording in the video game industry, Max Leong

PDF

Financial philanthropy towards Australian public art galleries by individual benefactors: Some empirical evidence from the National Gallery of Victoria, Elisha London

PDF

Transforming Messiaen : The Application of Elements of the Musical Language of Olivier Messiaen to the Contemporary Jazz Orchestra, Johannes Luebbers

PDF

An investigation into the spectral music idiom and its association with visual imagery, particularly that of film and video, Brett Mabury

PDF

The dancing mind, Rebecca McCormac

Creative interpretation and cello technique: A pedagogical handbook in the tradition of Michael Goldschlager and Bernard Greenhouse, Sacha McCulloch

PDF

The integrated sound, space and movement environment : The uses of analogue and digital technologies to correlate topographical and gestural movement with sound, Jonathan A. Mustard

PDF

What are the benefits of dance in relation to developing creative potential for the individual?, Shannon Riggs

PDF

The influence of genetics and the environment on human personalities, relationships and experiences, Patrice Smith

PDF

An investigation Into Lindsay Vickery's Rendez-vous: An opera noir, Adam Willett

PDF

Tan Dun's Eight Memories in Watercolor: Insights into performance, Zhen Zeng

Submissions from 2005

The bridge between, Clive Barstow

PDF

Orchestral engagements with rock music: a study of Michel Colombier's Wings as a catalyst for evolution- a Rock Symphony for jazz orchestra, Christopher de Groot

PDF

"Everything I've Listened to With Love" : A study of guitarist Wolfgang Muthspiel and his integration of classical music elements into jazz, Johanne Druitt

Link

Invisible country, Margaret Hair

PDF

Voyeurages, Cat Hope

PDF

Developing a flexible and expressive realtime polyphonic wave terrain synthesis instrument based on a visual and multidimensional methodology, Stuart G. James

Link

Inciting reflection: A short manifesto for and introduction to the discursive reviewing of the arts, Jonathan Marshall

PDF

New method of rhythmic improvisation for the jazz bassist : An interdisciplinary study of Dave Holland's rhythmic approach to bass improvisation and North Indian rhythmic patterns, Linda M. Oh

Link

Diversified Moves of a Specialised Ecology: Can this Art-Form be Sustainable?, Maggi Phillips

Submissions from 2004

Representations of recombinant memory in interactive performance works: Some recent examples, Jonathan Burtt, Katrina Lavers, and Lindsay Vickery

PDF

Decorator or narrator: A contextualisation of Slavic and Australian pattern making and its relationship to my painting practice, Iliana H. Jordanov