Submissions from 2017
Innocent dreamer, Jamie Oehlers and Tal Cohen
Passage, Tom O'Halloran
The Silver Sands Guitar Trio [Concert], Jonathan Paget, Nathan Fischer, and Craig Lake
Guitar Brazilliance, Jonathan Paget, Nathan Fischer, Craig Lake, and Plectra Guitar Ensemble
"You are no longer creative when you give up": Technical theatre’s creative sleight of hand, Maggie Phillips and Renee Newman
She writes like she dances: Response and radical impermanence in writing as dancing, Jo Pollitt
From opera with love, Patricia Price, Anna Sleptsova, David Wickham, Fiona McAndrew, Katherine Goyder, Caitlin Cassidy, Alexander Lewis, Michael Lewis, WAAPA Opera Chorus, and Kristin Bowtell
The application of Konokol to guitar improvisation and composition, Glenn Andrew Rogers
Measuring the value of cultural activity in regional Western Australia: Evaluation report, Helen Rusak and Susan Studham
Ankle taping can reduce external ankle joint moments during drop landings on a tilted surface, Nahoko Sato, Hiroyuki Nunome, Luke S. Hopper, and Yasuo Ikegami
Le grand duo, Ashley William Smith and Anna Sleptsova
Targeting associated mechanisms of anterior cruciate ligament injury in female community-level athletes, Jonathan M. D. Staynor, Joanna C. Nicholas, Gillian Weir, Jacqueline A. Alderson, and Cyril J. Donnelly
One (alto saxophone & backing track), Matt Styles
One (tenor saxophone & backing track), Matt Styles
Home by eleven, Matt Styles, Paul Tanner, and Adam Pinto
Out of character: how acting puts a mental strain on performers, Leith Taylor
Boxy music: Sounding out the conceptual space of in-the-box music practice, Michael Terren
Decibel - Electronic concertos, act 2, Chris Tonkin, Pedro Alvarez, Daniel Thorpe, Stuart James, and Decibel
Destiny: The extraordinary career of pianist Eileen Joyce, David Tunley, Victoria Rogers, and Cyrus Meher-Homji
My name is Nobody, Ben Vanderwal, Tom O'Halloran, and Lucky Oceans
Expanded percussion notation in recent works by Cat Hope, Stuart James and Lindsay Vickery, Lindsay R. Vickery, Louise Devenish, Stuart James, and Cat Hope
Ghosts, fools and seers, Katja Webb, David Wickham, Aaron Wyatt, and Michael Waye
Dark lotus by Pavan Hari, Tim White and Defying Gravity
Defying gravity: Steve Reich under the stars, Tim White and Defying Gravity
Hit parade percussion festival, Tim White, Defying Gravity, Kuniko Kato, Gary France, Kaboom Percussion, Marcus Perrozzi, and Iain Robbie
Kaboom!, Tim White, Kaboom Percussion, and Defying Gravity
The classification of the finger frames method in violin playing, Brittany Williams
Finding the balance, Paul Williamson, Jamie Oehlers, Andrea Keller, Christopher Hale, and James McLean
A comparison of the physical and anthropometric qualities explanatory of talent in the elite junior Australian football development pathway, Carl T. Woods, Ashley Cripps, Luke Hopper, and Christopher Joyce
Submissions from 2016
What is ERA really measuring?, Lyndall Adams, Clive Barstow, and Paul Uhlmann
Rumblestrip, Neil Aldum, Erin Coates, Shaun Gladwell, Loren Holmes, Stuart James, Simone Johnston, and Snapcat
Exquisite: An intercultural encounter with grief, Frances Barbe and Rachel Konyi
Pedagogy in performance: An investigation into decision training as a cognitive approach to circus training, Jonathan Burtt
Role-play and invariance— Two aspects of ritual in Roger Smalley's Ceremony II, Ben Christiansen and Lindsay Vickery
Coaches' perceptions of long-term potential are biased by maturational variation, Ashley J. Cripps, Luke Hopper, and Christopher Joyce
Maturity, physical ability, technical skill and coaches' perception of semi-elite adolescent Australian footballers, Ashley J. Cripps, Luke Hopper, and Christopher Joyce
Uncovering the unpublished chamber music of George Frederick Boyle Volume I: Dissertation, Ryan Davies
The role of health in the development of classical ballet in Western Australia 1950 to 2016, Diana de Vos, Lyndall Adams, and Luke Hopper
Motherhood and female identity in Oriana Fallaci and Valeria Parrella: A case of literary matérnage?, Aureliana Di Rollo
Reforging the maternal bond: Motherhood, mother-daughter relationships and female relationality in Goliarda Sapienza's L’arte della gioia’, Aureliana Di Rollo
A digital resource for navigating extended techniques on bass clarinet, Philip Everall
Amnesiac A stage play - and - Playwriting migration: Silence, memory and repetition. An exegesis, Lucy Eyre
Two screenplays, one writer, national voice, Rose Ferrell
From traffic rises: Site specificity and the compositional process, Mace Francis
Regional Western Australia and Sound Art: A survey of works by Alan Lamb and Ross Bolleter, Talisha Goh and Cat Hope
The documentary mind: In the subject of a practitioner’s perspective on changes in documentary concept and production, Harold Robert (Bob) Hardie
The Musicians, Harold Robert (Bob) Hardie
Great white, Cat Hope
Majority of one (score), Cat Hope
Pure (score), Cat Hope
Shadow, Cat Hope
Tone being, Cat Hope
Trigger warning: Sound element, Cat Hope
Majority of one, Cat Hope and Decibel
Headline grabs for music: The development of an iPad score generator, Cat Hope, Stuart James, and Aaron Wyatt
The possibilities of a line: Marking the glissando in music, Cat Hope and Michael Terren
Pure, Cat Hope and Ton Art Ensemble
Intermodulations: A homage to Roger Smalley, Cat Hope, Lindsay Vickery, Stuart James, Tristan Parr, Aaron Wyatt, and Louise Devenish
Maybe you should stop dancing... a little, Luke Hopper and Peta Blevins
Single-leg squats can predict leg alignment in dancers performing ballet movements in "turnout", Luke Hopper, Nahoko Sato, and Andries L. Weidemann
The dance environment, Luke Hopper and Alycia F. Yan
A classification of multi-point spectral sound shapes, Stuart James
A multi-point 2D interface: Audio-rate signals for controlling complex multi-parametric sound synthesis, Stuart James
Multi-point nonlinear spatial distribution of effects across the soundfield, Stuart James
Introducing decision training into an elite circus arts training program, P Lafortune, Jonathan Burtt, and P Aubertin
The sound of silence: why aren’t Australia’s female composers being heard?, Sally Macarthur and Cat Hope
I shudder to think: Performance as philosophy, Jonathan Marshall
Laughter & pain in a post-colonial limbo: Review of Yirra Yaakin, So Long Suckers, Jonathan Marshall
Performing neurology: The dramaturgy of Dr Jean-Martin Charcot, Jonathan Marshall
Margaret Cameron, I shudder to think: Performance as philosophy [Book review], Jonathan W. Marshall
The Concert Pianist Myth: Diversifying undergraduate piano education in Australia, Helen Mather
Sleeping beauty, Renee Newman and Ian Sinclair
Goes with the territory, Jonathan Paget and Glen Phillips
A brief exploration of variances in Larry Grenadier’s approach to soloing in piano trio and duo contexts on selected recordings of All the Things You Are and Long Ago and Far Away, Alistair Campbell Peel
Knocking on the door: Examining the practice of classical singers at a performing arts institution, Laura Pitts
Report for WA Music: Preliminary economic impact of the music industry in WA, Rob Powell, Marie Ryan, Margaret Giles, Trudi Cooper, Cat Hope, and Claire Lambert
Choreographing intimacy: The making of ‘[they] slipped briskly into an intimacy from which they never recovered’ – a dance film, Antonio Rinaldi
Measuring the value of cultural activity in regional Western Australia, Helen Rusak
Opera miniseries: Divorce: The soap opera, Helen Rusak
Corporate entrepreneurship in the arts in Western Australia, Helen K. Rusak
Forest as place in the album Canopy: Culturalising nature or naturalising culture?, Robin Ryan
Forging a singular musical path: The compositional explorations of Mark Cain, Robin Ryan
Robin Ryan in conversation with Mark Cain: Kernels of discovery: Original musical instruments and acoustic sound designs, Robin Ryan and Mark Cain
'Aborigines are true soldiers of the King': Recalling the regimental march, Gumleaf style, Robin Ryan and Herb Patten
Moth to a flame, Daniel Susnjar
Practising jazz performance: An investigation into the process that underpins optimal instrumental practice in the jazz idiom, Christopher J. Tarr
Actor training and emotions: Finding a balance, Susan Leith Taylor
We could play that last century: Archiving digital 20th century digital performing arts in Western Australia, Meg Travers and Cat Hope
Finding meaning in data: Using data elements to sonify and visualize the found environment, Cissi Tsang
Hexadecimal compositions – using HEX data to sonify images of the found environment, Cissi Tsang
There is no escape from yourself, Cissi Tsang
The light that is waiting, Cissi Tsang, Decibel, and Nicole Canham
Visualising the sonic environment, Lindsay Vickery
Hybrid Real/Mimetic Sound Works, Lindsay R. Vickery
Rhizomatic approaches to screen-based music notation, Lindsay R. Vickery
The role of ring modulation in the formal structure of Roger Smalley's monody for piano with live electronic modulation, Lindsay R. Vickery Dr