Submissions from 2016
Role-play and invariance— Two aspects of ritual in Roger Smalley's Ceremony II, Ben Christiansen and Lindsay Vickery
Coaches' perceptions of long-term potential are biased by maturational variation, Ashley J. Cripps, Luke Hopper, and Christopher Joyce
Maturity, physical ability, technical skill and coaches' perception of semi-elite adolescent Australian footballers, Ashley J. Cripps, Luke Hopper, and Christopher Joyce
Uncovering the unpublished chamber music of George Frederick Boyle Volume I: Dissertation, Ryan Davies
The role of health in the development of classical ballet in Western Australia 1950 to 2016, Diana de Vos, Lyndall Adams, and Luke Hopper
Motherhood and female identity in Oriana Fallaci and Valeria Parrella: A case of literary matérnage?, Aureliana Di Rollo
Reforging the maternal bond: Motherhood, mother-daughter relationships and female relationality in Goliarda Sapienza's L’arte della gioia’, Aureliana Di Rollo
A digital resource for navigating extended techniques on bass clarinet, Philip Everall
Amnesiac A stage play - and - Playwriting migration: Silence, memory and repetition. An exegesis, Lucy Eyre
Two screenplays, one writer, national voice, Rose Ferrell
From traffic rises: Site specificity and the compositional process, Mace Francis
Regional Western Australia and Sound Art: A survey of works by Alan Lamb and Ross Bolleter, Talisha Goh and Cat Hope
The documentary mind: In the subject of a practitioner’s perspective on changes in documentary concept and production, Harold Robert (Bob) Hardie
The Musicians, Harold Robert (Bob) Hardie
Great white, Cat Hope
Majority of one (score), Cat Hope
Pure (score), Cat Hope
Shadow, Cat Hope
Tone being, Cat Hope
Trigger warning: Sound element, Cat Hope
Majority of one, Cat Hope and Decibel
Headline grabs for music: The development of an iPad score generator, Cat Hope, Stuart James, and Aaron Wyatt
The possibilities of a line: Marking the glissando in music, Cat Hope and Michael Terren
Pure, Cat Hope and Ton Art Ensemble
Intermodulations: A homage to Roger Smalley, Cat Hope, Lindsay Vickery, Stuart James, Tristan Parr, Aaron Wyatt, and Louise Devenish
Maybe you should stop dancing... a little, Luke Hopper and Peta Blevins
Single-leg squats can predict leg alignment in dancers performing ballet movements in "turnout", Luke Hopper, Nahoko Sato, and Andries L. Weidemann
The dance environment, Luke Hopper and Alycia F. Yan
A classification of multi-point spectral sound shapes, Stuart James
A multi-point 2D interface: Audio-rate signals for controlling complex multi-parametric sound synthesis, Stuart James
Multi-point nonlinear spatial distribution of effects across the soundfield, Stuart James
Introducing decision training into an elite circus arts training program, P Lafortune, Jonathan Burtt, and P Aubertin
The sound of silence: why aren’t Australia’s female composers being heard?, Sally Macarthur and Cat Hope
I shudder to think: Performance as philosophy, Jonathan Marshall
Laughter & pain in a post-colonial limbo: Review of Yirra Yaakin, So Long Suckers, Jonathan Marshall
Performing neurology: The dramaturgy of Dr Jean-Martin Charcot, Jonathan Marshall
Margaret Cameron, I shudder to think: Performance as philosophy [Book review], Jonathan W. Marshall
The Concert Pianist Myth: Diversifying undergraduate piano education in Australia, Helen Mather
Sleeping beauty, Renee Newman and Ian Sinclair
Goes with the territory, Jonathan Paget and Glen Phillips
A brief exploration of variances in Larry Grenadier’s approach to soloing in piano trio and duo contexts on selected recordings of All the Things You Are and Long Ago and Far Away, Alistair Campbell Peel
Knocking on the door: Examining the practice of classical singers at a performing arts institution, Laura Pitts
Report for WA Music: Preliminary economic impact of the music industry in WA, Rob Powell, Marie Ryan, Margaret Giles, Trudi Cooper, Cat Hope, and Claire Lambert
Choreographing intimacy: The making of ‘[they] slipped briskly into an intimacy from which they never recovered’ – a dance film, Antonio Rinaldi
Measuring the value of cultural activity in regional Western Australia, Helen Rusak
Opera miniseries: Divorce: The soap opera, Helen Rusak
Corporate entrepreneurship in the arts in Western Australia, Helen K. Rusak
Forest as place in the album Canopy: Culturalising nature or naturalising culture?, Robin Ryan
Forging a singular musical path: The compositional explorations of Mark Cain, Robin Ryan
Robin Ryan in conversation with Mark Cain: Kernels of discovery: Original musical instruments and acoustic sound designs, Robin Ryan and Mark Cain
'Aborigines are true soldiers of the King': Recalling the regimental march, Gumleaf style, Robin Ryan and Herb Patten
Moth to a flame, Daniel Susnjar
Practising jazz performance: An investigation into the process that underpins optimal instrumental practice in the jazz idiom, Christopher J. Tarr
Actor training and emotions: Finding a balance, Susan Leith Taylor
We could play that last century: Archiving digital 20th century digital performing arts in Western Australia, Meg Travers and Cat Hope
Finding meaning in data: Using data elements to sonify and visualize the found environment, Cissi Tsang
Hexadecimal compositions – using HEX data to sonify images of the found environment, Cissi Tsang
There is no escape from yourself, Cissi Tsang
The light that is waiting, Cissi Tsang, Decibel, and Nicole Canham
Visualising the sonic environment, Lindsay Vickery
Hybrid Real/Mimetic Sound Works, Lindsay R. Vickery
Rhizomatic approaches to screen-based music notation, Lindsay R. Vickery
The role of ring modulation in the formal structure of Roger Smalley's monody for piano with live electronic modulation, Lindsay R. Vickery Dr
Tectonic: a networked, generative and interactive, conducting environment for iPad, Lindsay R. Vickery Dr and Stuart James
Between the real and the imaginary: ecostructural approaches to composing with field recordings and acoustic instruments, Lindsay R. Vickery, Michael Terren, Sam Gillies, and Josten Myburgh
The composer as bricoleur: Notions of contemporary opera in the genesis of a short film, Tsok Wee Yap
The embodiment of psycho-physical flow in improvisation, Min Zhu
Submissions from 2015
Speedrun, Nicholas Abbey
Collisions, Co-opting and Collaboration: Reflections on the workings of an interdisciplinary collaborative project—inConversation, Lyndall Adams and Renee Newman
Zeena Parkins’ contribution to experimental music and the development of the harp in the late twentieth century, Catherine Ashley
The Adventurous Monk: A discussion of Eric Reed’s improvisational techniques and the influence of Thelonious Monk, Vaughn Beaver
An investigation into the origins of Belt and Legit [at ASME XXth National Conference], Tracey Cooke
An investigation into the origins of Belt and Legit [at Conference for Musical Theatre Educators' Alliance], Tracey Cooke
Inter-rater reliability and validity of the Australian football league’s kicking and handball tests, Ashley J. Cripps, Luke S. Hopper, and Christopher Joyce
Pathway efficiency and relative age in the Australian Football League talent pathway, Ashley J. Cripps, Luke S. Hopper, Christopher Joyce, and James Veale
A stylistic analysis of Recess performed by Charlie Hunter from the DVD Right Now Live, Joshua De Silva
Intinerari didattici ad Albano Laziale in ottica di genere, Aureliana Di Rollo
The shifting voice: Investigating accent and dialect training for West Australian actors, Luzita Fereday
Big Hero 6 ~ National Voice in a Transnational Context, Rose Ferrell
Body double: The author incarnate in the cinema, Lucy Fischer (2013), Rose Ferrell
Music in Site: Integrating elements of site-specificity into composition, Mace Francis
The absurd reality of satire in Neil LaBute's 'Fat Pig', Hermione Gehle
The Sonic BollART, Tim Gilchrist, Meg Travers, Tara Surry, SKoT Mcdonald, Morgan Strong, and Craig Wale
Cries from within: The struggles and triumphs of creating a Singaporean voice in Musical Theatre, Caleb Goh
Archiving the new, now, for future users yet unknown, Lelia Green, Cat Hope, Kylie J. Stevenson, and Tos Mahoney
Towards an interactive environment for the performance of Dubstep music, James Herrington
Cruel and Usual, Cat Hope
Music of our time: let’s embrace experimental music once and for all, Cat Hope
The Decibel ScorePlayer: New developments and improved functionality, Cat Hope
The Western Australian New Music Archive: Performing as remembering, Cat Hope, Lisa MacKinney, Lelia Green, Meghan Travers, and Tos Mahoney
Erst, Cat Hope, Lindsay Vickery, Stuart James, Tristan Parr, Aaron Wyatt, and Louise Devenish
Existence Éphémère, Cat Hope, Lindsay Vickery, Stuart James, Tristan Parr, Aaron Wyatt, and Louise Devenish
EXIT, Cat Hope, Lindsay Vickery, Stuart James, Tristan Parr, Aaron Wyatt, and Louise Devenish
Primorph, Cat Hope, Lindsay Vickery, Stuart James, Tristan Parr, Aaron Wyatt, and Louise Devenish
Study no. 48 [catalog1], Cat Hope, Lindsay Vickery, Stuart James, Tristan Parr, Aaron Wyatt, and Louise Devenish
[under], Cat Hope, Lindsay Vickery, Stuart James, Tristan Parr, Aaron Wyatt, and Louise Devenish
…with the fishes…, Cat Hope, Lindsay Vickery, Stuart James, Tristan Parr, Aaron Wyatt, and Louise Devenish