Submissions from 2025
An exploration and contextualization of two Mediterranean guitar sonatas by Angelo Gilardino (1941-2022), Ethan Alexander Dorrian
Butoh and Suzuki performance in Australia: Bent legs on strange grounds, 1982–2023, Jonathan W. Marshall
Submissions from 2024
Coordinating the telematic music performance experience with telemidi: Synchronising nodes, enhancing musicality, and delivering simultaneity, Matthew Clive Bray
Pleasures and politics: Moving towards a feminist performance practice, Delaney Burke
Becoming, Lucinda Coleman
Te Wakahuia: Coming to know lineage through dance improvisation and archival poetics, Harrison Cook
Producing ‘bedroom pop’ music: A compositional project that employs production and compositional techniques identified through analysis of select Chelsea Cutler songs, Anna Therese Dabbs
An immersive study of the artistry of Gilbert Biberian —guitarist, composer, and pedagogue— and creative responses from a musical apprenticeship, Stephanie J. Darcey
Moving beyond recovery and reconstruction: Imagining extreme event preparedness through performing arts, Jane W. Davidson, Sarah Woodland, Helena Grehan, Simonne Pengelly, and Linda Hassall
The early string chamber music of Agnes Zimmermann, Miranda Dyskin
A practice-led investigation into applying the pianistic qualities of guitarist Lenny Breau’s artificial harmonics to a contemporary music setting, Joshua Luke Fairweather
Here there again: Sexism’s everyday spaces within Australian universities, Emma Fishwick
Scaling up: Teaching contemporary music through repertoire structures, Sean Foran, Vincent Perry, Jade O'Regan, and Tom O'Halloran
Australian university websites as colonialities of gender, Emily M. Gray, Ampersand Pasley, Emma Fishwick, Mindy Blaise, Jacqueline Ullman, and Maria Delaney
Sexisms and un/welcome diversity in Australian universities, Emily M. Gray, And Pasley, Mindy Blaise, Jacqueline Ullman, and Emma Fishwick
Creatively reimagining place and community in a world of extreme weather, Helena Grehan, Belinda Smaill, and Michael J. Ostwald
Out-of-hospital birth training, experience and confidence of Australian rural volunteer ambulance officers, Michella G. Hill, Belinda Flanagan, Sara Hansen, Luke Hopper, and Brennen Mills
Aggression and violence in the emergency department: A qualitative study exploring the perspectives of frontline healthcare professionals, Joshua Johnson, Sara Hansen, Luke Hopper, Luke Brook, Jess Watson, and Brennen Mills
Immersive virtual reality aggression and violence management education for nursing students: A pre-test, post-test, follow-up evaluation, Joshua Johnson, Sara Hansen, Luke Hopper, Jessica Watson, Sean Cashman, Wyatt De Souza, and Brennen Mills
US Armenian female playwrights writing the Catastrophe in the post-civil rights era, Sebnem Nazli Karali
The lyraflügel: Its history, design, and place in cultural heritage collections, Elly M. Langford
Creative tools and the softwarization of cultural production, Frédérik Lesage and Michael Terren
Movement in 2D: Analysing notation systems for movement-based percussion, Cassandra Loy
Applying the principles of periodisation to supplementary training for dance to reduce risks of overtraining, Sophie Molony
Green utopias: A possible green ground for performing arts training, Renee Newman, Alexa Taylor, Luke Cowling, Jason Garbenis, Tom Heath, Fleur Kingsland, Vahri Mckenzie, Jeremy Neideck, Richard Reddrop, and Simon Stewart
Exploring the psychological and physiological outcomes of recreational pole dancing: A feasibility study, Joanna Nicholas, James A. Dimmock, Jacqueline A. Alderson, Cyril J. Donnelly, and Ben Jackson
Performing Britishness: Identity and popular music tribute shows in Perth, Western Australia, Colin Outhwaite
Steve Grossman, the catalyst: A practice-led research investigation into developing a chromatic approach to improvisation, Joshua Parker
Technique reframed body reimagined, Susan D. Peacock
Postgraduate research in music: A step-by-step guide to writing a thesis, Victoria Rogers
Music as a determinant of health among First Nations people in Australia: A scoping narrative review, Brigitta Scarfe, Kristy Apps, Naomi Sunderland, Phil Graham, Brydie Leigh Bartleet, Glenn Barry, Darren Garvey, Rae Cooper, and Clint Bracknell
Music across generations: Exploring intergenerational First Nations musical practices as cultural determinants of health, Naomi Sunderland, Glenn Barry, Phil Graham, Darren Garvey, Brydie Leigh Bartleet, Brigitta Scarfe, Kristy Apps, Rae Cooper, Clint Bracknell, and Kerry Hall
Representing the climate crisis: Aesthetic framings in contemporary performing and visual arts, Susanne Thurow, Helena Grehan, and Maurice Pagnucco
Exhibition floor talk | Soiled, Cassandra Tytler and Lyndall Adams
Submissions from 2023
Timing is everything, but does it really matter? Impact of 8-weeks morning versus evening iron supplementation in ballet and contemporary dancers, Caitlin Attwell, Alannah McKay, Marc Sim, Cory Dugan, Joanna Nicholas, Luke Hopper, and Peter Peeling
An investigation into theories of odd meter and their application to jazz composition and improvisation, Kristian Borring
The nexus between warm up preparation and optimal performance, Elizabeth Chapman
The brink: Receptive generosity and kindness in the development of a choreographic pedagogy of consent for actor training, Samantha Chester and Renee Newman
Beyond the stomp: the Nobbs Suzuki Praxis as an Australian variant of the Suzuki Method of Actor Training, Antje Diedrich and Frances Barbe
The space between writing and dancing: Dancingwords/wordsthatdance, Lara Dorling
Why is Austin Butler still speaking in his Elvis voice? It could be a case of ‘role spill’, Luzita Fereday
Playing music: Reconsidering game pieces through tabletop roleplaying game design, Izabelle French
Paramedic training, experience, and confidence with out-of-hospital childbirth (OOHB) in Australia, Michella G. Hill, Belinda Flanagan, Brennen Mills, Sara Hansen, and Luke Hopper
Video Example 10. 'Filling in the gaps' of arpeggios, Judith A. Iddison
Video Example 11. Improvising using the augmented second interval, Judith A. Iddison
Video Example 12. Soloing on one, two and three strings, Judith A. Iddison
Video Example 13. Improvising incorporating bigger intervals, Judith A. Iddison
Video Example 14. Improvising with a D7 chord, Judith A. Iddison
Video Example 15. Shifting fifths patterns, Judith A. Iddison
Video Example 16. 'Outside' playing with pentatonic, Judith A. Iddison
Video Example 17 Gregorio demonstrates rhythmic juxtaposition, Judith A. Iddison
Video Example 18. Stylistic juxtaposition, Judith A. Iddison
Video Example 1. The tabla and oud, Judith A. Iddison
Video Example 20. Evoking flamenco vocal style, Judith A. Iddison
Video Example 21. More elaborate ornamentation and hemiolas, Judith A. Iddison
Video Example 22. Jazz influences, Judith A. Iddison
Video Example 23. Bow percussion, Judith A. Iddison
Video Example 24. Sequence to the stratosphere as part of Gregorio's cadenza(1), Judith A. Iddison
Video Example 26. Gregorio comping, Judith A. Iddison
Video Example 27. Blues-based ideas and motivic development in Swing 48, Judith A. Iddison
Video Example 28. Improvisational fluency, surround technique, blues-based ideas, Judith A. Iddison
Video example 29. Tension and release, 'horn-like' bent notes and Grappelliesque triplets, Judith A. Iddison
Video Example 2. A 'great breath-like instrument', Judith A. Iddison
Video Example 30. Bariolage and melodic devepment with extreme pitch, Judith A. Iddison
Video Example 32. Opening phrase of Bollyrock, Judith A. Iddison
Video Example 33. More elaborate ornamentation, Judith A. Iddison
Video Example 34. Ornamental flourishes(2), Judith A. Iddison
Video Example 35. Venturing 'outside' with arpeggiation, Judith A. Iddison
Video Example 36. Birdcalls, Judith A. Iddison
Video Example 38. Blues-based ideas with 'guitar' bends and wide vibrato, Judith A. Iddison
Video Example 39. 'Horn-like', funk-based rhythms and blues-based ideas, Judith A. Iddison
Video Example 3. A percussive chordal instrument and the African kora, Judith A. Iddison
Video Example 40. Slides, wide vibrato and funk-based rhythms, Judith A. Iddison
Video Example 42. Hints of melody amongst ornamental flourishes, Judith A. Iddison
Video Example 43. Incorporating the augmented second and wide vibrato, Judith A. Iddison
Video Example 44. Virtuosic flourish, Judith A. Iddison
Video Example 45. Strong rhythms with extended harmonies, Judith A. Iddison
Video Example 46. Incorporation of jazz language, Judith A. Iddison
Video Example 47. Driving swing rhythm and half whole pattern, Judith A. Iddison
Video Example 48. Driving syncopation, 'outside' harmonic tension and whole half, Judith A. Iddison
Video Example 4. The African Kora, Judith A. Iddison
Video Example 5. Octave viola, Judith A. Iddison
Video Example 6. The phraseology of a saxophone, Judith A. Iddison
Video Example 7. The nuances of a trumpet, Judith A. Iddison
Video Example 8. Vibrato used to imitate a trumpet lip trill, Judith A. Iddison
Video Example 9. Bow percussion, Judith A. Iddison
"I don't want to dance anymore" - rediscovering the joy of dance beyond chronic pain, Amelie K. Ladyman
Chopin’s polonaise in ab major, op.53: Constructing an informed interpretation, Arielle X. Lu
Tony Yap and Diasporic Post-Butoh in Australia, Jonathan W. Marshall
Performance and interpretation: Beethoven's Opus 110, Izaac J. Masters
I am _your_ pyrate dancer: Choreographic computabilities dancing inside the interstices of a visceral world, Nancy Mauro-Flude and Jo Pollitt
Migraine Therapy, Peter Mcavan
I think things are precious, Vahri McKenzie
Careful and curious: A transformative ethos for artistic evaluation, Vahri McKenzie, Denise Thwaites, and Cathy Hope
Re-enactment as conversation: Yoshiko Shimada’s becoming a statue of a Japanese comfort woman, Vahri Mckenzie and Jen Webb
Director training: A mine field or brave new world?, Gabrielle Metcalf and Andrew Lewis
Flow-state in Noongar performance, Kyle J. Morrison
Investigating pre-professional dancer health status and preventative health knowledge, Joanna Nicholas and Sara Grafenauer