Submissions from 2026
Video Example 91. Contrasting long notes and swung chromaticism in Hungaria improvisation with anticipated swing ending, Judith A. Iddison
Video Example 92. Gregorio and I trade solos on Swing 39, Judith A. Iddison
Video Example 93. Sign of Four rehearse Selepak’s composition Sign of Four, Judith A. Iddison
Video Example 94. Ten excerpts from Sign of Four's premiere performance, Judith A. Iddison
Video Example 95. Gregorio demonstrates creative warm-up exercises using foundational pentatonic patterns, Judith A. Iddison
Video Example 96. Gregorio discusses and demonstrates the application of chromatic patterns within improvisations, Judith A. Iddison
Video Example 97. Gregorio demonstrates jazz surround technique and discusses its similarity to the classical turn, Judith A. Iddison
Video Example 98. Gregorio reinforces swung, ghosting technique on a chromatic ‘bassline’ and Minor Swing, Judith A. Iddison
Video Example 99. Vocal-inspired solo over Englishman in New York changes, Judith A. Iddison
Video Example 9. Bariolage over Summertime rock feel, Judith A. Iddison
The joy of art-based reflection: Building shared academic wellbeing literacy through collage, Rikki James, Christina C. Gray, Jason Goopy, Delyse Clayden, Han Meng, Narelle Lemon, Cassandra Tytler, Carli Sanbrook, Manonita Ghosh, Melanie Brooks, and Mark Selkrig
The effectiveness of virtual reality aggression and violence de-escalation training for nursing and midwifery students: A quasi-experimental study, Joshua Johnson, Brennen Mills, Luke Hopper, Sara Hansen, Kelley Mumford, Renju Joseph, Susan Philip, Gina Kruger, and Abdi D. Osman
Half-Armenian, fully diasporic: Navigating memory, trauma, and identity in Marcella Polain’s The Edge of the World, Sebnem Nazli Karali
Putting your stomach on the line: Justice, vulnerability and hospitality in food-art praxis, Lindsay Kelley and Cassandra Tytler
Puppet Lab: Investigating digital technologies in creative learning, Harrison Lorenz-Daniel
Wagner of the neurosciences? Charcot’s theater and his circle’s influence on the performing arts, Jonathan W. Marshall
Stanislavsky and place: Siting performance internationally, Jonathan W. Marshall and David Shirley
The Matusiflute: Exploring intercultural collaboration through timbral dízi emulation within an Australian-Chinese orchestral performance setting, Gabriel McMahon
Introduction to the volume: Stand in place/Stanislavsky and place, David Shirley
Musicking in the Greek diaspora of Perth, Western Australia, Alix Simatos
Health determinant effects of audience experiences at live First Nations music events in Central Australia, Naomi Sunderland, Kristy Apps, Brigitta Scarfe, Ping Zhang, Darren Garvey, Rae Cooper, Brydie Leigh Bartleet, Phil Graham, and Glenn Barry
Emotional coding in Wolfgang Amadeus Mozart’s music: The influence of text-driven musical patterns, Antonio Toppi
Directing young actors, Mitchell Whelan
Exploring hybrid Chinese-Western compositional practices based on Chinese and Western film soundtracks, Jie Hong Yang
Submissions from 2025
Art in public: Potential public pedagogy post-pandemic, Lyndall Adams, Nicola Kaye, Emma Jayakumar, Clive Barstow, and Harrison See
Tying the Goreum: Using Stanislavsky’s concept of emotional memory to capture a childhood, Susie Conte
Performance health for saxophonists: Exploring methods for peak performance and injury prevention, Nicola Demandolx
Performance health for saxophonists: Saxophonists perspectives and experiences with playing-related health, wellbeing, injuries and education (cohort study), Nicola Demandolx, Joanna Nicholas, Luke Hopper, and Matt Styles
An exploration and contextualization of two Mediterranean guitar sonatas by Angelo Gilardino (1941-2022), Ethan Alexander Dorrian
Developing an inclusive dance guide for children with cerebral palsy: A co-design process and initial feasibility study, Eduardo Duarte Machado, Laura Miller, Joanna Nicholas, Joanne Cross, Rhyannon Orr, and Michael H. Cole
Drawing sound in space: Digital spatial notation as constitutive audiovisuality, Cat Hope
Reframing Boleslavsky: A method for the maximisation of the utility and aesthetics of trumpet performance in musical theatre, Adrian Kelly
Circus for social change: Social circus in context, Katie Lavers, Jon Burtt, and Emmanuel Bochud
Butoh and Suzuki performance in Australia: Bent legs on strange grounds, 1982–2023, Jonathan W. Marshall
The brigands of medicine: Charlatanry, sexuality, and medical demonstration in late nineteenth century France, Jonathan W. Marshall
Children dancing in Bali: Practice, performance, and power, Jonathan McIntosh
Circus-specific extension of the 6th International Consensus Statement on Concussion in Sport, David Munro, Stephanie Greenspan, Joanna Nicholas, and Melanie I. Stuckey
You just haven't earned it yet, baby: Authenticating popular music tribute shows, Colin James Outhwaite
Clouds running out of juice: A special podcast episode featuring Tim Winton’s climate fiction, Rumen Rachev, Jo Pollitt, and Emma Nicoletti
Joy, connectedness and empowerment in Kimberley Aboriginal women’s musicking, Brigitta Scarfe
Place, David Shirley
Kind regards: Fire-making as ethical resistance and anticolonial praxis with River, Wendy Somerville, Bethaney Turner, Crystal Arnold, Renae Isaacs-Guthridge, Vahri McKenzie, Ashley van den Heuvel, Naomi Joy Godden, and Lisa Fuller
Acting as song: A holistic pedagogy for sung characterisation in music theatre, Nicole Desiree Stinton
Mental health in preprofessional and professional circus artists: A narrative review, Melanie I. Stuckey, Stephanie Greenspan, Joanna Nicholas, Veronique Richard, Janine H. Stubbe, and Fleur E.C.A. van Rens
Thinking through the ground: Art, ecology, and relational wellbeing, Cassandra Tytler
The enigmatic pianist Arthur Friedheim: A revised biography and study of his training, performing, writings, teaching and editions, Nicholas Mark Williams
Submissions from 2024
Coordinating the telematic music performance experience with telemidi: Synchronising nodes, enhancing musicality, and delivering simultaneity, Matthew Clive Bray
Pleasures and politics: Moving towards a feminist performance practice, Delaney Burke
Developing a framework for musical ekphrasis in jazz composition, Jessica Carlton
Becoming, Lucinda Coleman
Te Wakahuia: Coming to know lineage through dance improvisation and archival poetics, Harrison Cook
Producing ‘bedroom pop’ music: A compositional project that employs production and compositional techniques identified through analysis of select Chelsea Cutler songs, Anna Therese Dabbs
An immersive study of the artistry of Gilbert Biberian —guitarist, composer, and pedagogue— and creative responses from a musical apprenticeship, Stephanie J. Darcey
Moving beyond recovery and reconstruction: Imagining extreme event preparedness through performing arts, Jane W. Davidson, Sarah Woodland, Helena Grehan, Simonne Pengelly, and Linda Hassall
The early string chamber music of Agnes Zimmermann, Miranda Dyskin
A practice-led investigation into applying the pianistic qualities of guitarist Lenny Breau’s artificial harmonics to a contemporary music setting, Joshua Luke Fairweather
Here there again: Sexism’s everyday spaces within Australian universities, Emma Fishwick
Scaling up: Teaching contemporary music through repertoire structures, Sean Foran, Vincent Perry, Jade O'Regan, and Tom O'Halloran
Sexisms and un/welcome diversity in Australian universities, Emily M. Gray, And Pasley, Mindy Blaise, Jacqueline Ullman, and Emma Fishwick
Creatively reimagining place and community in a world of extreme weather, Helena Grehan, Belinda Smaill, and Michael J. Ostwald
Out-of-hospital birth training, experience and confidence of Australian rural volunteer ambulance officers, Michella G. Hill, Belinda Flanagan, Sara Hansen, Luke Hopper, and Brennen Mills
The complete John Cage variations, Stuart James, Lindsay R. Vickery Dr, Cat Hope, A. Wyatt, and T. Parr
Aggression and violence in the emergency department: A qualitative study exploring the perspectives of frontline healthcare professionals, Joshua Johnson, Sara Hansen, Luke Hopper, Luke Brook, Jess Watson, and Brennen Mills
Immersive virtual reality aggression and violence management education for nursing students: A pre-test, post-test, follow-up evaluation, Joshua Johnson, Sara Hansen, Luke Hopper, Jessica Watson, Sean Cashman, Wyatt De Souza, and Brennen Mills
US Armenian female playwrights writing the Catastrophe in the post-civil rights era, Sebnem Nazli Karali
The lyraflügel: Its history, design, and place in cultural heritage collections, Elly M. Langford
Creative tools and the softwarization of cultural production, Frédérik Lesage and Michael Terren
Movement in 2D: Analysing notation systems for movement-based percussion, Cassandra Loy
Pummeling, high definition cubes & beats flying beyond Dionysian Dread: A response to ATOTAL Tura Presented ATOTAL by Franck Vigroux & Antoine Schmitt, Jonathan W. Marshall
Applying the principles of periodisation to supplementary training for dance to reduce risks of overtraining, Sophie Molony
Green utopias: A possible green ground for performing arts training, Renee Newman, Alexa Taylor, Luke Cowling, Jason Garbenis, Tom Heath, Fleur Kingsland, Vahri Mckenzie, Jeremy Neideck, Richard Reddrop, and Simon Stewart
Exploring the psychological and physiological outcomes of recreational pole dancing: A feasibility study, Joanna Nicholas, James A. Dimmock, Jacqueline A. Alderson, Cyril J. Donnelly, and Ben Jackson
Dissonance in focus, Jamie Oehlers
Refraction - melody used to develop non-functional harmony, Jamie Oehlers
Artists' perspectives: Jazz in Australia - The state of play, Jamie Oehlers, Andrea Keller, Gian Slater, Phil Slater, Kristin Berardi, Simon Barker, and Stephen Magnusson
Performing Britishness: Identity and popular music tribute shows in Perth, Western Australia, Colin Outhwaite
The Moonlit Guitar: Historical Guitar Performance within 'Bel Canto' Arrangements, Jonathan Paget
The World in a Single Grain: Silver Sands Guitar Quartet [the CD], Jonathan Paget, Ingrid Riollot, Craig Lake, Ethan Dorrian, and D. Smallman
Steve Grossman, the catalyst: A practice-led research investigation into developing a chromatic approach to improvisation, Joshua Parker
Technique reframed body reimagined, Susan D. Peacock
Boatbird, Jo Pollitt and Lilly Blue
Forecast, Jo Pollitt, Lilly Blue, Dianne Jones, and Eva Fernandez
Postgraduate research in music: A step-by-step guide to writing a thesis, Victoria Rogers
Music as a determinant of health among First Nations people in Australia: A scoping narrative review, Brigitta Scarfe, Kristy Apps, Naomi Sunderland, Phil Graham, Brydie Leigh Bartleet, Glenn Barry, Darren Garvey, Rae Cooper, and Clint Bracknell
Music across generations: Exploring intergenerational First Nations musical practices as cultural determinants of health, Naomi Sunderland, Glenn Barry, Phil Graham, Darren Garvey, Brydie Leigh Bartleet, Brigitta Scarfe, Kristy Apps, Rae Cooper, Clint Bracknell, and Kerry Hall
Representing the climate crisis: Aesthetic framings in contemporary performing and visual arts, Susanne Thurow, Helena Grehan, and Maurice Pagnucco
Exhibition floor talk | Soiled, Cassandra Tytler and Lyndall Adams
Drumming Together: East Meets West Australia-China music collaborations in Nanjing and Guangzhou, Tim White
Let There Be Light: Illuminating performances of Erik Griswold’s ‘Strings Attached’, Tim White
Submissions from 2023
Vocal Arranging for 5 part Acapella Pop Voices, Matthew Allen
Timing is everything, but does it really matter? Impact of 8-weeks morning versus evening iron supplementation in ballet and contemporary dancers, Caitlin Attwell, Alannah McKay, Marc Sim, Cory Dugan, Joanna Nicholas, Luke Hopper, and Peter Peeling
An investigation into theories of odd meter and their application to jazz composition and improvisation, Kristian Borring
The nexus between warm up preparation and optimal performance, Elizabeth Chapman
The brink: Receptive generosity and kindness in the development of a choreographic pedagogy of consent for actor training, Samantha Chester and Renee Newman
Beyond the stomp: the Nobbs Suzuki Praxis as an Australian variant of the Suzuki Method of Actor Training, Antje Diedrich and Frances Barbe