Follow

Submissions from 2017

PDF

Drumming Up the Future: Musical Creativity and Drum Circles as a vehicle for personal and social change, and for improved wellbeing amongst women in a pre-release facility, Nanna Faulkner

PDF

Stage managing Bali Agung: The possibility of hybridity in an intercultural production, Susan Fenty Studham

PDF

Breaking curtain: Editorial, Susan Fenty Studham, Renee Newman, and Helen K. Rusak

Link

An introduction to voice in screenwriting, Rose Ferrell

Link

Space-time continuums: Structure as an Eternal Dance, Rose Ferrell

Link

Voice and national identity in Big Hero 6, Rose Ferrell

PDF

Voice in Screenwriting: Discovering/Recovering an Australian Voice, Rosemary Kaye Ferrell

PDF

Bridging the Great Divide: An Exploration of Postmodernism in the Guitar Music of Nigel Westlake, Melissa Claire Fitzgerald

PDF

The viola works of Benjamin Dale: A contextual study two Lecture-Recitals -and- An exegesis, Alix Hamilton

Link

The decibel new music ensemble: Artistic research in experimental music at the academy, Cat Hope

Link

Speechless, Cat Hope and Stuart James

Link

Documenting music performance in the Western Australian New Music Archive, Cat Hope, Adam Trainer, and Lelia Green

Link

Documenting music performance in the Western Australian new music archive, Cat Hope, Adam Trainer, and Lelia Green

Link

Torso and bowing arm three-dimensional joint kinematics of elite cellists: Clinical and pedagogical implications for practice, Luke S. Hopper, Cliffton Chan, Suzanne Wijsman, Timothy R. Ackland, Peter Visentin, and Jacqueline A. Alderson

A novel approach to timbre morphology: Audio-rate control of additive synthesis, Stuart James

Link

Noise in the clouds, Stuart James, Kouhei Harada, and Decibel

PDF

Establishing connectivity between the existing networked music notation packages Quintet.net, Decibel ScorePlayer and MaxScore, Stuart James, Cat Hope, Lindsay R. Vickery Dr, Aaron Wyatt, Ben Carey, Xiao Fu, and Georg Hajdu

Link

Culliford, Rolfe and Barrow: A tale of nine pianos, Geoffrey Lancaster

Link

Blakflip and beyond: Aboriginal performers and contemporary circus in Australia, Katie Lavers and Jon Burtt

PDF

Briefs and Hot Brown Honey: Alternative bodies in contemporary circus, Katie Lavers and Jon Burtt

Link

The rise and fall, and the rise (again) of feminist research in music: 'What goes around comes around', Sally Macarthur, Dawn Bennett, Talisha Goh, Sophie A. Hennekam, and Cat Hope

Link

Absence, presence, indexicality: The Mise en Scène of 'the heart of neolithic Orkney', Jonathan Marshall

Link

A dramaturgy of montage and dislocation: Brecht, Warburg, Didi-Huberman, and the Pathosformel, Jonathan W. Marshall

Link

Trophies remain: The history of New Zealand resource extraction and the meat fence photo-project, Jonathan W. Marshall

PDF

Directing through Dialogue: A theatre director’s exploration of leadership, Gabrielle Frances Metcalf

Link

Identifying lower limb specific and generalised joint hypermobility in adults: validation of the Lower Limb Assessment Score, Kaitlyn J. Meyer, Cliffton Chan, Luke Hopper, and Leslie L. Nicholson

Link

Harry Mitchell, Harry Mitchell, Jamie Oehlers, Daniel Susnjar, Jeremy Thompson, and Karl Florisson

Link

Decibel - Electronic concertos, act 1, Johannes Mulder, Meg Travers, Catherine Ashley, Mark Oliveiro, and Decibel

Link

Innocent dreamer, Jamie Oehlers and Tal Cohen

Passage, Tom O'Halloran

The Silver Sands Guitar Trio [Concert], Jonathan Paget, Nathan Fischer, and Craig Lake

Guitar Brazilliance, Jonathan Paget, Nathan Fischer, Craig Lake, and Plectra Guitar Ensemble

PDF

Changing lives through music: Professional audition practice and a community focus; an explorative study into the musical development of the Western Australian Charity Orchestra, Samuel Parry

PDF

"You are no longer creative when you give up": Technical theatre’s creative sleight of hand, Maggie Phillips and Renee Newman

Link

She writes like she dances: Response and radical impermanence in writing as dancing, Jo Pollitt

From opera with love, Patricia Price, Anna Sleptsova, David Wickham, Fiona McAndrew, Katherine Goyder, Caitlin Cassidy, Alexander Lewis, Michael Lewis, WAAPA Opera Chorus, and Kristin Bowtell

PDF

The application of Konokol to guitar improvisation and composition, Glenn Andrew Rogers

PDF

Measuring the value of cultural activity in regional Western Australia: Evaluation report, Helen Rusak and Susan Studham

PDF

Edges of resting and going: The possibilities and limitations of recovering from chronic fatigue syndrome in a dance-training environment, Daisy Sanders

Link

Ankle taping can reduce external ankle joint moments during drop landings on a tilted surface, Nahoko Sato, Hiroyuki Nunome, Luke S. Hopper, and Yasuo Ikegami

Le grand duo, Ashley William Smith and Anna Sleptsova

Link

Targeting associated mechanisms of anterior cruciate ligament injury in female community-level athletes, Jonathan M. D. Staynor, Joanna C. Nicholas, Gillian Weir, Jacqueline A. Alderson, and Cyril J. Donnelly

Link

One (alto saxophone & backing track), Matt Styles

Link

One (tenor saxophone & backing track), Matt Styles

Link

Home by eleven, Matt Styles, Paul Tanner, and Adam Pinto

Link

Out of character: how acting puts a mental strain on performers, Leith Taylor

Boxy music: Sounding out the conceptual space of in-the-box music practice, Michael Terren

Link

Decibel - Electronic concertos, act 2, Chris Tonkin, Pedro Alvarez, Daniel Thorpe, Stuart James, and Decibel

Link

Finding meaning in data: Using data elements to sonify and visualize the found environment, Cissi Tsang

Link

Destiny: The extraordinary career of pianist Eileen Joyce, David Tunley, Victoria Rogers, and Cyrus Meher-Homji

Link

My name is Nobody, Ben Vanderwal, Tom O'Halloran, and Lucky Oceans

Link

Expanded percussion notation in recent works by Cat Hope, Stuart James and Lindsay Vickery, Lindsay R. Vickery, Louise Devenish, Stuart James, and Cat Hope

Link

Ghosts, fools and seers, Katja Webb, David Wickham, Aaron Wyatt, and Michael Waye

Link

Dark lotus by Pavan Hari, Tim White and Defying Gravity

Defying gravity: Steve Reich under the stars, Tim White and Defying Gravity

Hit parade percussion festival, Tim White, Defying Gravity, Kuniko Kato, Gary France, Kaboom Percussion, Marcus Perrozzi, and Iain Robbie

Kaboom!, Tim White, Kaboom Percussion, and Defying Gravity

PDF

The classification of the finger frames method in violin playing, Brittany Williams

Link

Finding the balance, Paul Williamson, Jamie Oehlers, Andrea Keller, Christopher Hale, and James McLean

Link

A comparison of the physical and anthropometric qualities explanatory of talent in the elite junior Australian football development pathway, Carl T. Woods, Ashley Cripps, Luke Hopper, and Christopher Joyce

PDF

The reinvention of tradition: Transformation of Chinese water sleeve dance and Tai Ji in contemporary performer training and performance making, Min Zhu

Submissions from 2016

PDF

What is ERA really measuring?, Lyndall Adams, Clive Barstow, and Paul Uhlmann

Link

Rumblestrip, Neil Aldum, Erin Coates, Shaun Gladwell, Loren Holmes, Stuart James, Simone Johnston, and Snapcat

Exquisite: An intercultural encounter with grief, Frances Barbe and Rachel Konyi

PDF

Pedagogy in performance: An investigation into decision training as a cognitive approach to circus training, Jonathan Burtt

Link

Role-play and invariance— Two aspects of ritual in Roger Smalley's Ceremony II, Ben Christiansen and Lindsay Vickery

Link

Coaches' perceptions of long-term potential are biased by maturational variation, Ashley J. Cripps, Luke Hopper, and Christopher Joyce

Link

Maturity, physical ability, technical skill and coaches' perception of semi-elite adolescent Australian footballers, Ashley J. Cripps, Luke Hopper, and Christopher Joyce

PDF

Uncovering the unpublished chamber music of George Frederick Boyle Volume I: Dissertation, Ryan Davies

Link

The role of health in the development of classical ballet in Western Australia 1950 to 2016, Diana de Vos, Lyndall Adams, and Luke Hopper

PDF

Motherhood and female identity in Oriana Fallaci and Valeria Parrella: A case of literary matérnage?, Aureliana Di Rollo

Link

Reforging the maternal bond: Motherhood, mother-daughter relationships and female relationality in Goliarda Sapienza's L’arte della gioia’, Aureliana Di Rollo

PDF

A digital resource for navigating extended techniques on bass clarinet, Philip Everall

PDF

Amnesiac A stage play - and - Playwriting migration: Silence, memory and repetition. An exegesis, Lucy Eyre

Two screenplays, one writer, national voice, Rose Ferrell

Link

From traffic rises: Site specificity and the compositional process, Mace Francis

Link

Regional Western Australia and Sound Art: A survey of works by Alan Lamb and Ross Bolleter, Talisha Goh and Cat Hope

PDF

The documentary mind: In the subject of a practitioner’s perspective on changes in documentary concept and production, Harold Robert (Bob) Hardie

Link

The Musicians, Harold Robert (Bob) Hardie

Link

Great white, Cat Hope

Link

Majority of one (score), Cat Hope

Link

Pure (score), Cat Hope

Link

Shadow, Cat Hope

Link

Tone being, Cat Hope

Link

Trigger warning: Sound element, Cat Hope

Link

Majority of one, Cat Hope and Decibel

PDF

Headline grabs for music: The development of an iPad score generator, Cat Hope, Stuart James, and Aaron Wyatt

PDF

The possibilities of a line: Marking the glissando in music, Cat Hope and Michael Terren

Link

Pure, Cat Hope and Ton Art Ensemble

Link

Intermodulations: A homage to Roger Smalley, Cat Hope, Lindsay Vickery, Stuart James, Tristan Parr, Aaron Wyatt, and Louise Devenish

Maybe you should stop dancing... a little, Luke Hopper and Peta Blevins

PDF

Single-leg squats can predict leg alignment in dancers performing ballet movements in "turnout", Luke Hopper, Nahoko Sato, and Andries L. Weidemann

The dance environment, Luke Hopper and Alycia F. Yan

Link

A classification of multi-point spectral sound shapes, Stuart James

PDF

A multi-point 2D interface: Audio-rate signals for controlling complex multi-parametric sound synthesis, Stuart James

PDF

Multi-point nonlinear spatial distribution of effects across the soundfield, Stuart James

Link

Introducing decision training into an elite circus arts training program, P Lafortune, Jonathan Burtt, and P Aubertin

Link

The sound of silence: why aren’t Australia’s female composers being heard?, Sally Macarthur and Cat Hope

Link

I shudder to think: Performance as philosophy, Jonathan Marshall

Link

Laughter & pain in a post-colonial limbo: Review of Yirra Yaakin, So Long Suckers, Jonathan Marshall