Submissions from 2021
Glass ceilings, glass harmonicas: Challenges for women in musical leadership, Helen Rusak
From the ground up: Growing an Australian Aboriginal cultural festival into a live musical community, Robin Ryan, Jasmin Williams, and Alison Simpson
Judges’ evaluation reliability changes between identifiable and anonymous performance of hip-hop dance movements, Nahoko Sato and Luke S. Hopper
Vital performance: Historically informed Romantic Performance in Cultural Context, Andrew John Snedden
From the sandy beaches of Crab Creek to the Tarkett of WAAPA: A case study of intrinsic praxis in teaching methods of movement, Simon Stewart and Renée Newman
Mementi: World premiere, Matthew Styles, Paul Tanner, and Adam Pinto
‘It’s All in The Timing’ – A Research Project that explores the complexities in the relationship of Actor to Audience, in Musical Theatre, Crispin Taylor
Sound art as ways of exploring aspects of space, Cissi Tsang
Expansion of mobility of the score in Cage’s Variations I-III, Lindsay Vickery
Mirovia Ocean for chamber orchestra and electronics, Lindsay Vickery
Graded exercise stress test scenarios and incidences for exercise physiologists: Is there scope for training and assessment via virtual reality technology?, Andrew Walsh, Brennen Mills, Sara Hansen, Luke Hopper, and Favil Singh
Exploring a compositional practice through the lens of The Butterfly Lovers Violin Concerto, Jie Hong Yang
Exercise 10 duet improvisation, Min Zhu
Exercise 11 crossed and circular walking, Min Zhu
Exercise 1 moving with focused consciousness, Min Zhu
Exercise 2 grounded walking, Min Zhu
Exercise 3 creating your space, Min Zhu
Exercise 4 qi ball improvisation, Min Zhu
Exercise 5 moving in the qi-field, Min Zhu
Exercise 6 mapping, Min Zhu
Exercise 7 walking in the water with the Tai Ji diagram, Min Zhu
Exercise 8 pushing the stake with the body center, Min Zhu
Exercise 9 vibration of the lower dantian, Min Zhu
Penanegra show, Min Zhu
Submissions from 2020
Silent chill: A spectral analysis of Akira Yamaoka’s Silent Hill 2 original soundtrack, Casey Nicole Atkinson
Jekyll nightmare, Hugo Belviso
Jekyll on inversion table, Hugo Belviso
Jekyll's dance, Hugo Belviso
Jekyll's fall, Hugo Belviso
Jekyll's Hide compilation-trailer, Hugo Belviso
Vermin crawl, Hugo Belviso
Student and teacher attitudes towards overtraining and recovery in vocational dance training, Peta Blevins, Shona Erskine, Gene Moyle, and Luke Hopper
‘Come all savage creatures’: Becoming Bakkhai in the southwest of Western Australia, Kathy Boxall and Vahri McKenzie
Rebuilding as Research: Noongar song, language and ways of knowing, Clint Bracknell
The Emotional Business of Noongar Song, Clint Bracknell
Mayakeniny: Restoring on-Country performance: Noongar performance and language resources, Clint Bracknell, Pierre Horwitz, Daniel McAullay, Linda Barwick, Aaron Allen, Bobbi Henry, Kyle Morrison, Trevor Ryan, and Amy Budrikis
Glass ceilings and nylon strings: Reflections on Australian women’s contribution to classical guitar repertoire, Abbey Lee Bradstreet
Voice in Motion: Connecting voice, acting and movement in contemporary dance, Sarah Chaffey
Alluvium, Erin Coates, Stuart James, and Louise Devenish
Performing water: Site-specific dance-making as liquid art, Lucinda Coleman
Does the longitudinal development of physical and anthropometric characteristics associate with professional career attainment in adolescent Australian footballers?, Ashley J. Cripps, Harry G. Banyard, Carl T. Woods, Christopher Joyce, and Luke S. Hopper
Dancers' joint strategies for achieving turnout in low and high friction conditions, Rebekha Duncan, Catherine Wild, Leo Ng, Danica Hendry, Sarah Carter, Luke Hopper, and Amity Campbell
Friday essay: vizards, face gloves and window hoods – a history of masks in western fashion, Lydia Edwards
How to read a suit: A guide to changing men’s fashion from the 17th to the 20th Century, Lydia Edwards
The erotic theatre of the pool edge: a short history of female swimwear, Lydia Edwards
Editorial introduction, Rose Ferrell and Rosanne Welch
TLC Trio [performance], Freddie Grigson, Tom O'Halloran, and Chris Tarr
Development of a human activity recognition system for ballet tasks, Danica Hendry, Kevin Chai, Amity Campbell, Luke Hopper, Peter O'Sullivan, and Leon Straker
An exploration of machine‐learning estimation of ground reaction force from wearable sensor data, Danica Hendry, Ryan Leadbetter, Kristoffer McKee, Luke Hopper, Catherine Wild, Peter O’Sullivan, Leon Straker, and Amity Campbell
Renegotiation of identity in Australia through the Reunionese art form, Marie-Muriel Hillion Toulcanon
Sustaining dancer wellbeing through independent professional dance careers, Luke S. Hopper, Peta Blevins, Shona Erskine, Danica Hendry, Raewyn Hill, and Richard Longbottom
Contextual tuning as a compositional technique: Investigating the paradigms of Jacob Collier’s music, Madeleine Hughes
Translating page to stage: Creating emotionally engaging opera for children, Emma Jayakumar
Facilitating flow state: Preparatory processes for entering the flow state in dance, Alexandra Kay
Trumpet playing in musical theatre: Shedding light on the pit, Adrian Kelly
Unreal limbs: Erin Ball and the extended body in contemporary circus, Katie Lavers, Jon Burtt, and Erin Ball
Johann Melchior Gletle’s Expeditionis Musicæ Classis II, Op. 2: An Edition and Commentary, Michael James Clifton Lukin
Traumatic dances of the ‘non-self’: Bodily incoherence and the hysterical archive, Jonathan Marshall
Préface (English translation), Jonathan W. Marshall
Richard Murphet, Acts of resistance in late-modernist theatre: Writing and directing in contemporary theatre practice [Book review], Jonathan W. Marshall
Dancing the Ghosts of the Asian Diaspora: an Interview with Michael Sakamoto, Jonathan W. Marshall
Disciplined subjects and social performance: Entertainments at the Fremantle 'Lunatic' Asylum, 1873-1906, Jonathan W. Marshall
Investigations in learning and teaching through metacognition and critical and creative thinking practices in secondary Drama Education, Belinda Massey
A multi-domain approach to assuring digital literacy in an undergraduate discipline, Mark McMahon, Jo Jung, and Luke Brook
Ballad, Christian Meares, Christopher Travaglini, and Joseph Powell
Pop, Christian Meares, Christopher Travaglini, and Joseph Powell
Rock, Christian Meares, Christopher Travaglini, and Joseph Powell
Six/Eight, Christian Meares, Christopher Travaglini, and Joseph Powell
How can Australian actor training be relevant in a world of 86 per cent unemployment?, Gabrielle Metcalf and Andrew Smith
"We need to keep one eye open . . . ": Approaching butoh at sites of personal and cultural resistance, Jeremy Neideck
Slow making in five short blasts, Renee Newman
Jamie Oehlers Double Drummer Band, Jamie Oehlers, Matt Gudgeon, Tal Cohen, Zac Grafton, Daniel Susnjar, and Ben Vanderwal
Axiom [performance], Tom O'Halloran, Pete Jeavons, and Daniel Susnjar
Linda May Han Oh at the EFG London Jazz Festival, Linda May Han Oh, Fabian Almazan, Jamie Oehlers, and Ben Vanderwal
“You crossed my mind … before?”: An intertextual analysis of songs from 'To Pimp A Butterfly', Colin Outhwaite
Love is a temporary madness, Vanessa Perica and Vanessa Perica Orchestra
The solo piano sonatas of Cipriani Potter (1792-1871): An analysis, reappraisal, and historical performance, Jordan Proctor
The evolving definitions of natural movement in dance, Bethany Reece
Examination of the evolution of multi-percussion, Thomas Alexander Robertson
The divorce: A soap opera, Helen Rusak
Integrating the musical, the natural, and the improvised: David Rothenberg and multispecies musicking, Robin Ann Ryan
Towards a declamatory performance in Schubert Lieder, Olivia Claire Sanders Robinson
Friday essay: training a new generation of performers about intimacy, safety and creativity, David Shirley
The impact of singing on pulmonary function and quality of life in patients with Muscular Dystrophy, Mia Simonette
The surprising benefits of asynchronicity: Teaching music theatre online, Nicole Stinton
Moment's notice, David Theak, Florian Ross, and Australian National Jazz Orchestra
Notational strategies for integrating live performers with complex sounds and environments, Lindsay Vickery
Julien Wilson: Improvisation and timbral manipulation on selected recordings with the Julien Wilson Trio, Maximillian Wickham
A study on performing the Hungarian Rhapsodies in the Liszt tradition, Nicholas Mark Williams
To Become Wind [Full Score], Jie Hong Yang
Brave the wave, Jonathon Jie Hong Yang, Maddie Ivy, and Western Australian Academy of Performing Arts Classical Music Department
Finding identity through directing, Soseh Yekanians
Submissions from 2019
Phantoms [CD], Nicholas Abbey
A bit of a departure, Nicholas Abbey, L Davies, and Fiona Lawe Davies
Phantoms, An original jazz trio studio recording - and - Dispelling phantoms: An Australian bassist exploring assumptions of jazz practice, An exegesis, Nicholas Leonard Abbey
Embodying imagination: Butoh and performer training, Frances Barbe
Hiding gender: How female composers manage gender identity, Dawn Bennett, Sophie Hennekam, Sally Macarthur, Cat Hope, and Talisha Goh
Dancing through it: Enhancing psychological recovery in dance, Peta A. L. Blevins