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Submissions from 2020

Jekyll nightmare, Hugo Belviso

Jekyll on inversion table, Hugo Belviso

Jekyll's dance, Hugo Belviso

Jekyll's fall, Hugo Belviso

Jekyll's Hide compilation-trailer, Hugo Belviso

The Jekyll’s Hide Project. Devising Jekyll’s Hide: A critical analysis of the performative elements and working methods of Jerry Lewis and the butoh dancers Tatsumi Hijikata and Kazuo Ohno, Hugo Belviso

Vermin crawl, Hugo Belviso

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Student and teacher attitudes towards overtraining and recovery in vocational dance training, Peta Blevins, Shona Erskine, Gene Moyle, and Luke Hopper

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Rebuilding as Research: Noongar song, language and ways of knowing, Clint Bracknell

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The Emotional Business of Noongar Song, Clint Bracknell

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Performing water: Site-specific dance-making as liquid art, Lucinda Coleman

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Does the longitudinal development of physical and anthropometric characteristics associate with professional career attainment in adolescent Australian footballers?, Ashley J. Cripps, Harry G. Banyard, Carl T. Woods, Christopher Joyce, and Luke S. Hopper

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Dancers' joint strategies for achieving turnout in low and high friction conditions, Rebekha Duncan, Catherine Wild, Leo Ng, Danica Hendry, Sarah Carter, Luke Hopper, and Amity Campbell

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Friday essay: vizards, face gloves and window hoods – a history of masks in western fashion, Lydia Edwards

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How to read a suit: A guide to changing men’s fashion from the 17th to the 20th Century, Lydia Edwards

The erotic theatre of the pool edge: a short history of female swimwear, Lydia Edwards

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Development of a human activity recognition system for ballet tasks, Danica Hendry, Kevin Chai, Amity Campbell, Luke Hopper, Peter O'Sullivan, and Leon Straker

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An exploration of machine‐learning estimation of ground reaction force from wearable sensor data, Danica Hendry, Ryan Leadbetter, Kristoffer McKee, Luke Hopper, Catherine Wild, Peter O’Sullivan, Leon Straker, and Amity Campbell

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Sustaining dancer wellbeing through independent professional dance careers, Luke S. Hopper, Peta Blevins, Shona Erskine, Danica Hendry, Raewyn Hill, and Richard Longbottom

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My hall. A stage play and My Hall: Excavating, shaping and sharing the memory of Hale School’s Memorial Hall through a site-specific, staged performance. An exegesis, Julia Jarel

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Facilitating flow state: Preparatory processes for entering the flow state in dance, Alexandra Kay

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Trumpet playing in musical theatre: Shedding light on the pit, Adrian Kelly

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Johann Melchior Gletle’s Expeditionis Musicæ Classis II, Op. 2: An Edition and Commentary, Michael James Clifton Lukin

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Préface (English translation), Jonathan W. Marshall

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Richard Murphet, Acts of resistance in late-modernist theatre: Writing and directing in contemporary theatre practice [Book review], Jonathan W. Marshall

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Dancing the Ghosts of the Asian Diaspora: an Interview with Michael Sakamoto, Jonathan W. Marshall

Investigations in learning and teaching through metacognition and critical and creative thinking practices in secondary Drama Education, Belinda Massey

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Slow making in five short blasts, Renee Newman

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“You crossed my mind … before?”: An intertextual analysis of songs from 'To Pimp A Butterfly', Colin Outhwaite

The evolving definitions of natural movement in dance, Bethany Reece

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Integrating the musical, the natural, and the improvised: David Rothenberg and multispecies musicking, Robin Ann Ryan

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Towards a declamatory performance in Schubert Lieder, Olivia Claire Sanders Robinson

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Friday essay: training a new generation of performers about intimacy, safety and creativity, David Shirley

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Julien Wilson: Improvisation and timbral manipulation on selected recordings with the Julien Wilson Trio, Maximillian Wickham

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A study on performing the Hungarian Rhapsodies in the Liszt tradition, Nicholas Mark Williams

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Finding identity through directing, Soseh Yekanians

Submissions from 2019

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Phantoms [CD], Nicholas Abbey

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A bit of a departure, Nicholas Abbey, L Davies, and Fiona Lawe Davies

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Phantoms, An original jazz trio studio recording - and - Dispelling phantoms: An Australian bassist exploring assumptions of jazz practice, An exegesis, Nicholas Leonard Abbey

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Cultural responses to occupation in Japan: The performing body during and after the Cold War, by Adam Broinowski, Frances Barbe

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Embodying imagination: Butoh and performer training, Frances Barbe

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Hiding gender: How female composers manage gender identity, Dawn Bennett, Sophie Hennekam, Sally Macarthur, Cat Hope, and Talisha Goh

Dancing through it: Enhancing psychological recovery in dance, Peta A. L. Blevins

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Finding your Balance: An Investigation of recovery–stress balance in vocational dance training, Peta Blevins, Shona Erskine, Luke Hopper, and Gene Moyle

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Water: Original score and sound design, Clint Bracknell

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Ever-widening circles: Consolidating and enhancing Wirlomin Noongar archival material in the community, Clint Bracknell and Kim Scott

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An analysis of the foot in turnout using a dance specific 3D multi-segment foot model, Sarah L. Carter, Alan Bryant, and Luke S. Hopper

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Participant spectator meeting places, Lucinda Coleman

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Can coaches predict long-term career attainment outcomes in adolescent athletes?, Ashley J. Cripps, Luke S. Hopper, and Christopher Joyce

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Pier Francesco Valentini’s Il leuto anatomizzato (c.1650): A translation and commentary - Investigating transposition, intabulation, and other aspects of Roman lute practice. A translation of Il leuto anatomizzato - and - A contextualising essay, Aidan Paul Deasy

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The Performer-Composer: A reimagined career pathway for the modern-day saxophonist, Jazmin Ealden

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Friday essay: shaved, shaped and slit - eyebrows through the ages, Lydia Edwards

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Facial re-enactment, speech synthesis and the rise of the Deepfake, Nicholas Gardiner

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Re-Composing Feminism: Australian women composers in the new millennium, Talisha Goh

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Giving voice to the extra-normal self with the extra-normal voice: Improvised exploration through the realms of shamanic chaos magick, insight meditation and gender performance, Sage Harlow

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An exploration of pre-professional dancers' beliefs of the low back and dance-specific low back movements, Danica Hendry, Leon Straker, Amity Campbell, Luke Hopper, Rhianna Tunks, and Peter O'Sullivan

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An international perspective on managing a career as a woman composer, Sophie Hennekam, Dawn Bennett, Sally Macarthur, Cat Hope, and Talisha Goh

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Professional development: Life or death after pre-service training?, Christine Higginbotham

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Hollywood may be able to afford #MeToo, but it’s a stretch for the Australian arts, Luke Hopper and Mark Cariston Seton

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Polite patriotism: The Edwardian gentleman in English music, 1904 to 1914, Paul Hopwood

Mozart sonatas K. 570, 282, 333, Geoffrey Lancaster

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Through the lens of esoteric thought: Joseph Haydn's The Seven Last Words of Christ on the Cross, Geoffrey Lancaster

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The temptations of anthropocentra: Bardo in Macau, Katie Lavers and Jon Burtt

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Contemporary circus, Katie Lavers, Louis Patrick Leroux, and John Burtt

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Empowering the next generation of actors through the creation of student-centred self-devised dramatic work, Andrew Lewis and Lyndall Adams

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Towards interaction: Combining jazz techniques and idiomatic writing for Varied ensembles. A collection of musical works -and- An exegesis, Glyn Alan MacDonald

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Seasons of life, Glyn MacDonald, Western Australian Wind Symphony, Matt Styles, and Sam Perry

Launch of the Online Refereed Journal Sound Scripts, vol. 6, iss 1 (2019), Jonathan W. Marshall

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Insight into sunset, Jonathan W. Marshall

Female to male gender transition in Perth and WA: an exploration through documentary film production, Jonathan W.A. Messer

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Evidencing slow making in one-to-one performance at Proximity Festival, Renée Newman

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Night music (compositions, performance and improvisations) –and– Developing a chromatic-intervallic approach to jazz improvisation through reflexive practice. An exegesis, Jamie Oehlers

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Night music, Jamie Oehlers, Ricki Malet, Harry Mitchell, Zac Grafton, and Ben Vanderwal

Dancer Bethany Reece responding to momentum of wave as it meets the land, Film Shoot 2, Mettams Pool, Johanna Omodei

Dancer Bethany Reece responding to water, Film Shoot 1, Serpentine Falls, Johanna Omodei

Opening footage of water in su dansi, Johanna Omodei

Sinking and rising underwater movement, Johanna Omodei

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su dansi. A dance film – and – Dancing elements: The making of su dansi - a dance film. An exegesis, Johanna Omodei

Su Dansi - Dance film, Johanna Omodei

Symbiotic relationship of still taken from Film Shoot 1, Johanna Omodei

Underwater cinematography in su dansi, Film Shoot 3, Mettams Pool, Johanna Omodei

Variation of timing in Alexandra Kay’s movement, Johanna Omodei

Wide Shot of dancers at Film Shoot 1, Serpentine Falls, Johanna Omodei

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Forgotten Florestans: Leveraging exegetical analysis and historically-informed performance knowledge in romantic guitar works, Jonathan Paget and Paul Cesarczyk

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Limited hangout: In the field: Season 1, Sage Pbbbt, Lindsay Vickery, Olivia Davies, Josten Myburgh, Pippin Kenworthy, and Mace Francis

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The State of Dancingness: Staying with leaving, Jo Pollitt

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Writing as dancing: The dancer in your hands , a novella <>, Joanna Tollemache Pollitt

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United as one, Reach For the Lazers (R4TL), Nick Hatcher, Stu Chapman, Victoria Newton, and Paul Larner

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No human ever made a cathedral such as this: Scoping the ecology of the carols by candlelight effect in Australia’s open-air environments, Robin Ryan

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Welcome to the peoples of the mountains and the sea: Evaluating an inaugural indigenous cultural festival, Robin Ryan and Uncle Ossie Cruse

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Piano solo recital, Anna Sleptsova and Lee Bradshaw

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Monologuing the music: A new actor training practice for new times, Nicole Stinton

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The grain of the digital audio workstation, Michael Terren

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Composing soundscapes from a single field recording, Cissi Tsang

Never Far Away [Music CD], Teresa Vinci

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Performance practice in Hungarian folk music and its relationship to the Style Hongrois, Teresa Vinci

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Instant cash, Tim White

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Alchemy, Tim White, Michael Askill, and Defying Gravity Percussion Ensemble

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Defying Gravity: Under the stars, Tim White and Defying Gravity Percussion Ensemble

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Rhythms of life percussion festival, Tim White, Defying Gravity Percussion Ensemble, Fiona Digney, Robert Oetomo, and Aaron Logan