Follow

Submissions from 2017

Link

Kinematic repeatability of a multi-segment foot model for dance, Sarah Carter, Nahoko Sato, and Luke Hopper

PDF

Investigating register preferences in the female singer of contemporary commercial music, Tracey Cooke

Link

Torso and bowing arm three-dimensional joint kinematics of elite cellists: Clinical and pedagogical implications for practice, Luke S. Hopper, Cliffton Chan, Suzanne Wijsman, Timothy R. Ackland, Peter Visentin, and Jacqueline A. Alderson

PDF

Briefs and Hot Brown Honey: Alternative bodies in contemporary circus, Katie Lavers and Jon Burtt

Link

Absence, Presence, Indexicality: The Mise en Scène of 'the Heart of Neolithic Orkney', Jonathan Marshall

Directing through Dialogue: A theatre director’s exploration of leadership, Gabrielle Frances Metcalf

PDF

Changing lives through music: Professional audition practice and a community focus; an explorative study into the musical development of the Western Australian Charity Orchestra, Samuel Parry

PDF

The application of Konokol to guitar improvisation and composition, Glenn Andrew Rogers

PDF

The classification of the finger frames method in violin playing, Brittany Williams

The reinvention of tradition: Transformation of Chinese water sleeve dance and Tai Ji in contemporary performer training and performance making, Min Zhu

Submissions from 2016

PDF

Pedagogy in performance: An investigation into decision training as a cognitive approach to circus training, Jonathan Burtt

Link

Role-play and invariance— Two aspects of ritual in Roger Smalley's Ceremony II, Ben Christiansen and Lindsay Vickery

Link

Coaches' perceptions of long-term potential are biased by maturational variation, Ashley J. Cripps, Luke Hopper, and Christopher Joyce

Link

Maturity, physical ability, technical skill and coaches' perception of semi-elite adolescent Australian footballers, Ashley J. Cripps, Luke Hopper, and Christopher Joyce

PDF

Uncovering the unpublished chamber music of George Frederick Boyle Volume I: Dissertation, Ryan Davies

Link

Reforging the maternal bond: Motherhood, mother-daughter relationships and female relationality in Goliarda Sapienza's L’arte della gioia’, Aureliana Di Rollo

PDF

A digital resource for navigating extended techniques on bass clarinet, Philip Everall

PDF

Amnesiac A stage play - and - Playwriting migration: Silence, memory and repetition. An exegesis, Lucy Eyre

Link

From traffic rises: Site specificity and the compositional process, Mace Francis

Link

Regional Western Australia and Sound Art: A survey of works by Alan Lamb and Ross Bolleter, Talisha Goh and Cat Hope

PDF

The documentary mind: In the subject of a practitioner’s perspective on changes in documentary concept and production, Harold Robert (Bob) Hardie

Link

The Musicians, Harold Robert (Bob) Hardie

Link

Headline grabs for music: The development of an iPad score generator, Cat Hope, Stuart James, and Aaron Wyatt

PDF

The possibilities of a line: Marking the glissando in music, Cat Hope and Michael Terren

Link

Maybe you should stop dancing... a little, Luke Hopper and Peta Blevins

PDF

Single-leg squats can predict leg alignment in dancers performing ballet movements in "turnout", Luke Hopper, Nahoko Sato, and Andries L. Weidemann

Link

A classification of multi-point spectral sound shapes, Stuart James

Multi-point nonlinear spatial distribution of effects across the soundfield, Stuart James

Introducing decision training into an elite circus arts training program, P Lafortune, Jonathan Burtt, and P Aubertin

Link

Laughter & pain in a post-colonial limbo: Review of Yirra Yaakin, So Long Suckers, Jonathan Marshall

PDF

The Concert Pianist Myth: Diversifying undergraduate piano education in Australia, Helen Mather

PDF

A brief exploration of variances in Larry Grenadier’s approach to soloing in piano trio and duo contexts on selected recordings of All the Things You Are and Long Ago and Far Away, Alistair Campbell Peel

PDF

Knocking on the door: Examining the practice of classical singers at a performing arts institution, Laura Pitts

PDF

Choreographing intimacy: The making of ‘[they] slipped briskly into an intimacy from which they never recovered’ – a dance film, Antonio Rinaldi

Link

Forest as place in the album Canopy: Culturalising nature or naturalising culture?, Robin Ryan

Link

Kernels of discovery: Original musical instruments and acoustic sound designs, Robin Ryan

Link

Robin Ryan in conversation with Mark Cain: Kernels of Discovery: Original musical instruments and acoustic sound designs, Robin Ryan and Mark Cain

Link

'Aborigines are true soldiers of the King': Recalling the regimental march, Gumleaf style, Robin Ryan and Herb Patten

PDF

An analysis of selected rhythmic, harmonic and melodic devices used in the arrangement and improvisation by Gwilym Simcock on The Way You Look Tonight (2007), Brodie Stewart

PDF

Practising jazz performance: An investigation into the process that underpins optimal instrumental practice in the jazz idiom, Christopher J. Tarr

PDF

Actor training and emotions: finding a balance, Susan Leith Taylor

Hexadecimal compositions – using HEX data to sonify images of the found environment, Cissi Tsang

Hybrid Real/Mimetic Sound Works, Lindsay R. Vickery

Rhizomatic approaches to screen-based music notation, Lindsay R. Vickery Dr

Link

The role of ring modulation in the formal structure of Roger Smalley's monody for piano with live electronic modulation, Lindsay R. Vickery Dr

Link

Tectonic: a networked, generative and interactive, conducting environment for iPad, Lindsay R. Vickery Dr and Stuart James

Link

Between the real and the imaginary: ecostructural approaches to composing with field recordings and acoustic instruments, Lindsay R. Vickery, Michael Terren, Sam Gillies, and Josten Myburgh

Link

A comparison of the physical and anthropometric qualities explanatory of talent in the elite junior Australian football development pathway, Carl T. Woods, Ashley Cripps, Luke Hopper, and Christopher Joyce

The composer as bricoleur: Notions of contemporary opera in the genesis of a short film, Tsok Wee Yap

Submissions from 2015

PDF

Zeena Parkins’ contribution to experimental music and the development of the harp in the late twentieth century, Catherine Ashley

PDF

The Adventurous Monk: A discussion of Eric Reed’s improvisational techniques and the influence of Thelonious Monk, Vaughn Beaver

An investigation into the origins of Belt and Legit, Tracey Cooke

An investigation into the origins of Belt and Legit, Tracey Cooke

The brief outline of the history of the voice and its influences on contemporary musical theatre’s performing conventions of today, Tracey Cooke

PDF

Inter-rater reliability and validity of the Australian football league’s kicking and handball tests, Ashley J. Cripps, Luke S. Hopper, and Christopher Joyce

PDF

A stylistic analysis of Recess performed by Charlie Hunter from the DVD Right Now Live, Joshua De Silva

Intinerari didattici ad Albano Laziale in ottica di genere, Aureliana Di Rollo

PDF

Self-accompaniment and improvisation in solo jazz piano: Practice-led investigations of assimilation, ostinatos and ‘hand splitting’, David Dower

PDF

The shifting voice: Investigating accent and dialect training for West Australian actors, Luzita Fereday

PDF

Music in Site: Integrating elements of site-specificity into composition, Mace Francis

PDF

The absurd reality of satire in Neil LaBute's 'Fat Pig', Hermione Gehle

Cries from within: The struggles and triumphs of creating a Singaporean voice in Musical Theatre, Caleb Goh

Archiving the new, now, for future users yet unknown, Lelia Green, Cat Hope, Kylie J. Stevenson, and Tos Mahoney

PDF

Towards an interactive environment for the performance of Dubstep music, James Herrington

PDF

Cruel and Usual, Cat Hope

The Decibel ScorePlayer: New developments and improved functionality, Cat Hope

Spectromorphology and Spatiomorphology: Wave terrain synthesis as a framework for controlling timbre spatialisation in the frequency domain, Stuart James

PDF

Enter the movement: Generating stimulus from sceneography and proposing 'De-sign' as a tool for choreographic invention, Helene Gee Markstein

PDF

A contextual study of Boris Asafiev's Musical form as a process and and application of concepts to his Sonata for solo viola, Kathryn Fiona McKay

PDF

Proceedings of the 2015 WA Chapter of MSA Symposium on Music Performance and Analysis, Jonathan R. Paget, Victoria Rogers, Nicholas Bannan, Paul HopWood, Krista Low, Adrian Yeo, Alix Hamilton, Lindsay Vickery, Stuart James, Carol Williams, Stewart Smith, Robin Ryan, Emma Jayakumar, Cat Hope, and Lucas O'Brien

Link

Mothers, daughters and family in Goliarda Sapienza’s L’arte della gioia, Susanna Scarparo and Aureliana Di Rollo

Stage management: A question of approach in intercultural theatre, Susan Fenty Studham

Link

Music Screen-Reading: indicative results from two pilot studies, Lindsay R. Vickery Dr and Talisha Goh

PDF

The Missing Link: Filling the gap and achieving success in Australian contrabass auditions, Giovanni Vinci

Creatively Pursuing Persona: Finding identity through directing, Soseh Yekanians

Submissions from 2014

Link

Conversations on the frontlines of the body, Lucinda Coleman

PDF

Sites of justice: Face-to-face encounters through dance-making in Meeting Places, Lucinda Coleman

PDF

The poetics of gravity: Performance experiments from the natural environment to the stage, Russya Connor

PDF

Explorations in double-stops: Three new pieces for explanding the role of the double bass in the jazz ensemble, Ashley de Neef

PDF

Brad Mehldau’s approach to orchestration at the piano in a trio setting as demonstrated on “August Ending” (2004) and “Secret Beach” (2006), Gabriel Fatin

PDF

Australia’s microtonal modernist: The life and works of Elsie Hamilton (1880-1965), Talisha Goh

Link

Do dance floor force reduction and static stiffness represent dynamic floor stiffness during dance landings?, Luke S. Hopper, Jacqueline A. Alderson, Bruce C. Elliott, Timothy R. Ackland, and Paul R. Fleming

Link

Dancer Perceptions Of The Force Reduction Of Dance Floors Used By A Professional Touring Ballet Company, Luke Hopper, Talia Wheeler, James Webster, Nick Allen, Jonathan Roberts, and Paul Fleming

The neglect of Holbrooke's chamber music and the specter of mass culture, Paul A. Hopwood

Noting the self: From embodying Buddhist vipassaná meditation to meditation-based performance, Tanatchaporn Kittikong

PDF

Sighting Circus: Perceptions of circus phenomena investigated through diverse bodies, Katrina Lavers

PDF

Elliott Carter and his use of metric and temporal modulaton in his Eight Pieces for Four Timpani : an examination into the application of click tracks during the preparation and performance of these works, Tegan LeBrun

Rasalila meets Giselle: A journey from sensuality to spirituality, Sonia Nair

Choreographies of Thought: Dancing Time back into Writing, Margaret J. Phillips

(Re)presenting Masculinity: A theatre director’s critical observations of, and theatrical experimentations with, (re)presentations of masculinity in selected works of contemporary Australian theatre, Shane Laurence Pike

PDF

Mr Barbecue By Elena Kats-Chernin: The Raw And The Cooked, Helen K. Rusak

PDF

Toward A New, Musical Paradigm of Place: The Port River Symphonic Of Chester Schultz, Robin Ryan

Two Decades in the Contact Zone: A Critical Assessment of Process and Productivity in Koori Music Research, Robin Ryan and Herb Patten

Link

Sound shapes and spatial texture: Frequency-space morphology, James Stuart

PDF

Exploring the mediality of live and studio composition: The case of computer music, and its implications in “Ambivalence of Density”, Michael Terren

PDF

Eighteenth century techniques of classical improvisation on the violin: Pedagogy, practice and decline, Flavia Claudia Todea

Claiming Shakespeare for our own: An investigation into directing Shakespeare in Australia in the 21st century, Zoe Tuffin

Link

Exploring a visual/sonic representational continuum, Lindsay Vickery

Link

Prevalence, risk factors, and effects of Performance-Related Medical Disorders (PRMD) among tertiary-trained jazz pianists in Australia and the United States, Graham C. Wood

Submissions from 2013

PDF

Tessitura changes in music theatre repertoire for the soprano voice, Linda J. Barcan