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Submissions from 2023

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One mob dreaming: Cultivating a working model for song-sharing between Koori and non-Koori children in the Bega Valley, New South Wales, Robin Ryan Cruse and Uncle Ossie Cruse

Submissions from 2022

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Colourful Scenery, Colourful Language: Representing White Australia in the ‘Where the Bloody Hell are you?’ Australian Tourism Campaign, Panizza Allmark

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Framing a Photographie Féminine photography of the city, Panizza Allmark

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Community-led land management: Historical perspectives, future prospects, Danielle Brady, Keith Bradby, Gracie Butler, and Andrea Gaynor

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More than something weird: Teaching Australian Gothic in the classroom, Donna Mazza, Narrelle de Boer, and David Rhodes

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Leadership in sustainability: Collective wisdom, conversations, creativity, contemplation and courage, the five pillars of a master’s teaching unit, Mike Mouritz, Peter Newman, Renée Newman, Jayne Bryant, Aimee Smith, and Elaine Olsen

Submissions from 2021

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Remembrance of things parsed 1, Alberta Natasia Adji and Laura Mitchell

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Continuum and the legacy of Brian Shoesmith and Tom O’Regan: A memorial issue, Panizza Allmark

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‘Are you sure we’re witches and not puritans?’: Sexual flexibility and unrealised desire in Netflix’s chilling adventures of Sabrina, Debra Dudek

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Multicultural, Debra Dudek

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Alien internment in John Galsworthy's 'the bright side' and 'the dog it was that died', Jill F. Durey

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Religion and transnational relations: Bridges, barriers and breakthroughs, Jonathan James

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Screening language acquisition skills in a mediated childhood, Kylie J. Stevenson, Lelia Green, Donnell Holloway, and Kelly Jaunzems

Submissions from 2020

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Public Arts: The academy engaging with Main Roads WA, industry and community, Lyndall Adams, Harrison See, and Fiona Bell

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Shakaya Shakaya (2002), Panizza Allmark

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Does the longitudinal development of physical and anthropometric characteristics associate with professional career attainment in adolescent Australian footballers?, Ashley J. Cripps, Harry G. Banyard, Carl T. Woods, Christopher Joyce, and Luke S. Hopper

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Silent sequences and ontological entanglement in Shaun Tan’s The Arrival and Pat Grant’s Blue, Debra Dudek

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John Galsworthy and slum clearance, Jill Felicity Durey

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National contexts for the risk of harm being done to children by access to online sexual content, Lelia Green, Catharine Lumby, Alan McKee, and Kjartan Olafsson

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Disadvantaged children’s creative visualisation of possible futures, Lelia Green, Kylie J. Stevenson, and Panizza Allmark

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Refugees’ dreams of the past, projected into the future, Carmen Jacques, Kelly Jaunzems, Layla Al-Hameed, and Lelia Green

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Virtual reality training for workers in high-risk occupations, Kelly Jaunzems, Lelia Green, and David Leith

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Australian Muslim citizens: Questions of inclusion and exclusion, 2006 –2020, Nahid A. Kabir

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Identity politics in India: Gujarat and Delhi riots, Nahid A. Kabir

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Interlace: Inter-institutional engagement, Nicola Kaye and Clive Barstow

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The last of its kind, Donna Mazza

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Slow making in five short blasts, Renee Newman

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The question(s), the material(s) and the ethics of creative practice research methodologies, Renée Newman and Lyndall Adams

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A new development in front group strategy: The Social Aspects Public Relations Organization (SAPRO), Rachel Pietracatella and Danielle Brady

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Expression, ethnicity and the Perth nightclub scene of the 1980s, Jon Stratton and Panizza Allmark

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Land of smoke, Paul Uhlmann

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Notational strategies for integrating live performers with complex sounds and environments, Lindsay Vickery

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Indonesian migrant workers in Hong Kong: Smartphone culture and activism, Irfan Wahyudi and Panizza Allmark

Submissions from 2019

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Travel, sexuality and female Indonesian domestic migrant workers in Hong Kong, Panizza Allmark and Irfan Wahyudi

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Travel in the digital age, Paul Longley Arthur and Tom Van Nuenen

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Embodying imagination: Butoh and performer training, Frances Barbe

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The eFun app: A new tool to measure executive functions to support learning in a child-friendly, valid and engaging way, Valeska Berg, Mark McMahon, Shane Rogers, Michael Garrett, and Dominic Manley

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Saying no to Roe 8, Danielle Brady

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European history of the Greater Brixton Street conservation area and surrounds, Danielle Brady and Andrea Gaynor

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Paul Valéry et l’acte de traduire, David Elder

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Digitising early childhood, Lelia Green, Donell Holloway, Kylie Stevenson, and Kelly Jaunzems

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The parent-child-app learning assemblage: Scaffolding early childhood learning through app use in the family home, Donell Holloway, Leslie Haddon, Lelia Green, and Kylie J. Stevenson

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Global, 'Glocal' and local dynamics in Calvary Temple: India's fastest growing megachurch, Jonathan D. James

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“I call Australia Home?" Indian Christians negotiate their faith in Australia, Jonathan D. James

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The prospect of 'Chindia' as a world power, Jonathan D. James

Gregory Pryor - The Yilgarn lacunae, George Karpathakis and Gregory Pryor

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8 theatrical studies for trumpet & piano, Adrian Kelly

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The quantified child: Discourses and practices of dataveillance in different life stages, Giovanna Mascheroni and Donell Holloway

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Seven dead emus, Donna Mazza

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The True Tail, Donna Mazza

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The Other Writing Group: an embodied workshop, Vahri Mckenzie

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Making visible: Illustration through identification, categorization, and metaphor, Stuart Medley

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The visual realism continuum: the roles of high and low-fidelity pictures, Stuart Medley

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Applied comics for law and the avatar-brainstorming, Stuart Medley and Bruce Mutard

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Ungrievable lives: Australian print media portrayals of Palestinian casualties during the Gaza War of 2014, Mayyada Mhanna and Debbie Rodan

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Sisters Akousmatica’s ‘expanded radio’ practice as radical feminist broadcast, Annika Moses and Lindsay Vickery

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The multiple modes of protesting live exports in Australia, Jane Mummery and Debbie Rodan

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Evidencing slow making in one-to-one performance at Proximity Festival, Renée Newman

Gregory Pryor: Dragging tail, Gregory Pryor

List from 231002 - 150907, Gregory Pryor

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Animals Australia and the challenges of vegan stereotyping, Debbie Rodan and Jane Mummery

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Where Fanny Balbuk walked: Re-imagining Perth's wetlands [book chapter], John C. Ryan, Danielle Brady, and Christopher Kueh

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Student responses to a new project model capstone unit in journalism, Kathryn Shine and Trevor Cullen

Piano solo recital, Anna Sleptsova and Lee Bradshaw

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Like Mother? Like Daughter? Unboxing an Etsy Childhood: At home with digital media, Kylie Stevenson, Lelia Green, Donell Holloway, and Kelly Jaunzems

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Accounting for siblings in family-based research, Kylie Stevenson, Kelly Jaunzems, Lelia Green, and Donell Holloway

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Composing soundscapes from a single field recording, Cissi Tsang

Fragment I (Indian Ocean); Fragment II (Indian Ocean); Fragment III (Indian Ocean, ghosts), Paul Uhlmann

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Narratives in research and interventions on cyberbullying among young people, Heidi Vandebosch and Lelia Green

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The canvas mode: Rapid prototyping for the Decibel ScorePlayer, Aaron Wyatt, Lindsay Vickery, and Stuart James

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Unlocking the Decibel ScorePlayer, Aaron Wyatt, Lindsay Vickery, and Stuart James

Submissions from 2018

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Introduction: Gender and the everyday: Contemporary communication culture, and media, Kyra Clarke, Rob Cover, Lauren O'Mahony, Debbie Rodan, and Michele Willson

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Field notes for an Australian production of The Beautiful Game: A case study in coaching challenges, Luzita Fereday

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Parental evaluations of young children’s touchscreen technologies, Leslie Haddon and Donell Holloway

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The 2018 Randolph Stow Memorial Lecture, Donna Mazza

Wardandi Boodja sculptural work signage: Koombana Foreshore, Donna J. Mazza

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Bakkhai, Vahri McKenzie

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Bakkhai: Freedom and Control, Vahri McKenzie

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Towards a notation for trumpet valve rotation, Dan O’Connor and Lindsay Vickery

Tenacity: Solo recital, Matt Styles

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kurui [2018] for bass clarinet, piano​/​melodica and percussion, Lindsay Vickery

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Sanctuary [2018] for percussion quartet, Lindsay Vickery

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Some approaches to representing sound with colour and shape, Lindsay Vickery

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takadanobaba [2018] for voice, violin, trumpet, alto saxophone, bass clarinet, electric guitar, prepared piano and percussion, Lindsay Vickery

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thalweg [2018] for electric guitar and electronics, Lindsay Vickery

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un paso al abismo [2018] for live soap opera feeds and performers, Lindsay Vickery

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Willson's Downfall [2018] for three performers and field recordings, Lindsay Vickery

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GreyWing - Artificial field (live recording), Lindsay Vickery, Matthew Burtner, Michael Terren, Vanessa Tomlinson, Ryan Burge, and Robert Erikson

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greywing - ex machina (live recording), Lindsay Vickery, Robert Erickson, Joanna Bailie, James Saunders, Camilla Hannan, Dane Yates, and Peter Ablinger

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Print media as a migrant advocacy tool: A case of Indonesian language print media in Hong Kong, Irfan Wahyudi and Panizza Allmark

On the town: The best of Bernstein, West Australian Symphony Orchestra and Matthew Styles

Starstruck with Miquel Bernat, Tim White, Miquel Bernat, and Defying Gravity

Thunderstruck, Tim White, Defying Gravity, Rosie Taylor, Elise Reitze, and Pavan Kumar Hari

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Cirque du rhythm, Tim White, Marcus Perrozzi, and Defying Gravity

Submissions from 2017

The reality of weightlessness, Amanda Allerding and Zhao Peisheng

My-Gration, Clive Barstow

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Tomorrow is history, Clive Barstow

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Capstone units and the transition from university to professional life, Trevor A. Cullen

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Speechless, Cat Hope and Stuart James

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Noise in the clouds, Stuart James, Kouhei Harada, and Decibel