Centre for Research in Entertainment, Arts, Technology, Education and Communications Scholarly Works
Submissions from 2023
One mob dreaming: Cultivating a working model for song-sharing between Koori and non-Koori children in the Bega Valley, New South Wales, Robin Ryan Cruse and Uncle Ossie Cruse
Submissions from 2022
Colourful Scenery, Colourful Language: Representing White Australia in the ‘Where the Bloody Hell are you?’ Australian Tourism Campaign, Panizza Allmark
Framing a Photographie Féminine photography of the city, Panizza Allmark
Community-led land management: Historical perspectives, future prospects, Danielle Brady, Keith Bradby, Gracie Butler, and Andrea Gaynor
More than something weird: Teaching Australian Gothic in the classroom, Donna Mazza, Narrelle de Boer, and David Rhodes
Leadership in sustainability: Collective wisdom, conversations, creativity, contemplation and courage, the five pillars of a master’s teaching unit, Mike Mouritz, Peter Newman, Renée Newman, Jayne Bryant, Aimee Smith, and Elaine Olsen
Submissions from 2021
Remembrance of things parsed 1, Alberta Natasia Adji and Laura Mitchell
Continuum and the legacy of Brian Shoesmith and Tom O’Regan: A memorial issue, Panizza Allmark
Multicultural, Debra Dudek
Alien internment in John Galsworthy's 'the bright side' and 'the dog it was that died', Jill F. Durey
Religion and transnational relations: Bridges, barriers and breakthroughs, Jonathan James
Screening language acquisition skills in a mediated childhood, Kylie J. Stevenson, Lelia Green, Donnell Holloway, and Kelly Jaunzems
Submissions from 2020
Public Arts: The academy engaging with Main Roads WA, industry and community, Lyndall Adams, Harrison See, and Fiona Bell
Shakaya Shakaya (2002), Panizza Allmark
Does the longitudinal development of physical and anthropometric characteristics associate with professional career attainment in adolescent Australian footballers?, Ashley J. Cripps, Harry G. Banyard, Carl T. Woods, Christopher Joyce, and Luke S. Hopper
Silent sequences and ontological entanglement in Shaun Tan’s The Arrival and Pat Grant’s Blue, Debra Dudek
John Galsworthy and slum clearance, Jill Felicity Durey
National contexts for the risk of harm being done to children by access to online sexual content, Lelia Green, Catharine Lumby, Alan McKee, and Kjartan Olafsson
Disadvantaged children’s creative visualisation of possible futures, Lelia Green, Kylie J. Stevenson, and Panizza Allmark
Refugees’ dreams of the past, projected into the future, Carmen Jacques, Kelly Jaunzems, Layla Al-Hameed, and Lelia Green
Virtual reality training for workers in high-risk occupations, Kelly Jaunzems, Lelia Green, and David Leith
Australian Muslim citizens: Questions of inclusion and exclusion, 2006 –2020, Nahid A. Kabir
Identity politics in India: Gujarat and Delhi riots, Nahid A. Kabir
Interlace: Inter-institutional engagement, Nicola Kaye and Clive Barstow
The last of its kind, Donna Mazza
Slow making in five short blasts, Renee Newman
The question(s), the material(s) and the ethics of creative practice research methodologies, Renée Newman and Lyndall Adams
A new development in front group strategy: The Social Aspects Public Relations Organization (SAPRO), Rachel Pietracatella and Danielle Brady
Expression, ethnicity and the Perth nightclub scene of the 1980s, Jon Stratton and Panizza Allmark
Land of smoke, Paul Uhlmann
Notational strategies for integrating live performers with complex sounds and environments, Lindsay Vickery
Indonesian migrant workers in Hong Kong: Smartphone culture and activism, Irfan Wahyudi and Panizza Allmark
Submissions from 2019
Travel, sexuality and female Indonesian domestic migrant workers in Hong Kong, Panizza Allmark and Irfan Wahyudi
Travel in the digital age, Paul Longley Arthur and Tom Van Nuenen
Embodying imagination: Butoh and performer training, Frances Barbe
The eFun app: A new tool to measure executive functions to support learning in a child-friendly, valid and engaging way, Valeska Berg, Mark McMahon, Shane Rogers, Michael Garrett, and Dominic Manley
Saying no to Roe 8, Danielle Brady
European history of the Greater Brixton Street conservation area and surrounds, Danielle Brady and Andrea Gaynor
Paul Valéry et l’acte de traduire, David Elder
Digitising early childhood, Lelia Green, Donell Holloway, Kylie Stevenson, and Kelly Jaunzems
The parent-child-app learning assemblage: Scaffolding early childhood learning through app use in the family home, Donell Holloway, Leslie Haddon, Lelia Green, and Kylie J. Stevenson
Global, 'Glocal' and local dynamics in Calvary Temple: India's fastest growing megachurch, Jonathan D. James
“I call Australia Home?" Indian Christians negotiate their faith in Australia, Jonathan D. James
The prospect of 'Chindia' as a world power, Jonathan D. James
Gregory Pryor - The Yilgarn lacunae, George Karpathakis and Gregory Pryor
8 theatrical studies for trumpet & piano, Adrian Kelly
The quantified child: Discourses and practices of dataveillance in different life stages, Giovanna Mascheroni and Donell Holloway
Seven dead emus, Donna Mazza
The True Tail, Donna Mazza
The Other Writing Group: an embodied workshop, Vahri Mckenzie
Making visible: Illustration through identification, categorization, and metaphor, Stuart Medley
The visual realism continuum: the roles of high and low-fidelity pictures, Stuart Medley
Applied comics for law and the avatar-brainstorming, Stuart Medley and Bruce Mutard
Ungrievable lives: Australian print media portrayals of Palestinian casualties during the Gaza War of 2014, Mayyada Mhanna and Debbie Rodan
Sisters Akousmatica’s ‘expanded radio’ practice as radical feminist broadcast, Annika Moses and Lindsay Vickery
The multiple modes of protesting live exports in Australia, Jane Mummery and Debbie Rodan
Evidencing slow making in one-to-one performance at Proximity Festival, Renée Newman
Gregory Pryor: Dragging tail, Gregory Pryor
List from 231002 - 150907, Gregory Pryor
Animals Australia and the challenges of vegan stereotyping, Debbie Rodan and Jane Mummery
Where Fanny Balbuk walked: Re-imagining Perth's wetlands [book chapter], John C. Ryan, Danielle Brady, and Christopher Kueh
Student responses to a new project model capstone unit in journalism, Kathryn Shine and Trevor Cullen
Piano solo recital, Anna Sleptsova and Lee Bradshaw
Like Mother? Like Daughter? Unboxing an Etsy Childhood: At home with digital media, Kylie Stevenson, Lelia Green, Donell Holloway, and Kelly Jaunzems
Accounting for siblings in family-based research, Kylie Stevenson, Kelly Jaunzems, Lelia Green, and Donell Holloway
Composing soundscapes from a single field recording, Cissi Tsang
Fragment I (Indian Ocean); Fragment II (Indian Ocean); Fragment III (Indian Ocean, ghosts), Paul Uhlmann
Narratives in research and interventions on cyberbullying among young people, Heidi Vandebosch and Lelia Green
The canvas mode: Rapid prototyping for the Decibel ScorePlayer, Aaron Wyatt, Lindsay Vickery, and Stuart James
Unlocking the Decibel ScorePlayer, Aaron Wyatt, Lindsay Vickery, and Stuart James
Submissions from 2018
Introduction: Gender and the everyday: Contemporary communication culture, and media, Kyra Clarke, Rob Cover, Lauren O'Mahony, Debbie Rodan, and Michele Willson
Field notes for an Australian production of The Beautiful Game: A case study in coaching challenges, Luzita Fereday
Parental evaluations of young children’s touchscreen technologies, Leslie Haddon and Donell Holloway
The 2018 Randolph Stow Memorial Lecture, Donna Mazza
Wardandi Boodja sculptural work signage: Koombana Foreshore, Donna J. Mazza
Bakkhai, Vahri McKenzie
Bakkhai: Freedom and Control, Vahri McKenzie
Towards a notation for trumpet valve rotation, Dan O’Connor and Lindsay Vickery
Tenacity: Solo recital, Matt Styles
kurui [2018] for bass clarinet, piano/melodica and percussion, Lindsay Vickery
Sanctuary [2018] for percussion quartet, Lindsay Vickery
Some approaches to representing sound with colour and shape, Lindsay Vickery
takadanobaba [2018] for voice, violin, trumpet, alto saxophone, bass clarinet, electric guitar, prepared piano and percussion, Lindsay Vickery
thalweg [2018] for electric guitar and electronics, Lindsay Vickery
un paso al abismo [2018] for live soap opera feeds and performers, Lindsay Vickery
Willson's Downfall [2018] for three performers and field recordings, Lindsay Vickery
GreyWing - Artificial field (live recording), Lindsay Vickery, Matthew Burtner, Michael Terren, Vanessa Tomlinson, Ryan Burge, and Robert Erikson
greywing - ex machina (live recording), Lindsay Vickery, Robert Erickson, Joanna Bailie, James Saunders, Camilla Hannan, Dane Yates, and Peter Ablinger
Print media as a migrant advocacy tool: A case of Indonesian language print media in Hong Kong, Irfan Wahyudi and Panizza Allmark
On the town: The best of Bernstein, West Australian Symphony Orchestra and Matthew Styles
Starstruck with Miquel Bernat, Tim White, Miquel Bernat, and Defying Gravity
Thunderstruck, Tim White, Defying Gravity, Rosie Taylor, Elise Reitze, and Pavan Kumar Hari
Cirque du rhythm, Tim White, Marcus Perrozzi, and Defying Gravity
Submissions from 2017
The reality of weightlessness, Amanda Allerding and Zhao Peisheng
My-Gration, Clive Barstow
Tomorrow is history, Clive Barstow
Capstone units and the transition from university to professional life, Trevor A. Cullen
Speechless, Cat Hope and Stuart James
Noise in the clouds, Stuart James, Kouhei Harada, and Decibel