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Submissions from 2010

The Triple Threat Actor and the Acquisition of Music Skills, Derek Bond

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Postmodernism and the Professional String Quartet, Kelly Michaela Curran

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Dancing With Risk ; Risk-Taking as a Performance Practice in Contemporary Dance, Gemma Dawkins

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The Seventeenth-Century Battaglie for Lute in Italy, Aiden Deasy

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Music for Trumpet and Cornetto in the Duben Collection, Breanna Michelle Evangelista

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Historically and in the Context of Globalisation, how do Western European Perceptions of Folk/ Traditional Dance Pervade and Shape the Field of Dance?, Emma Fishwick

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An Interactive Music System Based on the Technology of the reacTable, James Herrington

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The Ephemerality of Dance, Abby Frances Johnson

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Copyright, Creative Commons and Artistic Integrity, Yagan M. Kiely

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The Dancing Imagination: How Does Imaginative Imagery Facilitate Movement Qualities in Dance Training and Performance?, Rachel Perica

The (un)written heart in Brecht’s Baal and Journeys of the god of happiness : heart matters in the development of a playwright and his ideas on acting, Ralf G. Rauker

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Musical networks in experimental electronic performance, Malcolm Riddoch and Jarryd Bird

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John Hollenbeck's Compositional Technique: An Analysis and Creative Application, Tilman Robinson

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The Analysis of Composition Techniques in UTP_: Synthetic Composition for Electroacoustic Ensembles, Kynan Tan

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Mobile Scores and Click-Tracks: Teaching Old Dogs, Lindsay Vickery

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A Study of Performance Practices in Recordings of Bach's Violin Sonata BWV 1003 from 1930-2000, Adrian Yeo

Submissions from 2009

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Regulating the Notes : A Case Study Into the Impact of Government Regulation on the Live Music Performances of Perth's Original Contemporary Musicians, Christina Ballico

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The Success and Sustainability of Improvisation in a Live Performance Context, Ashleigh Rose Berry

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In Music, Poetry : A Britten Song Cycle and Influences on a New Work, Talitha Broughton

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Dreaming in Motion : Maintaining Community, Culture and Identity of First Australians, Ian R.T. Colless

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An Investigation of Specific Structural Techniques Used by the Miles Davis Quintet on Selected Live Recordings From 1964-1965., Callum G'Froerer

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The Classics and her Cygnets : Classic Choreographies and Their Contemporary (Counter) Parts, Leeke Griffin

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'Youth Ventures Into the Unknown' Developing an Individual Style of Dance Making, Kate Herron

Kenny Wheeler: Melody, Harmony and Structure : An Analysis of the Melodic, Harmonic and Structural Techniques in the Compositions of Kenny Wheeler, and the Implementation of Those Techniques Into the Authors own Creative Process., Alice Humphries

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Constellations, Pathways Through the Body : An Exploration Creating new Movement Pathways Using Dual Patterning, Gemma Laing

Shakespeare's verse and the training actor, Leith McPherson

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Modern Performance Trends In Bach's Sacred Music : Changing Tastes in the Performance of Bach's Weihnachtsoratorium : An Exploration of the Rhetorical Style., Sam Nester

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Architects of the Identity of Dance: Gender Inequity in Achievement and Acknowledgment in Australian Contemporary Dance, Quindell Orton

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Undressing and redressing the harlequin: an Australian designer's perspective, Julie Parsons

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Artists, Creativity and Knowledge: A Challenge for Doctoral Change, Maggi Phillips

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Seeking Excellence in Danced Postgraduate Degrees, Maggi Phillips

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Dancing Doctorates Down-Under? Defining and Assessing 'Doctorateness' When Embodiment Enters the Thesis, Maggi Phillips, Cheryl Stock, and Kim Vincs

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The Communicating Dance, Alison Plevey

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From Dreams to Nightmares : Cross-Generational Romance in Mainstream American Cinema, Sol Stern

Submissions from 2008

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Steve Reich's 'Piano Phase' and David Cossin's 'Video Phase' : An Exploration of David Cossin's Video Phase With Reference to Steve Reich's Original Work Piano Phase., Fiona Digney

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Protean Careers and the Performing Arts: Antecedents for Intrinsic Motivation, Sophie Fernandes

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Navigate your way through a sea of data, Korin S. Gath

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Unmasking Albany : Addressing Social Issues Through Mask-Work With Young People in a Western Australian Regional Centre., Fleur Hockey

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Visualising the Transient Self: An Examination of the Intangible in Creative Work, Jaqueline Monks

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New Indeterminate Music: The Influence of the Cagean Trajectory in The Importance of Being Earmarked, Brett Philip Murray

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Is Dance Good for the Body or Not? : An Examination of Body Awareness and Injury Prevention for Specialised Tertiary Dance Students, Kylie Murray

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Creativity's Crossingforces:A Danced Interplay, Maggi Phillips

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Performing Le Merle Nair: An Investigation Into the Performance Issues in the Music of Olivier Messiaen, Kirsten Smith

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Performing the Keyboard Percussion Works of Nebojsa Jovan Zivkovic, Joshua James Webster

Submissions from 2007

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A Methodology for Thorough Text Preparation of German Lieder., Emma Louise Blake

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Cinematography and Choreography : "It Takes Two to Tango", Laura Boynes

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In Genius-Lee : An Analysis of the Improvisational Style of Lee Konitz, Andrew Brooks

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The New String Quartet : The Evolution of the Hyperquartet, Rachael Deas

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Blowing East : A set of Performance Practice Instructions for a Western Flautist Presenting Japanese and Indian Inspired Works, Asha Henfry

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Facelift, Cat Hope

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Electronic Music Compositional Techniques in Instrumental Music: A Study of Effect in Helmut Lachenmann's 'Pression'., Lisa James

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Vigilante Performance, Jonathan Marshall

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Rehearsal and Performance Practices of Minimalist Music, Specifically Related to Music for Eighteen Musicians by Steve Reich, Callum Moncrieff

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Photography, Dance and the Concept of Punctum, Rhiannon Newton

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God's Lonely Men : Bernard Herrmann's Musical Voice for the Lonely and Tortured Men of Cinema., Clare Nina Norelli

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Lost in translation: Making Sense of Dance Through Words., Paul T. O'Sullivan

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Preparing the Role of Tytania in Britten's A Midsummer Night's Dream: A Handbook for Singers, Emma Pettemerides

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An Investigation of Musical Life and Music Societies in Perth (Western Australia), 1900-1950, Jessica Sardi

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A Method for Electric Bass Improvisation via a Detailed Analysis of the Improvisational Techniques of Jaco Pastorius From 1967-1968, Aaron Spiers

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Redefining Electro-Acoustic: Applying Techniques From Electronic Music to the Composition of Pivot, an Acoustic Work for Percussion Quartet, Joe Stawarz

Submissions from 2006

Performance design : the Western Australian Opera Company's contribution to performance design 1968-1997, Howard Bradfield

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Through the Window: The Subject and the Voyeur's Gaze Within Cinema and Video., James A. Doohan

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Bob Brookmeyer: composer, performer, pedagogue, Mace Francis

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The Classical Guitar in Paris: Composers and Performers c.1920-1960, Duncan Robert Gardiner

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Application of Binaural Recording in the Video Game Industry, Max Leong

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Financial Philanthropy Towards Australian Public art Galleries by Individual Benefactors: Some Empirical Evidence From the National Gallery of Victoria, Elisha London

Transforming Messiaen : The Application of Elements of the Musical Language of Olivier Messiaen to the Contemporary Jazz Orchestra, Johannes Luebbers

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An investigation into the spectral music idiom and its association with visual imagery, particularly that of film and video., Brett Mabury

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The Dancing Mind, Rebecca McCormac

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Creative Interpretation and Cello Technique: A Pedagogical Handbook in the Tradition of Michael Goldschlager and Bernard Greenhouse, Sacha McCulloch

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The integrated sound, space and movement environment : The uses of analogue and digital technologies to correlate topographical and gestural movement with sound., Jonathan A. Mustard

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What are the Benefits of Dance in Relation to Developing Creative Potential for the Individual?, Shannon Riggs

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The Influence of Genetics and the Environment on Human Personalities, Relationships and Experiences, Patrice Smith

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An Investigation Into Lindsay Vickery's Rendez-vous: an Opera Noir, Adam Willett

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Tan Dun's Eight Memories in Watercolor: Insights Into Performance, Zhen Zeng

Submissions from 2005

Orchestral Engagements With Rock Music: a Study of Michel Colombier's Wings as a Catalyst for Evolution- a Aock Symphony for Jazz Orchestra, Christopher de Groot

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"Everything I've Listened to With Love" : A Study of Guitarist Wolfgang Muthspiel and his Integration of Classical Music Elements Into Jazz, Johanne Druitt

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Voyeurages, Cat Hope

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Developing a flexible and expressive realtime polyphonic wave terrain synthesis instrument based on a visual and multidimensional methodology, Stuart G. James

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New Method Of Rhythmic Improvisation For The Jazz Bassist : An Interdisciplinary Study of Dave Holland's Rhythmic Approach To Bass Improvisation And North Indian Rhythmic Patterns, Linda M. Oh

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Diversified Moves of a Specialised Ecology: Can this Art-Form be Sustainable?, Maggi Phillips

Submissions from 2004

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Decorator or narrator : a contextualisation of Slavic and Australian pattern making and its relationship to my painting practice, Iliana H. Jordanov

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Renaissance and baroque stage technology and its meaning for today's theatre, Stan Kubalcik

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Resisting aggression : graphic re-presentations for other bodies, Camilla C. Loveridge

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When the carnival is over : Peter Barnes' Red Noses and the theories of Mikhail Bakhtin, Duncan A. Sharp

Submissions from 2003

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Revisiting the early format of the big band : So you want to be a band leader?, Amanda L. Jones

The Dance to Know: Transition in an Elite Educational Sector, Chrissie Parrott and Maggi Phillips

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The Embodied Thesis, Maggi Phillips

Submissions from 2002

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Collaboration, demystification, Rea-historiography : the reclamation of the black body by contemporary indigenous female photo-media artists, Eva Fernandez

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The living artist, Haruhisa Handa

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Intimation of life : photographic portraiture in art, Richard Munsie

Crazy Link-ups all Over the Place: Russian Blood, Modernity and Western Australia, Maggi Phillips

Submissions from 2001

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An exploration of doubleness through Kieslowski's films and my theatre practice, Maho Hidaka

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Accumulated response in live improvised dance performance, Joanna T. Pollitt

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Trace and the makers of meaning, Lindon J. Thompson

Submissions from 2000

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Tracing image and bodily displacement in modern and postmodern dance, Carolyn Margaret Griffiths

Submissions from 1999

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Digital imaging : creating new realities, Mark. Datodi

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Art and body image : a journey through anorexia nervosa and the implications for art therapy rituals, Peta. Horrex

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Colour perception : a phenomenological study into people's spontaneous physical, psychological, emotional and spiritual reactions, through experiential use, to colour, Nicolette Smith

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The art of healing : a journey through cancer : implications for art therapy, Carmen. Zammit